What the corpus says about Catch Me If You Can (2002)

The 41 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (12)

[The Rewatchables · ‘A Bronx Tale’ · 0:02:57 · Bill Simmons (0.50)] Catch Me If You Can ↔ A Bronx Tale · theme · Catch Me If You Can is argued to be sneakily a father-son film. · "I think that's like the sneaky theme in that movie."
[The Big Picture · Steven Spielberg's Top 5 Movies · 0:42:12 · Sean Fennessey (0.70)] Catch Me If You Can ↔ Lincoln · theme · Both movies are built around one hugely charismatic person wriggling in and out of trouble. · "The movie is built around this one deeply charismatic person and their ability to wriggle in and out of trouble."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:39 · unknown (0.40)] Catch Me If You Can ↔ The Wolf of Wall Street · contrast · Catch Me has the daddy-issues backstory that Wolf pointedly omits. · "It does have some of the trappings of explaining why someone is the way that they are that we're talking about that you don't necessarily have to do."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:30 · unknown (0.40)] Catch Me If You Can ↔ Titanic · career · Catch Me is the springboard where Leo learned to give a more mature performance, after the Titanic generation. · "I feel like it's the movie where he learns how to give a more mature performance."
[The Big Picture · Steven Spielberg's Top 5 Movies · 0:41:33 · Chris Ryan (0.85)] Catch Me If You Can ↔ Django Unchained · people · DiCaprio fully turning on his natural charisma happens in only this and Django. · "the only other time he's done that really outside of Catch Me if you can, is Django."
[The Big Picture · Steven Spielberg's Top 5 Movies · 1:01:47 · Bill Simmons (0.55)] Catch Me If You Can ↔ This Boy's Life · people · Leo in Catch Me If You Can is the most the speaker has liked him, other than maybe This Boy's Life and Titanic. · "other than maybe this boy's life and Titanic."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:03 · unknown (0.40)] Catch Me If You Can ↔ The Wolf of Wall Street · verdict · Catch Me If You Can is offered as runner-up to Wolf for best Leo performance of the century. · "I wanted to come back to it as like, to me, this is maybe the runner-up to Wolf of Wall Street."
[The Rewatchables · 'Talladega Nights' · 0:41:38 · Craig Horlbeck (0.50)] Amy Adams ↔ Catch Me If You Can · people · She had been the brief love interest in Catch Me If You Can three years earlier. · "She did catch me if you can."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:08 · unknown (0.40)] Catch Me If You Can ↔ Tom Hanks · people · The daddy issues pay off in scenes with Hanks, 'America's dad', and Christopher Walken. · "a lot more daddy issue, Christopher Walken stuff, which, you know, pays off in the scenes with Tom Hanks, America's dad."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:51 · unknown (0.40)] Catch Me If You Can ↔ Steven Spielberg · people · Spielberg is prone to daddy-issues movies, which explains Catch Me's backstory. · "Spielberg is obviously prone to daddy issues movies."
[The Big Picture · Steven Spielberg's Top 5 Movies · 0:55:49 · Bill Simmons (0.70)] Catch Me If You Can ↔ Leonardo DiCaprio · verdict · Catch Me If You Can is Leo at his best but falls apart in the last half hour. · "It falls apart with about a half hour to go."
[Blank Check — Patreon · Panic Room · 0:41:24 · David Sims (0.70)] Catch Me If You Can ↔ Steven Spielberg · made by someone else · Fincher was linked to Catch Me If You Can, which Spielberg made. · "which Spielberg makes."

Films put beside it more than once (1)

[pairs] Catch Me If You Can ↔ The Wolf of Wall Street · said 2 times in 1 episode

One hop out: what recommends the films most often joined to it (20)

