What the corpus says about Apocalypse Now (1979)

The 56 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (14)

[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:25 · Bill Simmons (0.50)] Apocalypse Now ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · The dogs at Spahn Ranch play the role of the Duvall helicopters, constantly present and disorienting. · "He wanted the dogs to be the helicopters."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 1:00:36 · Brian Raftery (0.90)] Apocalypse Now ⇒ Saving Private Ryan (the host's read) · lineage · Two decades of Apocalypse Now, Platoon and Born made Ryan's grit necessary. · "By the time Saving Private Ryan was released, moviegoers have spent two decades being confronted by the likes of Apocalypse Now in Platoon and born in the Fourth of July."
[Blank Check — Patreon · Return of the Jedi · 1:46:41 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ Apocalypse Now · lineage · The Ewok guerrilla war ties to Lucas's Vietnam interest; he was supposed to make Apocalypse Now before handing it to Coppola. · "George Lucas is supposed to make apocalypse now, right?"
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:38:38 · Chris Ryan (0.40)] Gladiator II ↔ Apocalypse Now · craft · Sean demands real animals, citing the tiger in Apocalypse Now. · "You're not responding like the way Frederick Forrest responds to the tiger in apocalypse now"
[The Big Picture · Physical Media Strikes Back · 0:59:42 · Sean Fennessey (0.55)] Apocalypse Now ↔ Apocalypse Now · craft · Watching Apocalypse Now with TV speakers on a streaming service loses the artistic intent. · "if you want to watch Apocalypse Now, you don't want to watch it with your TV speakers on a streaming service."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:50:27 · Brian Raftery (0.90)] Apocalypse Now ⇒ Dead Presidents (the host's read) · craft · The Hughes brothers kept an Apocalypse Now poster; the film borrows its helicopter shots. · "The directors were big time movie obsessives, who kept an apocalypse now poster on the wall of their Hollywood studio."
[The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture · 0:11:43 · James Gray (0.80)] The Lost City of Z ↔ Apocalypse Now · contrast · Coppola's shoot ran about 270 days against Gray's four months, though Gray says four months is still punishing. · "We were there for 4 months."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:53:09 · Brian Raftery (0.90)] Dead Presidents ↔ Apocalypse Now · people · Martin Sheen, of Apocalypse Now, plays the sentencing judge. · "played by Apocalypse Now Star Martin Sheen."
[The Rewatchables · ‘Tombstone’ · 1:07:16 · Chris Ryan (0.40)] Tombstone ↔ Apocalypse Now · industry · Director's cut/reconstruction era examples like the chronological Godfather. · "There was the Apocalypse Now director's cut."
[Blank Check · The Color of Money · 2:10:52 · unknown (0.30)] Apocalypse Now ↔ The Color of Money · peaks early · Apocalypse Now is the example of a film whose best sequence arrives in the middle, so the viewer stops watching around 65 minutes. · "Everyone's like, I love apocalypse now. Of course, I always stop watching about 65 minutes."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 1:08:01 · unknown (0.00)] Samuel L. Jackson ↔ Apocalypse Now · theme · Jackson's performance transcends its memes like hearing Satisfaction for real, which then plays in Apocalypse Now. · "It's like you've heard it a 1000000000 times."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 1:08:13 · unidentified host (0.30)] The Rolling Stones ↔ Apocalypse Now · craft · The speaker heard "Satisfaction" play in Apocalypse Now at a recent screening and compares hearing it fresh to hearing Jackson's performance fresh. · "And satisfaction plays in that movie and I was like, this song's fucking good, man."
[The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture · 0:11:20 · Sean Fennessey (0.60)] Francis Ford Coppola ↔ Apocalypse Now · industry · Coppola could not escape monsoons and Martin Sheen's heart attack on the long shoot. · "there was monsoons and Martin Sheen had a heart attack"
[Blank Check — Patreon · Full Metal Jacket · 1:05:20 · Griffin Newman (0.50)] R. Lee Ermey ↔ Apocalypse Now · technical advisor · Ermey advised on Apocalypse Now and other Vietnam films before Full Metal Jacket. · "Arlie Ermy had been a technical advisor in Apocalypse. Now, Purple Hearts, Boys and Company C, a lot of these Vietnam movies."

