What the corpus says about Our Man Flint

You are a clerk at Video Culture, a video store. A customer just finished Our Man Flint and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Our Man Flint and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:07:08 · unknown (0.40)] Our Man Flint ⇒ Austin Powers: The Spy Who Shagged Me (the host's read) · lineage · Austin Powers draws on 60s spy movies like Our Man Flint and Michael Caine films. · "a couple of other movies like Armand Flint, the James Coburn movie from the 60s"
[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:04:08 · unknown (0.40)] Austin Powers: The Spy Who Shagged Me ↔ Austin Powers: International Man of Mystery · programming · DVD momentum from the first made the sequel open bigger than the first's total. · "DVD could actually get momentum for a sequel"
[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:43:07 · unknown (0.40)] Austin Powers: The Spy Who Shagged Me ↔ Wayne's World 3 · programming · Myers skipped Wayne's World 3 to develop Austin Powers. · "He didn't do a 3rd Wayne's World War film so he could develop this movie"
[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:07:12 · unknown (0.40)] Michael Caine ⇒ Austin Powers: The Spy Who Shagged Me (the host's read) · lineage · Clearly based in part on a bunch of Michael Caine movies. · "There's a bunch of Michael Kane movies that it's clearly based on."
[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:09:48 · unknown (0.40)] Dr. No ⇒ Austin Powers: The Spy Who Shagged Me (the host's read) · lineage · Bond is the blueprint for Austin Powers; Dr. Evil is Blofeld. · "Dr. Evil being Blofeld and all that stuff, it's just kind of lost on the audience and it still works."
[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:25:51 · unknown (0.40)] Austin Powers: International Man of Mystery ⇒ Austin Powers: The Spy Who Shagged Me (the host's read) · lineage · Mini-Me/Scott Evil fight calls back to the toilet sequence in the first movie. · "Great callback to the toilet sequence in the in the 1st movie"
[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:05:22 · unknown (0.40)] Austin Powers: The Spy Who Shagged Me ↔ Wayne's World · theme · Both 90s SNL-era comedies would not work now because the era is gone. · "I don't think this movie works now."
[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:10:09 · unknown (0.40)] Austin Powers: The Spy Who Shagged Me ↔ The Brady Bunch Movie · theme · Part of 90s nostalgia-mining comedy (Brady Bunch, Addams Family). · "this nostalgia mining comedy"
[The Rewatchables · ‘Austin Powers: The Spy Who Shagged Me’ · 0:53:34 · unknown (0.40)] Austin Powers: The Spy Who Shagged Me ↔ Avengers: Endgame · theme · Both brush off time-travel logic with a joke. · "that's exactly what Avengers Endgame does too"
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Our Man Flint; name it the way the line names it. Don't recommend Our Man Flint itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.