[The Rewatchables · ‘Margin Call’ · 1:23:57 · Brian Koppelman (0.85)] Margin Call ↔ The Wolf of Wall Street · programming · Koppelman's double-feature picks are Wolf of Wall Street or Sweet Smell of Success. · "Either wolf of Wall Street or sweet smell of success."
[The Rewatchables · ‘A Bronx Tale’ · 1:42:19 · Chris Ryan (0.60)] A Bronx Tale ↔ This Boy's Life · programming · Ryan's and Simmons' double-feature choice is This Boy's Life, not a fun night in. · "It's not a very pleasant one, but it's boys' life."
[Blank Check · Empire of the Sun · 0:25:32 · Bilge Ebiri (0.90)] Jaws ↔ Lincoln · theme · The slaps in Jaws and Lincoln show the shift from identifying with the slapped child to the anxious parent. · "So it's very much like almost like the humiliation of a little boy who's been slapped."
[The Rewatchables · ‘A Bronx Tale’ · 1:42:19 · Chris Ryan (0.60)] A Bronx Tale ↔ This Boy's Life · programming · Ryan's and Simmons' double-feature choice is This Boy's Life, not a fun night in. · "It's not a very pleasant one, but it's boys' life."
[The Rewatchables · ‘Margin Call’ · 0:25:01 · Brian Koppelman (0.90)] Boiler Room ⇒ The Wolf of Wall Street (the host's read) · lineage · Koppelman says Boiler Room informed Wolf, being the fictional version of Jordan Belfort's story. · "Boiler Room really informed Wolf of Wall Street because Boiler Room was the fictional version of Jordan's story"
[The Rewatchables · ‘A Bronx Tale’ · 1:42:31 · Sean Fennessey (0.50)] A Bronx Tale ↔ Rocco and His Brothers · programming · A Visconti-style Italian neorealist film is suggested as the other double feature. · "Give me some Visconti."
[Blank Check · Empire of the Sun · 1:45:35 · Bilge Ebiri (0.80)] Amistad ↔ Lincoln · theme · Bilge says Spielberg's serious films, from Empire to Schindler, Amistad, Lincoln and Ryan, all turn on people as items on a ledger. · "they all they all become about sort of people as items on a ledger, even saving Private Ryan."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:16:54 · unknown (0.40)] The Wolf of Wall Street ⇒ One Battle After Another (the host's read) · lineage · Scorsese influenced PTA, and the uncomfortable-laughter humor of Wolf is very PTA. · "Scorsese is a huge influence on all filmmakers, including PTA, and there is a, like, a really screwed up level to the humor in this movie that is that is very PTA as well"
[The Rewatchables · ‘A Bronx Tale’ · 0:23:20 · Chris Ryan (0.60)] A Bronx Tale ⇒ The Sopranos (the host's read) · lineage · Ryan argues A Bronx Tale influenced The Sopranos more than any other movie, with Sonny and Tony Soprano close in how they hold the neighborhood. · "I think Bronx Tale... influenced the Sopranos more than any other movie, but I don't think people think that."
[The Big Picture · The Top Five Movies of 2022 · 1:16:11 · Chris Ryan (0.50)] Tár ↔ Lincoln · theme · Chris contrasts Blanchett's level of performance with a Lincoln-style historically resonant part, as a box-office draw for older audiences. · "I guess it's not Lincoln where she's like doing this historically like sort of resonant part, but it's in that kind of level of performance"
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:27:43 · unknown (0.40)] The Wolf of Wall Street ↔ Gangs of New York · lineage · Leo arrived in Scorsese's world at Gangs of New York, which led to The Departed, Shutter Island and better Leo roles. · "if he doesn't make it, then you don't get the departed, you know, and you don't get Shutter Island and you don't get all these much more interesting Leo performances."
[The Rewatchables · ‘A Bronx Tale’ · 1:32:47 · Sean Fennessey (0.70)] A Bronx Tale ↔ Goodfellas · lineage · Fennessey wonders whether the needle drops and the Pesci cameo are purposeful homage or accident. · "I just want to know how much of what he was doing was a purposeful homage to Goodfellas"
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:42:18 · Sean Fennessey (0.50)] Industry ↔ The Wolf of Wall Street · lineage · The TV show Industry belongs to the same lineage of finance stories. · "Boiler room, margin call and industry."
[The Rewatchables · ‘A Bronx Tale’ · 0:02:23 · Bill Simmons (0.80)] A Bronx Tale ↔ Boyz n the Hood · theme · Both appear on Simmons' list of eight father-son movies. · "Bronx Tale, Kramer versus Kramer. He got game, Field of Dreams, Catch me if you can, the Godfather, Lion King, and Boys in the Hood."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:42:22 · Amanda Dobbins (0.50)] Boiler Room ↔ The Wolf of Wall Street · lineage · Boiler Room, Margin Call and Industry are finance-bro stories that Wolf tops as the mothership. · "if you like these movies about how all the finance bros aren't living the good life, but also maybe not, you know, then this is the ultimate."
[The Rewatchables · ‘A Bronx Tale’ · 0:02:37 · Chris Ryan (0.40)] A Bronx Tale ↔ He Got Game · theme · Both are listed among the best father-son movies, with He Got Game the speaker's favorite. · "He got game is my favorite father-son movie."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:42:33 · Amanda Dobbins (0.50)] Margin Call ↔ The Wolf of Wall Street · lineage · Margin Call is in the finance-movie family that Wolf is the mothership of. · "This is, you know, the mothership."
[The Rewatchables · ‘A Bronx Tale’ · 0:04:24 · Sean Fennessey (0.40)] At Close Range ↔ A Bronx Tale · theme · At Close Range is named as an amazing father-son movie where both are criminals. · "That's an amazing father-son movie."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:42:46 · Sean Fennessey (0.50)] Wall Street ↔ The Wolf of Wall Street · lineage · Oliver Stone's Wall Street is part of the lineage but feels small beside Wolf. · "That movie feels very small compared to Wolf of Wall Street."
[The Rewatchables · ‘A Bronx Tale’ · 0:04:47 · Chris Ryan (0.30)] Indiana Jones and the Last Crusade ↔ A Bronx Tale · theme · Last Crusade is offered as a father-son film among filmmakers who rarely make them. · "Well, I guess last Crusade's a Father-son movie."