Films put beside it more than once (1)

[pairs] Apocalypse Now ↔ Dead Presidents · said 2 times in 1 episode

One hop out: what recommends the films most often joined to it (32)

[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:48:28 · Brian Raftery (0.90)] Bloods (book) ⇒ Dead Presidents (the host's read) · lineage · Dead Presidents was inspired by Wallace Terry's oral history of Black Vietnam veterans. · "It was inspired by a book called Bloods, an oral history of the Vietnam War by Black Veterans."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:37:13 · Chris Ryan (0.40)] Gladiator II ↔ Wicked · programming · Gladiator II's CGI baboons made it feel like being dumped into Wicked. · "I actually felt like we got dumped into Wicked or something, you know?"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:32 · unknown (0.00)] Pulp Fiction ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Marcellus's you-pride-only-hurts speech to Butch is the same speech Pacino gives DiCaprio in Once Upon a Time in Hollywood. · "And it's the same speech that Pacino gives DiCaprio at Rousseau and Frank in Once Upon a Time in Hollywood."
[Blank Check · Empire of the Sun · 2:19:11 · Bilge Ebiri (0.80)] Saving Private Ryan ↔ Empire of the Sun · theme · Bilge finds Saving Private Ryan like Empire: incredible first 30-40 minutes, then merely liked. · "is actually not dissimilar to some people's response to Empire of the Sun"
[Blank Check — Patreon · Return of the Jedi · 0:29:55 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ The Mandalorian · programming · After The Mandalorian the speaker wants new characters, not known ones, as a model for future Star Wars. · "after Mandalorian, I'm like, don't give me characters we already know."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:50:43 · Lorenz Tate (0.80)] Full Metal Jacket ⇒ Dead Presidents (the maker said so: Lorenz Tate recalling the Hughes brothers' videotapes) · lineage · Allen Hughes made a VHS of Vietnam scenes; Tate was assigned Full Metal Jacket, Apocalypse Now, Platoon. · "So I watched Full Metal Jacket."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:06:45 · Sean Fennessey (0.80)] Gladiator ⇒ Gladiator II (the host's read) · lineage · The sequel is very similar in structure and story to the original. · "it's pretty well known that this movie is very similar in structure and story to the original."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:16:14 · Bill Simmons (0.50)] Wanted: Dead or Alive ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Bounty Law is based on Steve McQueen's Wanted Dead or Alive. · "Bounty Lostar, which was based on Wanted Dead or Alive with Steve McQueen"
[Blank Check — Patreon · Paths of Glory · 1:22:08 · Sarah Marshall (0.60)] Paths of Glory ↔ Saving Private Ryan · theme · Saving Private Ryan is a parallel to Paths of Glory: both turn on an absurd mission and the question of what heroism means. · "Saving Private Ryan, I think, is an incredible parallel to paths of glory because it's also about a very absurd mission"
[Blank Check — Patreon · Return of the Jedi · 2:22:02 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ Star Wars: Episode VII - The Force Awakens · programming · The next Patreon commentary is Force Awakens, ten days later. · "The next commentary episode is the Force Awakens."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:51:07 · Brian Raftery (0.90)] Blaxploitation films ⇒ Dead Presidents (the host's read) · lineage · It also drew on Blaxploitation films and gangster sagas, scored with 70s soul. · "But so were Black'sploitation films and gangster sagas."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:15:52 · Mallory Rubin (0.60)] Gladiator ⇒ Gladiator II (the host's read) · lineage · The sequel's plot, structure, approach and pacing mirror the first, forcing a one-to-one comparison. · "it's just the movie is so similar to the 1st one in terms of plot, structure, approach, focus, pacing."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:06 · Bill Simmons (0.50)] The Texas Chain Saw Massacre ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Tarantino wanted the Spahn Ranch sequence to feel like Texas Chain Saw Massacre. · "Tarantino wanted it to look like the Texas Chainsaw Massacre and had his crew research, Texas Chant, and the whole feel of it and how desolate it was."
[The Big Picture · Steven Spielberg's Top 5 Movies · 0:11:16 · Chris Ryan (0.80)] Saving Private Ryan ↔ 2001: A Space Odyssey · craft · The Normandy sequence is compared to the longest virtuoso stretches in film, like the openings of 2001 and There Will Be Blood. · "The opening of 2001, the opening of there will be blood."
