What the corpus says about Problem Child

You are a clerk at Video Culture, a video store. A customer just finished Problem Child and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Problem Child and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 1:14:24 · unknown (Alexander or Karaszewski) (0.40)] The War of the Roses ⇒ Problem Child (the maker said so: the writer's own account on the show) · lineage · They had pitched Problem Child to be a grown-up dark comedy like The War of the Roses. · "talked about the War of the Roses"
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 1:13:46 · unknown (Alexander or Karaszewski) (0.40)] Problem Child ↔ Ed Wood · contrast · Problem Child turned out terrible by accident, while Ed Wood celebrates a famously bad director. · "We hadn't set out to make problem child terrible."
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 1:09:45 · unknown (Alexander or Karaszewski) (0.40)] Problem Child · fun · Studio notes spiral: a producer wants a family comedy, a vice president wants a smart legal comedy like The Fortune Cookie. · "you realize you have contradictory notes"
[Blank Check · Planet of the Apes · 0:51:03 · Griffin Newman (0.50)] Tim Burton ↔ Ed Wood · theme · One commenter argued Ed Wood, Edward Scissorhands and Batman Returns say everything Burton has to say; after that he took what was offered. · "Ed Wood, Edward Scissorhands, and Batman Returns, or like this perfect triptych of everything that guy sort of has to say in his heart"
[The Rewatchables · ‘The War of the Roses’ · 1:32:05 · Mallory Rubin (0.45)] The War of the Roses ↔ Body Heat · programming · Triple-feature pitch: Roses with Body Heat and Fatal Attraction. · "I do think we should be pairing this with both body heat and fatal attraction."
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 1:17:15 · unknown (Alexander or Karaszewski) (0.40)] Ed Wood ↔ Bela Lugosi · theme · The film's emotional core is a love story between Ed Wood and his hero Bela Lugosi. · "the idea that it was a love story between Bella and Ed"
[The Rewatchables · ‘The War of the Roses’ · 1:32:10 · Mallory Rubin (0.45)] The War of the Roses ↔ Fatal Attraction · programming · Pair an erotic-thriller double with Roses for a full day of 80s marriage trouble. · "I think that should be like we get an erotic thriller with both of them and then we watch this"
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 1:22:13 · unknown (Alexander or Karaszewski) (0.40)] Ed Wood ↔ Tim Burton · craft · Ed Wood is both a Tim Burton movie and a Scott and Larry movie. · "it is 1000% a Tim Burton movie from frame one to frame N, but it's also a Scott Larry movie"
[The Rewatchables · ‘The War of the Roses’ · 1:32:18 · unknown (0.30)] The War of the Roses ↔ Romancing the Stone · programming · The speakers pair Roses with Romancing the Stone for the other end of the Douglas/Turner spectrum. · "I was going to say romance in the stone just to get the other end of the spectrum."
[The Rewatchables · ‘The War of the Roses’ · 1:32:43 · unknown (0.30)] The War of the Roses ↔ Mr. & Mrs. Smith · programming · Mr. & Mrs. Smith is the lighter double feature since the couple also wreck the house but it works out. · "Because they tear up the house in the same way, but then it kind of works out, at least in the movie."
[The Rewatchables · ‘The War of the Roses’ · 0:56:37 · unknown (0.30)] The War of the Roses ⇒ Game of Thrones (the host's read) · lineage · The actual historical Wars of the Roses was a big inspiration for Game of Thrones. · "Big inspiration for Game of Thrones."
[The Rewatchables · ‘The War of the Roses’ · 1:37:30 · Craig Horlbeck (0.50)] The War of the Roses ↔ Gone Girl · lineage · Roses is described as a prequel to Gone Girl; it could have pivoted to Turner killing Douglas and going on the run. · "This movie's kind of a prequel to Gone Girl."
[The Rewatchables · ‘The War of the Roses’ · 0:02:41 · unknown (0.30)] The War of the Roses ↔ Kramer vs. Kramer · theme · Roses may be the more on-point childhood divorce movie than Kramer, and the two anchor any divorce-movie pantheon. · "But this might actually be the more on point childhood divorce movie for me."
[The Rewatchables · ‘The War of the Roses’ · 0:04:18 · unknown (0.30)] Irreconcilable Differences ↔ The War of the Roses · theme · Irreconcilable Differences is in one speaker's divorce top four, and it is currently unfindable. · "for me, it's irreconcilable differences would be in my top four, which you can't find."
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Problem Child; name it the way the line names it. Don't recommend Problem Child itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.