Who said it, by their latest sketch (5)

[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Craig Horlbeck · latest sketch, The Rewatchables · ‘Friday the 13th’ · First-time viewer of the series; expected Jason and was thrown by Mrs. Voorhees. Rates the film a 4 or 5 and singled out the canoe ending as the best scene. Prefers the Chain Saw's intensity. · stances: Rug-pulled by the killer-mom reveal; The ending saves the movie
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license

The shows' running bits (3)

[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md

You are a clerk at Video Culture, a video store. A customer just finished Catch Me If You Can (2002) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Catch Me If You Can (2002) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘A Bronx Tale’ · 0:02:57 · Bill Simmons (0.50)] Catch Me If You Can ↔ A Bronx Tale · theme · Catch Me If You Can is argued to be sneakily a father-son film. · "I think that's like the sneaky theme in that movie."
[The Big Picture · Steven Spielberg's Top 5 Movies · 0:42:12 · Sean Fennessey (0.70)] Catch Me If You Can ↔ Lincoln · theme · Both movies are built around one hugely charismatic person wriggling in and out of trouble. · "The movie is built around this one deeply charismatic person and their ability to wriggle in and out of trouble."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:39 · unknown (0.40)] Catch Me If You Can ↔ The Wolf of Wall Street · contrast · Catch Me has the daddy-issues backstory that Wolf pointedly omits. · "It does have some of the trappings of explaining why someone is the way that they are that we're talking about that you don't necessarily have to do."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:30 · unknown (0.40)] Catch Me If You Can ↔ Titanic · career · Catch Me is the springboard where Leo learned to give a more mature performance, after the Titanic generation. · "I feel like it's the movie where he learns how to give a more mature performance."
[The Big Picture · Steven Spielberg's Top 5 Movies · 0:41:33 · Chris Ryan (0.85)] Catch Me If You Can ↔ Django Unchained · people · DiCaprio fully turning on his natural charisma happens in only this and Django. · "the only other time he's done that really outside of Catch Me if you can, is Django."
[The Big Picture · Steven Spielberg's Top 5 Movies · 1:01:47 · Bill Simmons (0.55)] Catch Me If You Can ↔ This Boy's Life · people · Leo in Catch Me If You Can is the most the speaker has liked him, other than maybe This Boy's Life and Titanic. · "other than maybe this boy's life and Titanic."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:03 · unknown (0.40)] Catch Me If You Can ↔ The Wolf of Wall Street · verdict · Catch Me If You Can is offered as runner-up to Wolf for best Leo performance of the century. · "I wanted to come back to it as like, to me, this is maybe the runner-up to Wolf of Wall Street."
[The Rewatchables · 'Talladega Nights' · 0:41:38 · Craig Horlbeck (0.50)] Amy Adams ↔ Catch Me If You Can · people · She had been the brief love interest in Catch Me If You Can three years earlier. · "She did catch me if you can."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:08 · unknown (0.40)] Catch Me If You Can ↔ Tom Hanks · people · The daddy issues pay off in scenes with Hanks, 'America's dad', and Christopher Walken. · "a lot more daddy issue, Christopher Walken stuff, which, you know, pays off in the scenes with Tom Hanks, America's dad."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:36:51 · unknown (0.40)] Catch Me If You Can ↔ Steven Spielberg · people · Spielberg is prone to daddy-issues movies, which explains Catch Me's backstory. · "Spielberg is obviously prone to daddy issues movies."