[Blank Check — Patreon · Return of the Jedi · 0:04:31 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ The Hangover Part II · lineage · Death Star 2 is framed as a sequel that repeats the first one, like a Hangover sequel. · "It's like hangover two."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:50:57 · Brian Raftery (0.90)] The Deer Hunter ⇒ Dead Presidents (the host's read) · craft · The film carries the Deer Hunter's post-war isolation, Platoon's combat, Apocalypse Now's helicopters. · "The post-war isolation of the Deer Hunter, the bloody combat, a platoon, even the majestic helicopter shots from Apocalypse Now."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:21:39 · Mallory Rubin (0.50)] Gladiator ⇒ Gladiator II (the host's read) · lineage · Because it mirrors the first film, outcomes for characters become predictable by inversion. · "I almost felt like it became impossible not to know what was going to happen to certain people"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:51 · Chris Ryan (0.50)] Lee Van Cleef ⇒ Once Upon a Time in Hollywood (the maker said so: he told me; I asked Quentin about it) · lineage · The painting of Rick in the driveway came from Tarantino finding a giant Lee Van Cleef painting in the actor's garage while scouting. · "that's why I put a painting of Rick in the driveway."
[Blank Check — Patreon · Return of the Jedi · 0:04:32 · unknown (0.30)] Star Wars: Episode IV – A New Hope ⇒ Star Wars: Episode VI – Return of the Jedi (the host's read) · lineage · A second, bigger Death Star is called a lateral remake of the first. · "We're kind of, it's like a lateral remake."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:57:16 · Brian Raftery (0.90)] Dead Presidents ↔ 90s cinema · craft · The Hughes brothers ran the older Vietnam films through a hyperviolent, referential 90s lens. · "they were jamming those older movies through the hyperviolent, ultra referential lens of 90s cinema."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:52:34 · Sean Fennessey (0.40)] Gladiator ⇒ Gladiator II (the host's read) · lineage · Lucius's hand in the grain is a callback to Maximus's hand in the wheat. · "And it's an obvious callback to Maximus walking through the kind of afterlife feeling the wheat."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:09:23 · Chris Ryan (0.50)] Bob & Carol & Ted & Alice ⇒ Once Upon a Time in Hollywood (the maker said so) · lineage · Tarantino said Bob & Carol & Ted & Alice influenced the characters, looks, and scenery. · "Quinn said Bob and Carol and Ted Alice was a big influence on this movie"
[Blank Check — Patreon · Return of the Jedi · 0:12:57 · unknown (0.30)] Sydney Greenstreet ⇒ Star Wars: Episode VI – Return of the Jedi (the host's read) · lineage · Jabba is said to be visually based on Sydney Greenstreet. · "He's based on Sydney Green Street, right?"
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:47:12 · Sean Fennessey (0.40)] Gladiator II ↔ Conclave · theme · Both films feel resonant with the election cycle without mapping neatly. · "the same way that conclave, which is like so heavily leaning into like, hey, isn't this just like this election cycle?"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:38 · unknown (0.00)] Pulp Fiction ↔ Once Upon a Time in Hollywood · theme · Motifs echo across Tarantino's movies. · "It's so awesome to see the motifs echo across his movies."
[Blank Check — Patreon · Return of the Jedi · 0:13:00 · unknown (0.30)] Casablanca ⇒ Star Wars: Episode VI – Return of the Jedi (the host's read) · lineage · Jabba's court is conceived as Sydney Greenstreet crossed with Casablanca. · "The concept is he's sort of like Sidney Green Street and then Casablanca, yeah."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 1:09:25 · Chris Ryan (0.50)] Gladiator II ↔ Anora · theme · Anora's idea that there is no dream undercuts Macrinus's rise from nothing to the top. · "one of the key ideas of Anora is like, There is no dream."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:21:42 · Sean Fennessey (0.40)] Once Upon a Time in Hollywood ↔ Scent of a Woman · theme · Marvin's pitch resembles the Top Gun speech in Sleep With Me; the transcript garbles the title. · "That speech he gives is pure Tarantino. Like, that is not that much different than the actual speech"
[Blank Check — Patreon · Return of the Jedi · 0:20:11 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ Star Wars: Episode I – The Phantom Menace · lineage · Lucas's goofy special-edition additions anticipate the broad humor of the prequels, such as Jar Jar. · "It's weird how many of the Lucas alterations are like really goofy broad humor."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:06:38 · Sean Fennessey (0.85)] Gladiator II ↔ Gladiator · craft · Gladiator II brings back the original film's cinematographer, John Mathieson, as part of a returning crew. · "The cinematographer, John Matheson, is back."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:05 · Chris Ryan (0.50)] The Hateful Eight ⇒ Once Upon a Time in Hollywood (the host's read) · theme · The slow pan out to the painting of Rick echoes the slow pan out to the Jesus statue in Hateful Eight. · "It's very similar to the beginning of Hateful 8, where there's this very slow panout and it's like a Jesus Christ statue."
