What the corpus says about Confess, Fletch (2022)

You are a clerk at Video Culture, a video store. A customer just finished Confess, Fletch (2022) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Confess, Fletch (2022) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The 2022 Movie Draft · 1:08:48 · Chris Ryan (0.85)] Fletch ⇒ Confess, Fletch (the host's read) · reboot · Chris describes it as a riff on the long-promised Fletch franchise reboot, with Jon Hamm taking the role Chevy Chase made iconic. · "Chevy Chase did an iconic turn as a Fletch character, a journalist come detective in Los Angeles."
[The Big Picture · The Top Five Movies of 2022 · 0:32:37 · Chris Ryan (0.85)] Barbarian ↔ Confess, Fletch · second life · Chris says both films moved straight into a second life of people rewatching and finding threads. · "this and Confess Fletch, actually, I would say, are movies that have like kind of immediately moved into their 2nd life"
[The Big Picture · The 2022 Movie Draft · 1:09:02 · Chris Ryan (0.85)] Greg Mottola ↔ Confess, Fletch · people · Chris credits Mottola as one of the most accomplished undersung directors. · "they finally settled on Greg Matolo, who's one of like the most accomplished undersung directors out there"
[Blank Check · Fargo · 0:33:14 · unknown (0.50)] Barbarian ↔ Fargo · theme · Barbarian is called a scary movie that is funny with humor from the bizarreness of human behavior, as with the Coens. · "you made a scary movie that was funny."
[The Rewatchables · ‘Fletch’ · 0:23:15 · Sean Fennessey (0.50)] Fletch ↔ Kevin Smith · lineage · Kevin Smith spent years trying to remake Fletch with Jason Lee; Weinstein said Lee was not a big enough name, Affleck entered, then Bill Lawrence, and it died. · "Harvey Weinstein's like he's not a big enough name."
[The Rewatchables · ‘Fletch’ · 0:25:35 · Bill Simmons (0.80)] Gregory McDonald ⇒ Fletch (the host's read) · lineage · Fletch adapts the McDonald novels; the noir voiceover feels like the book, the ad-libbed scenes deviate. · "So it's a Gregory McDonald novel"
[The Rewatchables · ‘Fletch’ · 0:07:28 · Bill Simmons (0.50)] Fletch ↔ Caddyshack · theme · Fletch is essentially Ty Webb, though Webb is richer and a side character while Fletch is in every shot. · "Fletch's basically Thai Webb?"
[The Rewatchables · ‘Fletch’ · 0:47:22 · Sean Fennessey (0.50)] Fletch ↔ Raymond Chandler · theme · Alan Stanwick's incoherent plan is Raymond Chandler style; Faulkner famously could not get the plot of The Big Sleep out of Chandler. · "It's very Raymond Chandler"
[The Rewatchables · ‘Fletch’ · 1:00:32 · Bill Simmons (0.50)] Fletch ↔ The Godfather · theme · Alan Stanwick's house is the same house as the horse-head scene in The Godfather. · "The godfather, when Jack Waltz finds the horse head in his bed"
[The Rewatchables · ‘Fletch’ · 1:13:17 · Bill Simmons (0.60)] The Saint ↔ Fletch · theme · Both Fletch and The Saint are movies where the lead loves disguises. · "That's a thing we're learning. Based on this movie and the Saint."
[The Rewatchables · ‘Fletch’ · 1:15:11 · Chris Ryan (0.40)] Fletch ⇒ Ryan Reynolds (the host's read) · theme · Reynolds stole the Chevy Chase playbook; Deadpool is Fletch. · "Deadpool is Fletch."
[The Rewatchables · ‘Beverly Hills Cop II’ · 0:40:00 · Chris Ryan (0.40)] Harold Faltermeyer ↔ Fletch · craft · A speaker hears Fletch in the score as the drums come in. · "We're in the height of Miami Vice."
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Confess, Fletch (2022); name it the way the line names it. Don't recommend Confess, Fletch (2022) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.