[The Big Picture · Steven Spielberg's Top 5 Movies · 0:55:49 · Bill Simmons (0.70)] Catch Me If You Can ↔ Leonardo DiCaprio · verdict · Catch Me If You Can is Leo at his best but falls apart in the last half hour. · "It falls apart with about a half hour to go."
[Blank Check — Patreon · Panic Room · 0:41:24 · David Sims (0.70)] Catch Me If You Can ↔ Steven Spielberg · made by someone else · Fincher was linked to Catch Me If You Can, which Spielberg made. · "which Spielberg makes."
[pairs] Catch Me If You Can ↔ The Wolf of Wall Street · said 2 times in 1 episode
[The Rewatchables · ‘Margin Call’ · 1:23:57 · Brian Koppelman (0.85)] Margin Call ↔ The Wolf of Wall Street · programming · Koppelman's double-feature picks are Wolf of Wall Street or Sweet Smell of Success. · "Either wolf of Wall Street or sweet smell of success."
[The Rewatchables · ‘A Bronx Tale’ · 1:42:19 · Chris Ryan (0.60)] A Bronx Tale ↔ This Boy's Life · programming · Ryan's and Simmons' double-feature choice is This Boy's Life, not a fun night in. · "It's not a very pleasant one, but it's boys' life."
[Blank Check · Empire of the Sun · 0:25:32 · Bilge Ebiri (0.90)] Jaws ↔ Lincoln · theme · The slaps in Jaws and Lincoln show the shift from identifying with the slapped child to the anxious parent. · "So it's very much like almost like the humiliation of a little boy who's been slapped."
[The Rewatchables · ‘A Bronx Tale’ · 1:42:19 · Chris Ryan (0.60)] A Bronx Tale ↔ This Boy's Life · programming · Ryan's and Simmons' double-feature choice is This Boy's Life, not a fun night in. · "It's not a very pleasant one, but it's boys' life."
[The Rewatchables · ‘Margin Call’ · 0:25:01 · Brian Koppelman (0.90)] Boiler Room ⇒ The Wolf of Wall Street (the host's read) · lineage · Koppelman says Boiler Room informed Wolf, being the fictional version of Jordan Belfort's story. · "Boiler Room really informed Wolf of Wall Street because Boiler Room was the fictional version of Jordan's story"
[The Rewatchables · ‘A Bronx Tale’ · 1:42:31 · Sean Fennessey (0.50)] A Bronx Tale ↔ Rocco and His Brothers · programming · A Visconti-style Italian neorealist film is suggested as the other double feature. · "Give me some Visconti."
[Blank Check · Empire of the Sun · 1:45:35 · Bilge Ebiri (0.80)] Amistad ↔ Lincoln · theme · Bilge says Spielberg's serious films, from Empire to Schindler, Amistad, Lincoln and Ryan, all turn on people as items on a ledger. · "they all they all become about sort of people as items on a ledger, even saving Private Ryan."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:16:54 · unknown (0.40)] The Wolf of Wall Street ⇒ One Battle After Another (the host's read) · lineage · Scorsese influenced PTA, and the uncomfortable-laughter humor of Wolf is very PTA. · "Scorsese is a huge influence on all filmmakers, including PTA, and there is a, like, a really screwed up level to the humor in this movie that is that is very PTA as well"
[The Rewatchables · ‘A Bronx Tale’ · 0:23:20 · Chris Ryan (0.60)] A Bronx Tale ⇒ The Sopranos (the host's read) · lineage · Ryan argues A Bronx Tale influenced The Sopranos more than any other movie, with Sonny and Tony Soprano close in how they hold the neighborhood. · "I think Bronx Tale... influenced the Sopranos more than any other movie, but I don't think people think that."
[The Big Picture · The Top Five Movies of 2022 · 1:16:11 · Chris Ryan (0.50)] Tár ↔ Lincoln · theme · Chris contrasts Blanchett's level of performance with a Lincoln-style historically resonant part, as a box-office draw for older audiences. · "I guess it's not Lincoln where she's like doing this historically like sort of resonant part, but it's in that kind of level of performance"