[Blank Check — Patreon · Return of the Jedi · 0:29:00 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ Star Wars: Episode VII - The Force Awakens · lineage · Luke's lost lightsaber (his father's) turns up again in The Force Awakens. · "Which then reappears, of course, in The Force Awakens."

Who said it, by their latest sketch (6)

[speaker] Brian Raftery · latest sketch, The Big Picture · 5. ‘No Country for Old Men’ and ‘W.’ | Mission Accomplished · Loves slow-burn tension and scenes built on dialogue, naming the Ellis kitchen scene the best of the 2000s. Is drawn to films that capture their national moment. Has little patience for the word classic, and dry humor about presidents and haircuts. · stances: No Country for Old Men is about inevitability and powerlessness; Its 2007 release resonated with Bush-era anxiety; W. was undone by timing, not quality; Stone's late-2000s movies are best read through the decade's politics
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] James Gray · latest sketch, The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture · Loves classical, big-canvas cinema: Coppola, Lean, Hitchcock, Kubrick, Fellini, Scorsese. Believes in the communal theater experience and the 90 to 120 minute feature. Wary of testing-driven, branded product; admires directors who build a name as a brand. Respects TV (Sopranos, Breaking Bad) but calls it a different muscle. · stances: Films should be personal, not formula; audiences catch up later; Failure is the norm; stay Zen and keep trying; Theatrical viewing is better than a phone or computer; sad about its decline; Movies are not beholden to literal historical fact; Wants to keep making features rather than go to TV

The shows' running bits (3)

[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md

You are a clerk at Video Culture, a video store. A customer just finished Apocalypse Now (1979) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Apocalypse Now (1979) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:25 · Bill Simmons (0.50)] Apocalypse Now ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · The dogs at Spahn Ranch play the role of the Duvall helicopters, constantly present and disorienting. · "He wanted the dogs to be the helicopters."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 1:00:36 · Brian Raftery (0.90)] Apocalypse Now ⇒ Saving Private Ryan (the host's read) · lineage · Two decades of Apocalypse Now, Platoon and Born made Ryan's grit necessary. · "By the time Saving Private Ryan was released, moviegoers have spent two decades being confronted by the likes of Apocalypse Now in Platoon and born in the Fourth of July."
[Blank Check — Patreon · Return of the Jedi · 1:46:41 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ Apocalypse Now · lineage · The Ewok guerrilla war ties to Lucas's Vietnam interest; he was supposed to make Apocalypse Now before handing it to Coppola. · "George Lucas is supposed to make apocalypse now, right?"
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:38:38 · Chris Ryan (0.40)] Gladiator II ↔ Apocalypse Now · craft · Sean demands real animals, citing the tiger in Apocalypse Now. · "You're not responding like the way Frederick Forrest responds to the tiger in apocalypse now"
[The Big Picture · Physical Media Strikes Back · 0:59:42 · Sean Fennessey (0.55)] Apocalypse Now ↔ Apocalypse Now · craft · Watching Apocalypse Now with TV speakers on a streaming service loses the artistic intent. · "if you want to watch Apocalypse Now, you don't want to watch it with your TV speakers on a streaming service."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:50:27 · Brian Raftery (0.90)] Apocalypse Now ⇒ Dead Presidents (the host's read) · craft · The Hughes brothers kept an Apocalypse Now poster; the film borrows its helicopter shots. · "The directors were big time movie obsessives, who kept an apocalypse now poster on the wall of their Hollywood studio."
[The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture · 0:11:43 · James Gray (0.80)] The Lost City of Z ↔ Apocalypse Now · contrast · Coppola's shoot ran about 270 days against Gray's four months, though Gray says four months is still punishing. · "We were there for 4 months."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:53:09 · Brian Raftery (0.90)] Dead Presidents ↔ Apocalypse Now · people · Martin Sheen, of Apocalypse Now, plays the sentencing judge. · "played by Apocalypse Now Star Martin Sheen."
