What the corpus says about Alone (Garrett Bradley short)
The 7 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else.
The model writes a clerk's answer from these and only these.
What was said about it (1)
- [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 1:50:37 · Garrett Bradley (0.85)] Alone (Garrett Bradley short) ⇒ Time (the maker said so: Bradley, the guest: 'making a sister film' to Alone) · lineage · Time began as a sister film to Bradley's short Alone, continuing its conversation about incarceration. · "making a sister film"
One hop out: what recommends the films most often joined to it (4)
- [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 2:07:39 · Garrett Bradley (0.90)] Heat ↔ Time · programming · Bradley's last great thing was rewatching Heat, which prompted talk of the 90s. · "I rewatched Heat"
- [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 1:48:32 · Garrett Bradley (0.85)] Billy Woodberry ⇒ Time (the maker said so: Bradley, the guest, on her grad-school proximity to Woodberry) · lineage · Bradley's grad-school proximity to Woodberry and the LA Rebellion shaped her confidence and approach. · "incredible movement of the LA rebellion, which was so inherently about thinking about adapting neo-realism"
- [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 1:55:21 · Garrett Bradley (0.90)] Time ↔ Gabe Rhodes · craft · Bradley and editor Gabe Rhodes watched about 100 hours of the family's archive and found the film. · "we watched through about 100 hours of material"
- [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 2:00:21 · Garrett Bradley (0.90)] Time ↔ Emahoy Tsegué-Maryam Guèbru · craft · Time's score is Emahoy's 1963 album, found on YouTube; the film pairs two women across time. · "she's still living and she's a 96 year old, Ethiopian nun"
Who said it, by their latest sketch (1)
- [speaker] Garrett Bradley · latest sketch, The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · Garrett Bradley, director of Time, builds films from real relationships rather than hunting stories, prizes lived-in community over pure art-making, and cites the LA Rebellion and Billy Woodberry as tradition. Her last great things: rewatching Heat and Homecoming season 2. · stances: Documentaries should honor the present moment; A mainstream release matters for an issue that is a majority issue; Filmmaking facilitates contradictory thought
The shows' running bits (1)
- [bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
The whole prompt
As the model gets it, from app/Ai/Prompts/CorpusAsk.md
You are a clerk at Video Culture, a video store. A customer just finished Alone (Garrett Bradley short) and wants to know what to watch next. Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Alone (Garrett Bradley short) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion. [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 1:50:37 · Garrett Bradley (0.85)] Alone (Garrett Bradley short) ⇒ Time (the maker said so: Bradley, the guest: 'making a sister film' to Alone) · lineage · Time began as a sister film to Bradley's short Alone, continuing its conversation about incarceration. · "making a sister film" [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 2:07:39 · Garrett Bradley (0.90)] Heat ↔ Time · programming · Bradley's last great thing was rewatching Heat, which prompted talk of the 90s. · "I rewatched Heat" [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 1:48:32 · Garrett Bradley (0.85)] Billy Woodberry ⇒ Time (the maker said so: Bradley, the guest, on her grad-school proximity to Woodberry) · lineage · Bradley's grad-school proximity to Woodberry and the LA Rebellion shaped her confidence and approach. · "incredible movement of the LA rebellion, which was so inherently about thinking about adapting neo-realism" [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 1:55:21 · Garrett Bradley (0.90)] Time ↔ Gabe Rhodes · craft · Bradley and editor Gabe Rhodes watched about 100 hours of the family's archive and found the film. · "we watched through about 100 hours of material" [The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · 2:00:21 · Garrett Bradley (0.90)] Time ↔ Emahoy Tsegué-Maryam Guèbru · craft · Time's score is Emahoy's 1963 album, found on YouTube; the film pairs two women across time. · "she's still living and she's a 96 year old, Ethiopian nun" [speaker] Garrett Bradley · latest sketch, The Big Picture · 300th Episode Ask-Us-Anything Mailbag Spectacular · Garrett Bradley, director of Time, builds films from real relationships rather than hunting stories, prizes lived-in community over pure art-making, and cites the LA Rebellion and Billy Woodberry as tradition. Her last great things: rewatching Heat and Homecoming season 2. · stances: Documentaries should honor the present moment; A mainstream release matters for an issue that is a majority issue; Filmmaking facilitates contradictory thought [bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten) Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Alone (Garrett Bradley short); name it the way the line names it. Don't recommend Alone (Garrett Bradley short) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them. Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact. You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here. Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.