What the corpus says about Election (1999)

You are a clerk at Video Culture, a video store. A customer just finished Election (1999) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Election (1999) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Easy A’ · 0:56:33 · Juliet Litman (0.50)] Election ⇒ Easy A (the host's read) · lineage · Olive's unbothered, stronger-than-the-bully stance continues the Tracy Flick character through Book Smart's Beanie Feldstein. · "the Tracy Flick character that we have seen just grow and grow all the way up to like the most recently book smart with Beanie Felsian's character."
[The Rewatchables · ‘Mean Girls’ · 1:16:45 · Amanda Dobbins (0.40)] Mean Girls ↔ Election · lineage · A hypothetical 'Mean Girls 2020' would have an election vibe like Tracy Flick. · "I feel like that has like an election vibe, like the Tracy Flick."
[Blank Check · After Hours · 0:56:50 · David Sims (0.45)] Addicted to Love ↔ Election · career · Broderick's 90s search for a new persona (Godzilla, Inspector Gadget, Addicted to Love) ends when Election cracks it. · "And then election is how he like closes out the decade where he's like, you fucking cracked it."
[Blank Check — Patreon · Paths of Glory · 0:16:48 · David Sims (0.60)] Practical Magic ↔ Addicted to Love · craft · Practical Magic and Addicted to Love share Griffin Dunn's strange, dark tonal mix. · "I realized I felt the same about addicted to love"
[The Rewatchables · ‘Easy A’ · 1:46:09 · Juliet Litman (0.50)] Easy A ↔ Marvin's Room · programming · Juliet's first coed theater outing was Marvin's Room, in contrast to seeing teen movies with friends. · "The 1st movie I saw with like boys and girls, like it was like a co-ed group outing was Marvin's room, which is so depressing."
[The Rewatchables · ‘Knocked Up’ · 0:03:48 · Bill Simmons (0.90)] Knocked Up ↔ Mean Girls · programming · Bill groups Knocked Up with Mean Girls, 40-Year-Old Virgin, Wedding Crashers, Sarah Marshall and Bridesmaids as the 'com-rom' cycle. · "Mean girls, 40 year old virgin, wedding crashers, knocked up, Sarah Marshall, EZA bridesmaids."
[The Rewatchables · ‘Easy A’ · 0:12:38 · Amanda Dobbins (0.70)] Ferris Bueller's Day Off ⇒ Easy A (the maker said so) · lineage · Director Will Gluck has said Ferris Bueller is his favorite movie, and Olive's Mohawk and guitar bits echo it. · "I think the director, Will Gluck, has like talked about how Ferris Bueller is, I think, his favorite movie."
[The Rewatchables · ‘Knocked Up’ · 0:03:37 · Bill Simmons (0.85)] Mean Girls ⇒ Knocked Up (the host's read) · lineage · Bill thinks Mean Girls may have been the first to figure out 'more funny than romantic, but also having the romance'. · "I feel like mean girls might have been the 1st one that figured out."
[The Rewatchables · ‘Easy A’ · 0:12:55 · Amanda Dobbins (0.70)] John Hughes ⇒ Easy A (the host's read) · lineage · Easy A is in open dialogue with Hughes: Olive says her life is not a John Hughes movie and the finale has a Hughes montage. · "But also she, like, literally says in the dialogue, my life isn't a John Hughes movie."
[The Rewatchables · ‘Mean Girls’ · 0:02:07 · Bill Simmons (0.85)] Fast Times at Ridgemont High ⇒ Mean Girls (the host's read) · lineage · Simmons proposes a championship-belt lineage of smart teen movies starting with Fast Times and running through Mean Girls. · "I feel like Fast Times at Ridgemont High was the 1st one."
[The Rewatchables · ‘Easy A’ · 0:52:04 · Amanda Dobbins (0.70)] The Scarlet Letter (Demi Moore version) ⇒ Easy A (the host's read) · lineage · The movie nods to the Scarlet Letter and its puritanical heritage; Olive jokes about watching the Demi Moore version. · "does its best or at least at times nods to the Scarlet letter and kind of like, you know, the puritanical heritage"
[The Rewatchables · ‘Mean Girls’ · 0:07:10 · Amanda Dobbins (0.60)] Clueless ⇒ Mean Girls (the host's read) · lineage · Clueless brought the teen genre back and made it female; Mean Girls inherits that more female guiding hand. · "Clueless brought the genre back and I think people missed it."
[The Rewatchables · ‘Easy A’ · 0:13:40 · Amanda Dobbins (0.70)] Easy A ↔ Mean Girls · theme · Both are self-aware teen comedies that know the tropes, though Easy A is far less vicious. · "You know, like in a way that mean girls does, though it's far less vicious than mean girls."
[The Big Picture · Oscar Nomination Predictions, ‘Mean Girls,’ and ‘All of Us Strangers’ · 0:52:22 · Sean Fennessey (0.50)] Mean Girls ⇒ Mean Girls (the host's read) · lineage · The new film reuses the original's iconic lines and jokes nearly verbatim, which Sean found a little flat because no joke lands when you know it is coming. · "they really do it verbatim, like, and so that's weird with a joke."
[The Rewatchables · ‘Easy A’ · 0:31:19 · Amanda Dobbins (0.45)] Easy A ↔ Book Smart · theme · Book Smart (like Easy A) has supportive parents who show up, played by Will Forte and Lisa Kudrow. · "Like we saw this in book and book smart."
[The Rewatchables · ‘Easy A’ · 0:13:40 · Amanda Dobbins (0.70)] Easy A ↔ Mean Girls · theme · Both are self-aware teen comedies that know the tropes, though Easy A is far less vicious. · "You know, like in a way that mean girls does, though it's far less vicious than mean girls."
[The Rewatchables · ‘Easy A’ · 0:49:20 · Juliet Litman (0.60)] Easy A ↔ One Tree Hill · theme · Mary Ann's clean-teen Christianity recalls the virgin-professing 'clean teens' of One Tree Hill. · "And that also reminded me of one Tree Hill, where they had the clean teens"
[The Rewatchables · ‘Mean Girls’ · 0:04:15 · Bill Simmons (0.80)] Mean Girls ↔ Cruel Intentions · theme · Cruel Intentions is argued to be a smart teen movie because it comments on the genre; Simmons says it is an adult movie using teens, coming on Rewatchables 99. · "That's actually an adult movie that's using teens, which is what makes it so weird and uncomfortable."
[The Rewatchables · ‘Easy A’ · 1:29:46 · Juliet Litman (0.45)] Cruella ↔ Easy A · theme · If Easy A's unlikely premise worked, maybe a Cruella movie for kids can too. · "And they made it work."
[The Rewatchables · ‘Mean Girls’ · 0:20:17 · Bill Simmons (0.80)] Secret Admirer ↔ Mean Girls · theme · The trope that the guy does not notice his hot friend until late recurs in Secret Admirer and Dawson's Creek. · "Secret admirer has Lori Laughlin, C. Thomas Howes, in love with Kelly Preston"
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Juliet Litman · latest sketch, The Rewatchables · ‘Knocked Up’ · Deeply versed in rom-coms (Nora Ephron is 'my personal god'), TV, and celebrity careers. Loves a good meal scene and a believable detail. Cannot stand a female lead with no friends or ambition. · stances: Alison has no friends and no inner life, the movie's biggest pitfall; Heigl torpedoed her own career with the Vanity Fair interview; Rom-coms of 89-05 are women-driven; Apatow flipped it; Double feature should be Adventureland
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Election (1999); name it the way the line names it. Don't recommend Election (1999) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.