[The Rewatchables · ‘Tombstone’ · 1:07:16 · Chris Ryan (0.40)] Tombstone ↔ Apocalypse Now · industry · Director's cut/reconstruction era examples like the chronological Godfather. · "There was the Apocalypse Now director's cut."
[Blank Check · The Color of Money · 2:10:52 · unknown (0.30)] Apocalypse Now ↔ The Color of Money · peaks early · Apocalypse Now is the example of a film whose best sequence arrives in the middle, so the viewer stops watching around 65 minutes. · "Everyone's like, I love apocalypse now. Of course, I always stop watching about 65 minutes."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 1:08:01 · unknown (0.00)] Samuel L. Jackson ↔ Apocalypse Now · theme · Jackson's performance transcends its memes like hearing Satisfaction for real, which then plays in Apocalypse Now. · "It's like you've heard it a 1000000000 times."
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 1:08:13 · unidentified host (0.30)] The Rolling Stones ↔ Apocalypse Now · craft · The speaker heard "Satisfaction" play in Apocalypse Now at a recent screening and compares hearing it fresh to hearing Jackson's performance fresh. · "And satisfaction plays in that movie and I was like, this song's fucking good, man."
[The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture · 0:11:20 · Sean Fennessey (0.60)] Francis Ford Coppola ↔ Apocalypse Now · industry · Coppola could not escape monsoons and Martin Sheen's heart attack on the long shoot. · "there was monsoons and Martin Sheen had a heart attack"
[Blank Check — Patreon · Full Metal Jacket · 1:05:20 · Griffin Newman (0.50)] R. Lee Ermey ↔ Apocalypse Now · technical advisor · Ermey advised on Apocalypse Now and other Vietnam films before Full Metal Jacket. · "Arlie Ermy had been a technical advisor in Apocalypse. Now, Purple Hearts, Boys and Company C, a lot of these Vietnam movies."
[pairs] Apocalypse Now ↔ Dead Presidents · said 2 times in 1 episode
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:48:28 · Brian Raftery (0.90)] Bloods (book) ⇒ Dead Presidents (the host's read) · lineage · Dead Presidents was inspired by Wallace Terry's oral history of Black Vietnam veterans. · "It was inspired by a book called Bloods, an oral history of the Vietnam War by Black Veterans."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:37:13 · Chris Ryan (0.40)] Gladiator II ↔ Wicked · programming · Gladiator II's CGI baboons made it feel like being dumped into Wicked. · "I actually felt like we got dumped into Wicked or something, you know?"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:32 · unknown (0.00)] Pulp Fiction ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Marcellus's you-pride-only-hurts speech to Butch is the same speech Pacino gives DiCaprio in Once Upon a Time in Hollywood. · "And it's the same speech that Pacino gives DiCaprio at Rousseau and Frank in Once Upon a Time in Hollywood."
[Blank Check · Empire of the Sun · 2:19:11 · Bilge Ebiri (0.80)] Saving Private Ryan ↔ Empire of the Sun · theme · Bilge finds Saving Private Ryan like Empire: incredible first 30-40 minutes, then merely liked. · "is actually not dissimilar to some people's response to Empire of the Sun"
[Blank Check — Patreon · Return of the Jedi · 0:29:55 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ The Mandalorian · programming · After The Mandalorian the speaker wants new characters, not known ones, as a model for future Star Wars. · "after Mandalorian, I'm like, don't give me characters we already know."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:50:43 · Lorenz Tate (0.80)] Full Metal Jacket ⇒ Dead Presidents (the maker said so: Lorenz Tate recalling the Hughes brothers' videotapes) · lineage · Allen Hughes made a VHS of Vietnam scenes; Tate was assigned Full Metal Jacket, Apocalypse Now, Platoon. · "So I watched Full Metal Jacket."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:06:45 · Sean Fennessey (0.80)] Gladiator ⇒ Gladiator II (the host's read) · lineage · The sequel is very similar in structure and story to the original. · "it's pretty well known that this movie is very similar in structure and story to the original."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:16:14 · Bill Simmons (0.50)] Wanted: Dead or Alive ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Bounty Law is based on Steve McQueen's Wanted Dead or Alive. · "Bounty Lostar, which was based on Wanted Dead or Alive with Steve McQueen"
[Blank Check — Patreon · Paths of Glory · 1:22:08 · Sarah Marshall (0.60)] Paths of Glory ↔ Saving Private Ryan · theme · Saving Private Ryan is a parallel to Paths of Glory: both turn on an absurd mission and the question of what heroism means. · "Saving Private Ryan, I think, is an incredible parallel to paths of glory because it's also about a very absurd mission"
