What the corpus says about Scary Movie (2000)

You are a clerk at Video Culture, a video store. A customer just finished Scary Movie (2000) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Scary Movie (2000) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:51:07 · Chris Ryan (0.50)] Evil Dead II ↔ Scary Movie · contrast · Evil Dead 2 fuses comedy with horror history rather than upending it; making fun of horror usually leads to Scary Movie, not an actually funny and scary film. · "making fun of horror usually leads you down the road to scary movie."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:05:41 · Adam Nayman (0.55)] Teenage Sex and Death at Camp Miasma ↔ Scary Movie · contrast · Miasma is not Scary Movie because it has no contempt or opportunism toward its material. · "It's not like scary movie because it doesn't have, it doesn't have contempt or like just opportunism for what it's dealing with."
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 0:24:52 · Griffin Newman (0.35)] Crouching Tiger, Hidden Dragon ↔ Scary Movie · parody · Wire-work parody in pop culture (Scary Movie that year) made it hard for a young Griffin to take the genre seriously. · "Well, there's like scary movie this year."
[The Big Picture · Did Disney’s ‘Mulan’ Experiment Work? A Binge Mode Investigation · 0:28:58 · Jason Concepcion (0.80)] Crouching Tiger, Hidden Dragon ⇒ Mulan (the host's read) · lineage · The remake's wuxia/mystical style follows the wave of Chinese films that grew popular after Crouching Tiger and the Zhang Yimou films. · "they've gotten very big, kind of post, crouching tiger hidden dragon, and the Jang Yi-Mu films"
[The Big Picture · ‘Resident Evil’ Absolutely Rips! · 0:21:02 · Sean Fennessey (0.70)] Evil Dead II ⇒ Resident Evil (the maker said so: a conversation with Cregger on the show last year) · lineage · Cregger said he wanted an Evil Dead 2 style rock-em sock-em movie and got crazy with the camera. · "I'm doing it because I think this movie is going to be fucking awesome."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:21:40 · Adam Nayman (0.50)] Friday the 13th ⇒ Teenage Sex and Death at Camp Miasma (the host's read) · lineage · The in-film franchise is very much Friday the 13th while also running through the paces of Scream and I Know What You Did Last Summer. · "It is very much Friday the 13th, but it's also gone through some of the same paces as Scream, and I know what you did last summer and things like that."
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 0:23:14 · David Sims (0.40)] Crouching Tiger, Hidden Dragon ↔ Westerns (genre) · lineage · Lee reviving an old genre like making a Western, but engineered for a worldwide audience. · "It was like if somebody made a Western, but it also was implicitly built to and engineered to appeal to a worldwide audience as much as it appealed to an American one."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:22:08 · Adam Nayman (0.55)] A Clockwork Orange ⇒ Teenage Sex and Death at Camp Miasma (the host's read) · lineage · The contrapuntal needle drop descends from Singin' in the Rain in Clockwork Orange and Stuck in the Middle with You in Reservoir Dogs. · "all the way back to singing in the rain in Clockwork Orange or stuck in the middle with you in, in, in, in Reservoir dogs."
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 0:24:55 · David Sims (0.40)] King Hu ⇒ Crouching Tiger, Hidden Dragon (the host's read) · lineage · CTHD plays in the milieu of King Hu and the wuxia classics, but with a more modern sensibility. · "this movie is playing in a, in a Milu that is inherent to like King Hu movies and Musha, like the classics"
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:30:53 · Adam Nayman (0.50)] Sleepaway Camp ⇒ Teenage Sex and Death at Camp Miasma (the maker said so: interviews with Jane) · lineage · Sleepaway Camp is among the films in Miasma's DNA, along with Nightmare on Elm Street 2. · "I think the movies that are in this movie's DNA or that have come up in interviews"
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 1:07:21 · Griffin Newman (0.30)] Crouching Tiger, Hidden Dragon ↔ Last Action Hero · lineage · Jen worshipping Shu Lien and living her dreamed-of story is very Last Action Hero. · "It's very last action hero."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:47:57 · Adam Nayman (0.50)] Alien ⇒ Teenage Sex and Death at Camp Miasma (the host's read) · lineage · Ripley stripped to underwear at the end is a vulnerability beat that Miasma echoes. · "Yes, it is echoed in Teenage Tech"
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 1:46:30 · David Ehrlich (0.35)] Crouching Tiger, Hidden Dragon ↔ Brokeback Mountain · lineage · CTHD as the first of Lee's 'fuck mountain diptych' of transgressive sex movies, with Brokeback. · "This is the 1st of Angley's fuck mountain diptych."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:48:17 · Adam Nayman (0.50)] Night of the Living Dead ↔ Teenage Sex and Death at Camp Miasma · lineage · The first girl in Night of the Living Dead is also the final girl, chased through the cemetery, and Miasma plays with that. · "I mean, candy asthma has fun with that too."
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 0:30:13 · David Ehrlich (0.45)] Crouching Tiger, Hidden Dragon ↔ Sense and Sensibility · theme · Ang Lee's bottled-emotion movies; CTHD as Sense and Sensibility with a magic sword. · "This is one of his great bottled emotion movies, which is like a big running theme for people who don't know how to express those. Sensibility with a magic sword."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:51:44 · Adam Nayman (0.50)] Teenage Sex and Death at Camp Miasma ↔ The Cabin in the Woods · lineage · Some critics compare Miasma to Cabin in the Woods, which popped the hood on horror and elevated it into discourse. · "some people have compared can't be asthma to the Joss Whedon film to Cabin in the Woods, which is an interesting comparison."
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 0:37:29 · Griffin Newman (0.30)] Crouching Tiger, Hidden Dragon ↔ Sense and Sensibility · theme · After 15 minutes the movie goes full Jane Austen. · "But like 15 minutes later, when the movie goes full, Jane Austen"
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:55:42 · Sean Fennessey (0.45)] X ↔ Teenage Sex and Death at Camp Miasma · lineage · After X, Pearl and MaXXXine the self-referential riffing on rape revenge and slasher films hit a dead end, and Miasma rebuilds the bridge. · "we have kind of gotten to the conclusive point of self-referential riffing on rape revenge and slasher films"
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 0:42:52 · David Ehrlich (0.55)] Crouching Tiger, Hidden Dragon ↔ Lady Bird · theme · Seen as a coming-of-age story where Jen is the surrogate daughter holding the adults together and apart. · "I never really looked at it through this lens until I was just, you know, on ambient and trying to apply ladybird quotes to everything"
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:57:44 · Adam Nayman (0.50)] Teenage Sex and Death at Camp Miasma ↔ The Texas Chain Saw Massacre · lineage · Miasma restages the sex, death, chase and catharsis of the classic final-girl structure differently from Texas Chain Saw. · "in a very different way than, you know, Texas Chainsaw Massacre."
[speaker] Adam Nayman · latest sketch, The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · Self-described slasher fan who likes a movie that plays with tropes intelligently; admires Miasma's playfulness and sincerity but dislikes its showbiz satire. Soft spot for Texas Chain Saw, wrestling and Toronto sports. Wary of the idea that references alone make a movie smart. · stances: Miasma is academic but playfully so; Better filmmakers deserve less intention-guessing; Don't need to love slashers to love Miasma
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Scary Movie (2000); name it the way the line names it. Don't recommend Scary Movie (2000) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.