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:27:43 · unknown (0.40)] The Wolf of Wall Street ↔ Gangs of New York · lineage · Leo arrived in Scorsese's world at Gangs of New York, which led to The Departed, Shutter Island and better Leo roles. · "if he doesn't make it, then you don't get the departed, you know, and you don't get Shutter Island and you don't get all these much more interesting Leo performances."
[The Rewatchables · ‘A Bronx Tale’ · 1:32:47 · Sean Fennessey (0.70)] A Bronx Tale ↔ Goodfellas · lineage · Fennessey wonders whether the needle drops and the Pesci cameo are purposeful homage or accident. · "I just want to know how much of what he was doing was a purposeful homage to Goodfellas"
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:42:18 · Sean Fennessey (0.50)] Industry ↔ The Wolf of Wall Street · lineage · The TV show Industry belongs to the same lineage of finance stories. · "Boiler room, margin call and industry."
[The Rewatchables · ‘A Bronx Tale’ · 0:02:23 · Bill Simmons (0.80)] A Bronx Tale ↔ Boyz n the Hood · theme · Both appear on Simmons' list of eight father-son movies. · "Bronx Tale, Kramer versus Kramer. He got game, Field of Dreams, Catch me if you can, the Godfather, Lion King, and Boys in the Hood."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:42:22 · Amanda Dobbins (0.50)] Boiler Room ↔ The Wolf of Wall Street · lineage · Boiler Room, Margin Call and Industry are finance-bro stories that Wolf tops as the mothership. · "if you like these movies about how all the finance bros aren't living the good life, but also maybe not, you know, then this is the ultimate."
[The Rewatchables · ‘A Bronx Tale’ · 0:02:37 · Chris Ryan (0.40)] A Bronx Tale ↔ He Got Game · theme · Both are listed among the best father-son movies, with He Got Game the speaker's favorite. · "He got game is my favorite father-son movie."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:42:33 · Amanda Dobbins (0.50)] Margin Call ↔ The Wolf of Wall Street · lineage · Margin Call is in the finance-movie family that Wolf is the mothership of. · "This is, you know, the mothership."
[The Rewatchables · ‘A Bronx Tale’ · 0:04:24 · Sean Fennessey (0.40)] At Close Range ↔ A Bronx Tale · theme · At Close Range is named as an amazing father-son movie where both are criminals. · "That's an amazing father-son movie."
[The Big Picture · The 25 Best Movies of the Century: No. 11 - 'The Wolf of Wall Street’ · 0:42:46 · Sean Fennessey (0.50)] Wall Street ↔ The Wolf of Wall Street · lineage · Oliver Stone's Wall Street is part of the lineage but feels small beside Wolf. · "That movie feels very small compared to Wolf of Wall Street."
[The Rewatchables · ‘A Bronx Tale’ · 0:04:47 · Chris Ryan (0.30)] Indiana Jones and the Last Crusade ↔ A Bronx Tale · theme · Last Crusade is offered as a father-son film among filmmakers who rarely make them. · "Well, I guess last Crusade's a Father-son movie."
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Craig Horlbeck · latest sketch, The Rewatchables · ‘Friday the 13th’ · First-time viewer of the series; expected Jason and was thrown by Mrs. Voorhees. Rates the film a 4 or 5 and singled out the canoe ending as the best scene. Prefers the Chain Saw's intensity. · stances: Rug-pulled by the killer-mom reveal; The ending saves the movie
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Catch Me If You Can (2002); name it the way the line names it. Don't recommend Catch Me If You Can (2002) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.