[Blank Check — Patreon · Return of the Jedi · 2:22:02 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ Star Wars: Episode VII - The Force Awakens · programming · The next Patreon commentary is Force Awakens, ten days later. · "The next commentary episode is the Force Awakens."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:51:07 · Brian Raftery (0.90)] Blaxploitation films ⇒ Dead Presidents (the host's read) · lineage · It also drew on Blaxploitation films and gangster sagas, scored with 70s soul. · "But so were Black'sploitation films and gangster sagas."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:15:52 · Mallory Rubin (0.60)] Gladiator ⇒ Gladiator II (the host's read) · lineage · The sequel's plot, structure, approach and pacing mirror the first, forcing a one-to-one comparison. · "it's just the movie is so similar to the 1st one in terms of plot, structure, approach, focus, pacing."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:37:06 · Bill Simmons (0.50)] The Texas Chain Saw Massacre ⇒ Once Upon a Time in Hollywood (the host's read) · lineage · Tarantino wanted the Spahn Ranch sequence to feel like Texas Chain Saw Massacre. · "Tarantino wanted it to look like the Texas Chainsaw Massacre and had his crew research, Texas Chant, and the whole feel of it and how desolate it was."
[The Big Picture · Steven Spielberg's Top 5 Movies · 0:11:16 · Chris Ryan (0.80)] Saving Private Ryan ↔ 2001: A Space Odyssey · craft · The Normandy sequence is compared to the longest virtuoso stretches in film, like the openings of 2001 and There Will Be Blood. · "The opening of 2001, the opening of there will be blood."
[Blank Check — Patreon · Return of the Jedi · 0:04:31 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ The Hangover Part II · lineage · Death Star 2 is framed as a sequel that repeats the first one, like a Hangover sequel. · "It's like hangover two."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:50:57 · Brian Raftery (0.90)] The Deer Hunter ⇒ Dead Presidents (the host's read) · craft · The film carries the Deer Hunter's post-war isolation, Platoon's combat, Apocalypse Now's helicopters. · "The post-war isolation of the Deer Hunter, the bloody combat, a platoon, even the majestic helicopter shots from Apocalypse Now."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:21:39 · Mallory Rubin (0.50)] Gladiator ⇒ Gladiator II (the host's read) · lineage · Because it mirrors the first film, outcomes for characters become predictable by inversion. · "I almost felt like it became impossible not to know what was going to happen to certain people"
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:51 · Chris Ryan (0.50)] Lee Van Cleef ⇒ Once Upon a Time in Hollywood (the maker said so: he told me; I asked Quentin about it) · lineage · The painting of Rick in the driveway came from Tarantino finding a giant Lee Van Cleef painting in the actor's garage while scouting. · "that's why I put a painting of Rick in the driveway."
[Blank Check — Patreon · Return of the Jedi · 0:04:32 · unknown (0.30)] Star Wars: Episode IV – A New Hope ⇒ Star Wars: Episode VI – Return of the Jedi (the host's read) · lineage · A second, bigger Death Star is called a lateral remake of the first. · "We're kind of, it's like a lateral remake."
[The Big Picture · 8. I Love America | Do We Get to Win This Time? · 0:57:16 · Brian Raftery (0.90)] Dead Presidents ↔ 90s cinema · craft · The Hughes brothers ran the older Vietnam films through a hyperviolent, referential 90s lens. · "they were jamming those older movies through the hyperviolent, ultra referential lens of 90s cinema."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:52:34 · Sean Fennessey (0.40)] Gladiator ⇒ Gladiator II (the host's read) · lineage · Lucius's hand in the grain is a callback to Maximus's hand in the wheat. · "And it's an obvious callback to Maximus walking through the kind of afterlife feeling the wheat."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 1:09:23 · Chris Ryan (0.50)] Bob & Carol & Ted & Alice ⇒ Once Upon a Time in Hollywood (the maker said so) · lineage · Tarantino said Bob & Carol & Ted & Alice influenced the characters, looks, and scenery. · "Quinn said Bob and Carol and Ted Alice was a big influence on this movie"
[Blank Check — Patreon · Return of the Jedi · 0:12:57 · unknown (0.30)] Sydney Greenstreet ⇒ Star Wars: Episode VI – Return of the Jedi (the host's read) · lineage · Jabba is said to be visually based on Sydney Greenstreet. · "He's based on Sydney Green Street, right?"
