What the corpus says about MASH (1970)

You are a clerk at Video Culture, a video store. A customer just finished MASH (1970) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about MASH (1970) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Friday Night Lights’ · 0:04:01 · Bill Simmons (0.80)] Friday Night Lights (2004 film) ↔ MASH · lineage · Friday Night Lights is a movie that led to a TV show, like MASH, Buffy and Parenthood. · "there's been really good movies that led to better TV shows."
[The Rewatchables · 'The Player' · 1:26:04 · Sean Fennessey (0.50)] Robert Altman ↔ MASH · career · Altman's peak is argued as post-MASH, when he used a surprise hit to make the wild Brewster McCloud. · "he makes Brewster McLeod is the 1st movie he makes after Mesh, which is a wild movie"
[The Rewatchables · ‘Friday Night Lights’ · 0:06:46 · Mallory Rubin (0.80)] Friday Night Lights (2004 film) ↔ Friday Night Lights (TV series) · programming · The reboot will use the title as a bucket for different stories about Texas high school football. · "use the title as a bucket to tell different stories about high school football in Texas."
[The Rewatchables · ‘Friday Night Lights’ · 1:42:43 · Bill Simmons (0.70)] Friday Night Lights (2004 film) ↔ Varsity Blues · programming · Best double feature: the serious Texas version after the super fun one. · "We get the super fun Texas version, then we get like the serious version."
[The Rewatchables · ‘Friday Night Lights’ · 0:04:13 · Bill Simmons (0.70)] Friday Night Lights (2004 film) ↔ Buffy the Vampire Slayer · lineage · Another movie that led to a TV series, named as precedent. · "Buffy the Vampire Slayer."
[The Rewatchables · ‘Friday Night Lights’ · 0:04:15 · Bill Simmons (0.70)] Friday Night Lights (2004 film) ↔ Parenthood · lineage · Another movie-to-TV precedent; there is an argument the show is better. · "I think parenthood, there's a really good argument."
[The Rewatchables · ‘Friday Night Lights’ · 0:04:23 · Bill Simmons (0.80)] Friday Night Lights (2004 film) ⇒ Friday Night Lights (TV series) (the host's read) · lineage · The TV show's excellence overshadowed the film, which has become underrated. · "And then this one, which I think the TV show kind of overwhelmed the movie, and now the movie has become weirdly underrated."
[The Rewatchables · ‘Friday Night Lights’ · 0:09:40 · Bill Simmons (0.60)] Friday Night Lights (2004 film) ↔ Against the Grain (NBC show) · lineage · Earlier Texas football entries that Friday Night Lights outdid; the NBC show failed. · "there was against the grain, an NBC show with Ben Affleck as the quarterback that failed."
[The Rewatchables · ‘Friday Night Lights’ · 0:10:01 · Bill Simmons (0.60)] Friday Night Lights (2004 film) ↔ Varsity Blues · lineage · Both took viewers into the Texas football world; Friday Night Lights nailed it and the TV series went further. · "Then this movie nailed it?"
[The Rewatchables · ‘Friday Night Lights’ · 0:19:17 · Bill Simmons (0.60)] Friday Night Lights (2004 film) ↔ The Bad News Bears · lineage · Bad News Bears and Rocky, the same year, were the first time good guys did not win. · "Bad news bears and Rockies, same year."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with MASH (1970); name it the way the line names it. Don't recommend MASH (1970) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.