What the corpus says about Evil Dead (2013)

You are a clerk at Video Culture, a video store. A customer just finished Evil Dead (2013) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Evil Dead (2013) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 1:33:55 · Chris Ryan (0.50)] Evil Dead ↔ Casablanca · lineage · Evil Dead has been ripped off so many times it is foundational, like Casablanca. · "it's like Casablanca at this point."
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:29:17 · Sean Fennessey (0.60)] Resident Evil ↔ Evil Dead · people · Online commenters compare Austin Abrams to Bruce Campbell in Evil Dead. · "a lot of people have compared, uh, this character and this performance to Bruce Campbell and Evil Dead."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 1:12:05 · Sean Fennessey (0.60)] Masters of the Universe ↔ Evil Dead · end-credit tease · Orko's three-second end-credits cameo feels like Bruce Campbell saying groovy in the Alvarez Evil Dead credits. · "the end of the Fede Alvarez evil dead reboot where in the end credits, it just inserts a shot of old Bruce Campbell saying groovy."
[Blank Check — Patreon · The Killing · 0:09:09 · Griffin Newman (0.40)] The Killing ↔ Evil Dead · title · The Killing as a title is like The Evil Dead; obvious words on a poster. · "what we talked about with the evil dead"
[The Big Picture · Thirteen Awards Movies to Watch Out for, Oscar Do-Overs, and More From the Mailbag · 0:50:25 · Amanda Dobbins (0.80)] Citizen Kane ↔ Casablanca · programming · Younger viewers resist classics because they feel they must watch five canonical films first; a recent episode showed they refuse Citizen Kane even on streaming. · "we just went through a whole episode where people refuse to watch Citizen Kane on streaming."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 0:23:25 · Griffin Newman (0.50)] Star Wars: Episode IV – A New Hope ⇒ Masters of the Universe (the host's read) · lineage · He-Man (and the 80s toy boom) was a response to every company having passed on Star Wars merchandising. · "so much of He-Man and the 80s for toys is a response to every major company passing on Star Wars that Star Wars is the whiff that no one can live down."
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:21:02 · Sean Fennessey (0.70)] Evil Dead II ⇒ Resident Evil (the maker said so: a conversation with Cregger on the show last year) · lineage · Cregger said he wanted an Evil Dead 2 style rock-em sock-em movie and got crazy with the camera. · "I'm doing it because I think this movie is going to be fucking awesome."
[The Rewatchables · ‘Reservoir Dogs’ · 0:47:05 · Bill Simmons (0.70)] The Killing ⇒ Reservoir Dogs (the maker said so: a Tarantino quote the host reads) · lineage · Tarantino said Reservoir Dogs was his version of Kubrick's heist film, without meaning it as a ripoff. · "but I did think of it as my killing, my take on that kind of heist movie."
[The Big Picture · ‘A Minecraft Movie’ Is the Most Important Movie of the Year So Far. And These Flicks Are the Best … · 0:56:42 · Sean Fennessey (0.65)] Casablanca ⇒ The Good German (the host's read) · lineage · The Good German is an exercise in post-Casablanca style filmmaking. · "It is a kind of exercise in a post-Casablanca style of filmmaking."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 1:09:02 · unknown (0.40)] Thor: Ragnarok ⇒ Masters of the Universe (the host's read) · lineage · The movie looks inspired by Ragnarok, which gave executives a template of color, weirdness, and joke tone to copy. · "And it speaks to this movie feels very, um, inspired by Thor Ragnarok to me."
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:30:19 · Chris Ryan (0.60)] Resident Evil ↔ Charlie Chaplin · lineage · The design recalls Chaplin and Keaton's slip-and-fall, rooted-for ne'er-do-well. · "there's so much Charlie Chaplin and Buster Keaton to me in the design of the movie"
[Blank Check — Patreon · Paths of Glory · 1:41:56 · unknown (0.40)] Stanley Kubrick ↔ The Killing · lineage · The Killing is where Kubrick first has a real grasp of the language; Paths of Glory sits after it. · "The killing is when he finally has sort of like a real grasp on the language."
[Blank Check — Patreon · Return of the Jedi · 0:13:00 · unknown (0.30)] Casablanca ⇒ Star Wars: Episode VI – Return of the Jedi (the host's read) · lineage · Jabba's court is conceived as Sydney Greenstreet crossed with Casablanca. · "The concept is he's sort of like Sidney Green Street and then Casablanca, yeah."
