What the corpus says about Horror Movie (Paul Tremblay novel)

You are a clerk at Video Culture, a video store. A customer just finished Horror Movie (Paul Tremblay novel) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Horror Movie (Paul Tremblay novel) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:35:37 · Sean Fennessey (0.45)] Teenage Sex and Death at Camp Miasma ↔ Horror Movie (Paul Tremblay novel) · industry · Tremblay's novel has executive meetings uncannily close to Miasma's, though the two are independent. · "And it's uncanny how close his scenes meeting with the executives are to the scenes in, um, in miasma."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:21:40 · Adam Nayman (0.50)] Friday the 13th ⇒ Teenage Sex and Death at Camp Miasma (the host's read) · lineage · The in-film franchise is very much Friday the 13th while also running through the paces of Scream and I Know What You Did Last Summer. · "It is very much Friday the 13th, but it's also gone through some of the same paces as Scream, and I know what you did last summer and things like that."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:22:08 · Adam Nayman (0.55)] A Clockwork Orange ⇒ Teenage Sex and Death at Camp Miasma (the host's read) · lineage · The contrapuntal needle drop descends from Singin' in the Rain in Clockwork Orange and Stuck in the Middle with You in Reservoir Dogs. · "all the way back to singing in the rain in Clockwork Orange or stuck in the middle with you in, in, in, in Reservoir dogs."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:30:53 · Adam Nayman (0.50)] Sleepaway Camp ⇒ Teenage Sex and Death at Camp Miasma (the maker said so: interviews with Jane) · lineage · Sleepaway Camp is among the films in Miasma's DNA, along with Nightmare on Elm Street 2. · "I think the movies that are in this movie's DNA or that have come up in interviews"
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:47:57 · Adam Nayman (0.50)] Alien ⇒ Teenage Sex and Death at Camp Miasma (the host's read) · lineage · Ripley stripped to underwear at the end is a vulnerability beat that Miasma echoes. · "Yes, it is echoed in Teenage Tech"
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:48:17 · Adam Nayman (0.50)] Night of the Living Dead ↔ Teenage Sex and Death at Camp Miasma · lineage · The first girl in Night of the Living Dead is also the final girl, chased through the cemetery, and Miasma plays with that. · "I mean, candy asthma has fun with that too."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:51:44 · Adam Nayman (0.50)] Teenage Sex and Death at Camp Miasma ↔ The Cabin in the Woods · lineage · Some critics compare Miasma to Cabin in the Woods, which popped the hood on horror and elevated it into discourse. · "some people have compared can't be asthma to the Joss Whedon film to Cabin in the Woods, which is an interesting comparison."
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:55:42 · Sean Fennessey (0.45)] X ↔ Teenage Sex and Death at Camp Miasma · lineage · After X, Pearl and MaXXXine the self-referential riffing on rape revenge and slasher films hit a dead end, and Miasma rebuilds the bridge. · "we have kind of gotten to the conclusive point of self-referential riffing on rape revenge and slasher films"
[The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ · 0:57:44 · Adam Nayman (0.50)] Teenage Sex and Death at Camp Miasma ↔ The Texas Chain Saw Massacre · lineage · Miasma restages the sex, death, chase and catharsis of the classic final-girl structure differently from Texas Chain Saw. · "in a very different way than, you know, Texas Chainsaw Massacre."
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Horror Movie (Paul Tremblay novel); name it the way the line names it. Don't recommend Horror Movie (Paul Tremblay novel) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.