What the corpus says about You Can Count on Me (2000)

You are a clerk at Video Culture, a video store. A customer just finished You Can Count on Me (2000) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about You Can Count on Me (2000) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · In the Cut · 1:22:54 · Griffin or David (unclear) (0.35)] Kenneth Lonergan ↔ You Can Count on Me · programming · The hosts say a Lonergan miniseries would happen if he ever makes another film. · "Lonergan's one of those guys where like, if he ever does another fucking movie, we might just be like, fuck it."
[Blank Check — Patreon · In the Cut · 1:23:12 · Griffin or David (unclear) (0.35)] Mark Ruffalo ↔ You Can Count on Me · craft · In You Can Count on Me Ruffalo catches a bug mid-monologue and keeps going, the spontaneity he describes. · "a bug comes into frame and he like, or like a butterfly or something and he holds his hand out and like catches it on his hand and keeps on talking."
[The Rewatchables · ‘The Truman Show’ · 1:20:09 · Bill Simmons (0.60)] Laura Linney ↔ You Can Count on Me · career · Linney's apex is early 2000s with You Can Count on Me, Primal Fear around the same era. · "When she says, you can count on me and she just becomes one of the most respected actresses."
[Blank Check — Patreon · In the Cut · 0:35:39 · Griffin or David (unclear) (0.35)] Mark Ruffalo ↔ You Can Count on Me · career · Ruffalo's breakthrough was You Can Count on Me, a two-hander that got Linney an Oscar nomination. · "This sort of supporting roles in indie movies and then is just has this like insane breakthrough and you can count on me, right?"
[Blank Check — Patreon · The Avengers · 0:19:09 · Griffin Newman (0.60)] Mark Ruffalo ↔ You Can Count on Me · career · His breakout, a second lead beside Laura Linney, put him on the map as a leading man. · "Kenny Lonergan, my favorite playwright, cast him as the 2nd lead, and you can count on me alongside Laura Linney"
[Blank Check — Patreon · In the Cut · 0:35:46 · Griffin or David (unclear) (0.35)] Laura Linney ↔ You Can Count on Me · people · Linney's Oscar nomination came from the film. · "This, like, great fucking movie that gets Linny who's been respected for a while, the Oscar nomination, and it's a two-hander"
[Blank Check — Patreon · In the Cut · 1:23:12 · Griffin or David (unclear) (0.35)] You Can Count on Me · fun · Fans cite the moment Ruffalo catches a bug mid-monologue and keeps talking as the moment actors knew he was the guy. · "a bug comes into frame and he like, or like a butterfly or something and he holds his hand out and like catches it on his hand and keeps on talking."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with You Can Count on Me (2000); name it the way the line names it. Don't recommend You Can Count on Me (2000) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.