What the corpus says about Jack Reacher (2012)

You are a clerk at Video Culture, a video store. A customer just finished Jack Reacher (2012) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Jack Reacher (2012) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The Tom Cruise Hall of Fame · 1:26:25 · Sean Fennessey (0.40)] Jack Reacher ↔ Jack Reacher: Never Go Back · lineage · The second Reacher film was directed by Edward Zwick, a reunion with Cruise after The Last Samurai. · "it was directed by Edward Swick."
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 1:27:28 · unknown (0.30)] Jack Reacher ↔ Mission: Impossible – Rogue Nation · craft · McQuarrie's Jack Reacher is called very underrated for its car chases, a skill carried over. · "Jack Reacher, very underrated in terms of how good it's car chases are"
[Blank Check · Judging The Judge · 1:19:23 · David Sims (0.50)] Robert Duvall ↔ Jack Reacher · career · If he deserves a nomination for The Judge he deserves one for every film of the last 20 years, since he is no better than in Jack Reacher. · "he is no better or worse in the judge than he is in Jack Reacher."
[Blank Check — Patreon · Edge of Tomorrow · 0:22:47 · Griffin Newman (0.50)] Jack Reacher ↔ Christopher McQuarrie · people · At the time, giving the Jack Reacher guy Mission Impossible felt like a step down. · "he's given the Jack Reacher guy, Mission Impossible."
[Blank Check — Patreon · 2010: The Year We Make Contact · 0:56:02 · unknown (0.30)] Caleb Deschanel ↔ Jack Reacher · people · Deschanel shot Jack Reacher. · "He shot Jack Rachel, forgot, and people were like, oh, yeah, yes, good."
[The Big Picture · The Tom Cruise Hall of Fame · 1:25:44 · Chris Ryan (0.40)] Jack Reacher · fun · Cruise is 5'8 and Reacher in the book is 6'6; Reacher gets built up like the Predator and then it's Tom Cruise in a leather jacket. · "Tom Cruise is 5'8 and Jack Reacher in the book is like 6'6."
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 0:19:18 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ Star Wars (the new film) · programming · Rogue Nation was moved from December to July partly out of fear of Star Wars. · "Yeah, but I think it was also Star Wars fear."
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 0:44:24 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ Alfred Hitchcock · lineage · The opera sequence is Hitchcock-like, with wordless tension in a physical space. · "Yes, it's very Hitchcocky."
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 0:44:26 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ The Man Who Knew Too Much · lineage · The Turandot opera showdown recalls Hitchcock's concert-hall assassination set piece. · "It's reminiscent of the man who knew too much."
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 1:01:43 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ Iron Man 2 · lineage · The thigh-grab move is traced back to Iron Man 2 by one speaker. · "I mean, I always think of Iron Man 2."
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 1:01:49 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ GoldenEye · lineage · Famke Janssen in GoldenEye is cited as an earlier thigh-based attack. · "what, Funky Jansen in, in, uh, Golden Eye, you have other thigh related, uh, attacks"
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 0:20:37 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ Mission: Impossible – Ghost Protocol · theme · After four disavowed-Hunt films, Rogue Nation opens in the same state but with a specific story. · "And after like 4 movies in a row where he's disavowed,"
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 0:34:44 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ The Fast and the Furious (franchise) · theme · Rogue Nation weaponizes 'friend' the way Fast and Furious weaponizes 'family'. · "I feel like this movie weaponizes the word friend in the way the Fast and Furious franchise weaponizes the word family."
[Blank Check — Patreon · Mission: Impossible - Rogue Nation · 0:38:46 · unknown (0.30)] Mission: Impossible – Rogue Nation ↔ The Fast and the Furious (franchise) · theme · Male sincerity and intimacy in Fast and Furious is raised alongside Benji and Ethan. · "Male sincerity."
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Jack Reacher (2012); name it the way the line names it. Don't recommend Jack Reacher (2012) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.