What the corpus says about San Andreas (2015)

You are a clerk at Video Culture, a video store. A customer just finished San Andreas (2015) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about San Andreas (2015) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Twister’ · 1:31:16 · Bill Simmons (0.40)] Twister ↔ San Andreas · contrast · Modern disaster movies fail by casting the Rock, who is never in peril, instead of normal-looking actors like Adam Driver. · "The rock's never in peril."
[The Rewatchables · ‘Twister’ · 0:08:25 · Bill Simmons (0.80)] Twister ↔ Apollo 13 · programming · The 1995 summer slate (Crimson Tide, Die Hard, Braveheart, Batman Forever, Apollo 13) was when Hollywood began slamming mid-May to July 4. · "Batman forever, Apollo 13th all before July 4th."
[The Rewatchables · ‘Twister’ · 0:08:38 · Bill Simmons (0.80)] Twister ↔ Mission: Impossible · programming · 1996 is when the studios locked in the early-May-to-July-4 summer blockbuster calendar: Twister, Mission: Impossible, The Rock, Eraser, Independence Day. · "So then you look at 96, May 10th, Twister."
[The Rewatchables · ‘Twister’ · 0:08:48 · Bill Simmons (0.80)] Twister ↔ Independence Day · programming · Independence Day (July 2) closes out the 1996 summer calendar that began with Twister. · "July 2nd Independence Day."
[The Rewatchables · ‘Twister’ · 1:46:54 · Bill Simmons (0.40)] Twister ↔ Speed · programming · Best double feature for Twister is the Jan de Bont pair with Speed. · "It's gotta be speed, right?"
[The Rewatchables · ‘Twister’ · 1:47:09 · Van Lathan (0.40)] Twister ↔ Deep Impact · programming · Deep Impact, same summer, is suggested as a disaster double feature and feels coded to Twister. · "Oh, no, this movie is deep impact coded to me."
[The Rewatchables · ‘Twister’ · 0:05:47 · Chris Ryan (0.50)] Twister ↔ Jurassic Park · lineage · Twister is aesthetically closer to Jurassic Park than to superhero movies, prizing intelligence over strength and wonder over fixing things. · "I think it's more aesthetically closer to like Jurassic Park."
[The Rewatchables · ‘Twister’ · 0:54:51 · Chris Ryan (0.50)] Jaws ⇒ Twister (the host's read) · lineage · Jonas is the Jaws-mayor archetype, a money-motivated antagonist that became a stock character in every movie. · "The mayor in Jaws is the character that kind of pushes against our lead person."
[The Rewatchables · ‘Twister’ · 1:30:51 · Chris Ryan (0.40)] Twister ↔ The Poseidon Adventure · lineage · Disaster movies had two golden runs, the 70s (Poseidon Adventure, Towering Inferno) and the 90s, and Twister belongs to the second. · "The 70s, we had this awesome run, Poseidon adventure and all those movies."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with San Andreas (2015); name it the way the line names it. Don't recommend San Andreas (2015) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.