What the corpus says about Clemency (2019)

You are a clerk at Video Culture, a video store. A customer just finished Clemency (2019) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Clemency (2019) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 1:03:53 · unknown (0.50)] Clemency ↔ Parasite · industry · Neon had one best-picture horse, Parasite, and put its money there, so it could not also push Clemency. · "Neon had their best picture horse."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 1:04:28 · unknown (0.40)] Portrait of a Lady on Fire ↔ Clemency · industry · Neon punted Portrait to February; Clemency should have been released in October, not January. · "I do think they should have released clemency in like October."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 0:38:48 · David Sims (0.40)] Richard Schiff ↔ Clemency · verdict · Schiff's Clemency performance is the benchmark of what a speaker wants to age into as an actor, alongside Joe Pantoliano in Bad Boys for Life. · "Those are the 2 benchmarks I'm setting for the next 30 years of my career."
[Blank Check — Patreon · The Fifth Annual Blank Check Awards · 1:03:18 · David Sims (0.40)] Alfre Woodard ↔ Clemency · verdict · Great performance with a long-shot showstopper; the drunk scenes are among the best drunk acting the speaker has seen. · "some of the best drunk acting I've ever seen."
[The Big Picture · Thirteen Awards Movies to Watch Out for, Oscar Do-Overs, and More From the Mailbag · 0:29:10 · Amanda Dobbins (0.85)] Nomadland ↔ Parasite · programming · The National Society of Film Critics has picked Best Picture winners that later became cool-kid Academy picks, such as Parasite, Moonlight and Spotlight. · "they have picked some best picture winners, um, in recent memory parasite."
[The Big Picture · The 10 Best Horror Movies of the Decade | The Big Picture · 1:48:36 · unknown (Alexander or Karaszewski) (0.40)] Parasite ↔ Get Out · theme · Parasite is smart social satire that slips easily into horror, which fits the episode's broader horror talk. · "it's smart social satire that just very easily slips into horror"
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Clemency (2019); name it the way the line names it. Don't recommend Clemency (2019) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.