What the corpus says about The Last Waltz

You are a clerk at Video Culture, a video store. A customer just finished The Last Waltz and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Last Waltz and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:05:27 · Sean Fennessey (0.90)] Homecoming ↔ The Last Waltz · lineage · Sean says the Beyonce concert film in some ways looks like The Last Waltz. · "this in some ways looks a little bit like the last waltz"
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:06:19 · Sean Fennessey (0.80)] The Last Waltz ↔ Homecoming · contrast · The Last Waltz is great for reasons other than the performances; Homecoming is great precisely because of the performance. · "I think homecoming is great, particularly because of the performance."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:05:48 · Amanda Dobbins (0.90)] The Last Waltz ↔ Homecoming · verdict · Amanda was bored by Last Waltz and suspects many viewers were equally bored by a concert they had already seen. · "okay, fine, it's a Beyonce concert that I've already seen."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:05:58 · Sean Fennessey (0.85)] The Last Waltz ↔ Martin Scorsese · people · Sean explains the Last Waltz as Scorsese's documentary of the Band's final performance. · "Martin Scorsese's documentary about the final performance of the band"
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:05:58 · Sean Fennessey (0.85)] The Last Waltz ↔ The Band · people · The Last Waltz documents the Band's final performance. · "Martin Scorsese's documentary about the final performance of the band, the band."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:06:05 · Sean Fennessey (0.85)] The Last Waltz ↔ Bob Dylan · people · Bob Dylan is one of the star-studded guests who appear in The Last Waltz. · "Bob Dylan appears, and Neil Young, and Joni Mitchell, and Van Morrison, da, da, da, da."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:06:05 · Sean Fennessey (0.85)] The Last Waltz ↔ Neil Young · people · Neil Young is one of the star-studded guests who appear in The Last Waltz. · "Bob Dylan appears, and Neil Young, and Joni Mitchell, and Van Morrison, da, da, da, da."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:06:05 · Sean Fennessey (0.85)] The Last Waltz ↔ Joni Mitchell · people · Joni Mitchell is one of the star-studded guests who appear in The Last Waltz. · "Bob Dylan appears, and Neil Young, and Joni Mitchell, and Van Morrison, da, da, da, da."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:06:05 · Sean Fennessey (0.85)] The Last Waltz ↔ Van Morrison · people · Van Morrison is one of the star-studded guests who appear in The Last Waltz. · "Bob Dylan appears, and Neil Young, and Joni Mitchell, and Van Morrison, da, da, da, da."
[pairs] The Last Waltz ↔ Homecoming · said 3 times in 1 episode
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:05:40 · Amanda Dobbins (0.95)] The Last Waltz · fun · Amanda's college boyfriend forced her to watch it as the most important thing she'd ever see; she was bored. · "I mean, it's just the last waltz is a movie that my college boyfriend sat me down and made me watch and was like, this is the most important thing that you'll ever see."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:09:08 · Sean Fennessey (0.85)] Homecoming ↔ Netflix · programming · Beyonce also picks the platform, and Netflix puts the film in more homes than anywhere else. · "if you give it to Netflix, it's going to go into more homes than almost anywhere else."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:13:48 · Amanda Dobbins (0.60)] Guava Island ↔ Homecoming · programming · The smaller reception is partly about release: Amazon is not Netflix for promotion. · "Amazon is not Netflix in terms of promo."
[The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:09:03 · Sean Fennessey (0.80)] Beyonce ↔ Homecoming · craft · Like a director choosing collaborators, Beyonce picks her choreographer and costume designer for the performance. · "She's picking her choreographer. She picking the costume designer for all of the costumes during the performance."
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Last Waltz; name it the way the line names it. Don't recommend The Last Waltz itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.