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 1:13:19 · unknown (0.30)] Masters of the Universe ↔ X-Men: Apocalypse · lineage · The final shot of slightly updated costumes echoes the end of X-Men Apocalypse promising the classic looks next time. · "it feels like the end of X-Men apocalypse, where suddenly the promise is, wait a 2nd, are they all going to have the 90s costumes next time?"
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:40:30 · Sean Fennessey (0.50)] The Thing ⇒ Resident Evil (the host's read) · lineage · The farmhouse sequence and the dog at the barn are homages to Carpenter's The Thing. · "You can see the homage to Carpenters the Thing in all this part."
[Blank Check — Patreon · The Killing · 0:05:46 · David Sims (0.40)] Clean Break (novel) ⇒ The Killing (the host's read) · lineage · The film is the screen version of the novel Clean Break. · "Clean Break was the name of the book."
[The Big Picture · The 1990 Movie Draft · 0:18:22 · Sean Fennessey (0.55)] Home Alone ↔ Casablanca · theme · For a kid in 1990, Home Alone was as monumental as Casablanca or the Wizard of Oz. · "for me, at this time, Home Alone was Casablanca"
[The Big Picture · The Top 10 Fantasy Films, The Toy Movie Hall of Fame, and ‘Masters of the Universe,’ · 0:09:47 · unknown (0.30)] Taika Waititi ↔ Masters of the Universe · craft · Waititi's deflation jokes read as embarrassment about the material, and the movie's jokes feel defensive in the same way. · "Feels like it's coming from a place of, I'm a little embarrassed that I'm making this movie."
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:43:16 · Chris Ryan (0.60)] John Carpenter ⇒ Resident Evil (the host's read) · lineage · Carpenter looms over the movie; it sits in a lineage with Romero, 28 Days Later, Alien, Cronenberg. · "It's very obvious the way that Carpenter looms over a movie like this."
[Blank Check — Patreon · The Killing · 1:28:00 · David Sims (0.35)] The Killing ⇒ The Dark Knight (the host's read) · lineage · The clown mask is said to look basically like the Joker mask Nolan pays homage to in The Dark Knight. · "Nolan obviously pays homage to in the Dark Knight"
[The Big Picture · ‘Ghostbusters: Afterlife,’ ‘Tick, Tick ... Boom!,' and Our Top Five Feel-Good Movies · 1:21:59 · Mike Mills (0.90)] Come On, Come On ↔ Casablanca · craft · The framing in clean single shots is like Casablanca. · "It's like, it's like out of Casablanca or something."
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:43:23 · Chris Ryan (0.60)] Resident Evil ↔ 28 Days Later · lineage · Listed among strands to pull from: Romero zombies, 28 Days Later, Alien, Cronenberg body horror. · "You could pull the Romero zombie movies."
[Blank Check — Patreon · Paths of Glory · 0:41:29 · unknown (0.40)] Paths of Glory ↔ The Killing · craft · The overcomplicated hard-boiled dialogue of the rewrite is the kind that rules in The Killing. · "that's like the kind of dialogue that like rules in the killing."
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:54:00 · Chris Ryan (0.50)] Resident Evil ↔ George A. Romero · lineage · The skyscraper stage recalls later Romero films where a whole city is overrun. · "the more elevated later Romero movies where it feels like an entire city has been taken over."
[Blank Check — Patreon · The Killing · 0:19:39 · David Sims (0.40)] The Killing ↔ Day of the Fight · craft · The racetrack footage reminds the speaker of Day of the Fight and Kubrick's Look magazine work. · "It reminds me of, you know, a lot of Kubrick stuff like Day of the Fight"
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 1:00:42 · Sean Fennessey (0.50)] Die Hard ⇒ Resident Evil (the host's read) · lineage · The shoes-melting beat is called a Die Hard nod (walking on broken glass). · "You have that wonderful diehard nod where his shoes are starting to melt and he has to take his shoes off."
[Blank Check — Patreon · The Killing · 0:20:29 · Griffin Newman (0.50)] The Killing ↔ Fear and Desire · craft · The Killing's documentary feel recalls Fear and Desire and Kubrick's earlier work. · "Fear and desire feels very documentary-esque."
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 1:20:44 · Chris Ryan (0.50)] Resident Evil ↔ The Last of Us · lineage · Chris sees it as a breakthrough for video-game films, like The Last of Us for TV. · "I see this movie as, it is the last of us 4 movies"
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Evil Dead (2013); name it the way the line names it. Don't recommend Evil Dead (2013) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.