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:47:12 · Sean Fennessey (0.40)] Gladiator II ↔ Conclave · theme · Both films feel resonant with the election cycle without mapping neatly. · "the same way that conclave, which is like so heavily leaning into like, hey, isn't this just like this election cycle?"
[The Rewatchables · ‘Pulp Fiction’ (Part 2) · 0:17:38 · unknown (0.00)] Pulp Fiction ↔ Once Upon a Time in Hollywood · theme · Motifs echo across Tarantino's movies. · "It's so awesome to see the motifs echo across his movies."
[Blank Check — Patreon · Return of the Jedi · 0:13:00 · unknown (0.30)] Casablanca ⇒ Star Wars: Episode VI – Return of the Jedi (the host's read) · lineage · Jabba's court is conceived as Sydney Greenstreet crossed with Casablanca. · "The concept is he's sort of like Sidney Green Street and then Casablanca, yeah."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 1:09:25 · Chris Ryan (0.50)] Gladiator II ↔ Anora · theme · Anora's idea that there is no dream undercuts Macrinus's rise from nothing to the top. · "one of the key ideas of Anora is like, There is no dream."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:21:42 · Sean Fennessey (0.40)] Once Upon a Time in Hollywood ↔ Scent of a Woman · theme · Marvin's pitch resembles the Top Gun speech in Sleep With Me; the transcript garbles the title. · "That speech he gives is pure Tarantino. Like, that is not that much different than the actual speech"
[Blank Check — Patreon · Return of the Jedi · 0:20:11 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ Star Wars: Episode I – The Phantom Menace · lineage · Lucas's goofy special-edition additions anticipate the broad humor of the prequels, such as Jar Jar. · "It's weird how many of the Lucas alterations are like really goofy broad humor."
[The Big Picture · ‘Gladiator II’ Is Here. Are We Not Entertained? · 0:06:38 · Sean Fennessey (0.85)] Gladiator II ↔ Gladiator · craft · Gladiator II brings back the original film's cinematographer, John Mathieson, as part of a returning crew. · "The cinematographer, John Matheson, is back."
[The Rewatchables · ‘Once Upon a Time … in Hollywood’ Live From Sundance · 0:44:05 · Chris Ryan (0.50)] The Hateful Eight ⇒ Once Upon a Time in Hollywood (the host's read) · theme · The slow pan out to the painting of Rick echoes the slow pan out to the Jesus statue in Hateful Eight. · "It's very similar to the beginning of Hateful 8, where there's this very slow panout and it's like a Jesus Christ statue."
[Blank Check — Patreon · Return of the Jedi · 0:29:00 · unknown (0.30)] Star Wars: Episode VI – Return of the Jedi ↔ Star Wars: Episode VII - The Force Awakens · lineage · Luke's lost lightsaber (his father's) turns up again in The Force Awakens. · "Which then reappears, of course, in The Force Awakens."
[speaker] Brian Raftery · latest sketch, The Big Picture · 5. ‘No Country for Old Men’ and ‘W.’ | Mission Accomplished · Loves slow-burn tension and scenes built on dialogue, naming the Ellis kitchen scene the best of the 2000s. Is drawn to films that capture their national moment. Has little patience for the word classic, and dry humor about presidents and haircuts. · stances: No Country for Old Men is about inevitability and powerlessness; Its 2007 release resonated with Bush-era anxiety; W. was undone by timing, not quality; Stone's late-2000s movies are best read through the decade's politics
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] James Gray · latest sketch, The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture · Loves classical, big-canvas cinema: Coppola, Lean, Hitchcock, Kubrick, Fellini, Scorsese. Believes in the communal theater experience and the 90 to 120 minute feature. Wary of testing-driven, branded product; admires directors who build a name as a brand. Respects TV (Sopranos, Breaking Bad) but calls it a different muscle. · stances: Films should be personal, not formula; audiences catch up later; Failure is the norm; stay Zen and keep trying; Theatrical viewing is better than a phone or computer; sad about its decline; Movies are not beholden to literal historical fact; Wants to keep making features rather than go to TV
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Apocalypse Now (1979); name it the way the line names it. Don't recommend Apocalypse Now (1979) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.