What the corpus says about Dream Story (Traumnovelle, the Schnitzler novella)

You are a clerk at Video Culture, a video store. A customer just finished Dream Story (Traumnovelle, the Schnitzler novella) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Dream Story (Traumnovelle, the Schnitzler novella) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · Eyes Wide Shut · 0:37:01 · unknown (0.30)] Dream Story (Traumnovelle, the Schnitzler novella) ⇒ Eyes Wide Shut (the host's read) · lineage · The speakers note the film's credit says inspired by, not adapted from, Schnitzler's novella. · "It's not adapted from Schnitzler."
[The Rewatchables · A CR Month Mailbag! · 0:57:26 · Chris Ryan (0.50)] Tom Cruise ↔ Eyes Wide Shut · programming · If Cruise would answer everything, the Rewatchables pick is Eyes Wide Shut. · "I would do eyes-wise shut."
[Blank Check — Patreon · Barry Lyndon · 0:13:57 · unknown (0.30)] Barry Lyndon ↔ Eyes Wide Shut · programming · These two Kubrick films feel warm to the speaker compared with the rest. · "But Barry Lyndon and Eyes Wide Shut are the 2 that feel like they sort of cut through to me on a deeper level, where I feel genuine warmth and affection for them."
[The Big Picture · The Nicole Kidman Hall of Fame, and ‘Babygirl’ · 0:24:49 · unknown (0.30)] Eyes Wide Shut ⇒ Babygirl (the host's read) · lineage · The stoned late-night bedroom lecture after the rave echoes Eyes Wide Shut. · "Nice callback to eyes wide shut and lecturing Tom Cruise in the bedroom while stoned out of their minds."
[The Big Picture · Janicza Bravo and Brett Gelman Channel Rejection and Anxiety to Make ‘Lemon’ | The Big Picture · 0:04:44 · Alison Herman (0.85)] Eyes Wide Shut ⇒ Juneteenth (Atlanta episode) (the host's read) · lineage · Donald Glover's character describes the party as a Spike-directed reboot of Eyes Wide Shut. · "this is like a spikely directed reboot of eyes wide shut"
[Blank Check — Patreon · Eyes Wide Shut · 0:33:04 · unknown (0.30)] Kirk Douglas ⇒ Eyes Wide Shut (the maker said so) · lineage · Kirk Douglas claims he handed Kubrick the novella during their Paths of Glory or Spartacus fights. · "Kirk Douglas claims he gave it to him during one of their like shared therapy sessions"
[Blank Check — Patreon · Eyes Wide Shut · 0:33:21 · unknown (0.30)] Ruth Sobotka → Eyes Wide Shut · lineage · Others guess Kubrick's Austrian second wife may have given him the Austrian novel. · "Maybe she gave it to him."
[Blank Check — Patreon · Eyes Wide Shut · 0:33:31 · unknown (0.30)] Arthur Schnitzler ⇒ Eyes Wide Shut (the host's read) · lineage · The speaker says the novel is very close to the film, so close that its plot beats are nearly one to one. · "And it is very similar to eyes wide shut."
[Blank Check — Patreon · Eyes Wide Shut · 0:38:46 · unknown (0.30)] Modern Romance ⇒ Eyes Wide Shut (the maker said so: Kubrick's call to Albert Brooks, 'that famous story') · lineage · Kubrick reached out to Albert Brooks after Modern Romance because he wanted to bottle that dynamic of men and women. · "if you like reached out to Albert Brooks after seeing modern romance and said, like, Brit, and he was like, how did you do this?"
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Dream Story (Traumnovelle, the Schnitzler novella); name it the way the line names it. Don't recommend Dream Story (Traumnovelle, the Schnitzler novella) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.