What the corpus says about Sharp Objects (TV)

You are a clerk at Video Culture, a video store. A customer just finished Sharp Objects (TV) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Sharp Objects (TV) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · Gone Girl · 0:32:10 · unknown (0.30)] Mystic River ⇒ Sharp Objects (TV) (the host's read) · template (crime as red herring) · Sharp Objects and Dark Places are described as Flynn's attempts at the Mystic River-style crime-as-red-herring structure. · "And so sharp objects and dark places are both kind of like attempts at that, right?"
[Blank Check — Patreon · Gone Girl · 0:45:09 · unknown (0.30)] Big Little Lies (TV) ⇒ Sharp Objects (TV) (the host's read) · led to · After Big Little Lies, projects like Sharp Objects became miniseries rather than movies. · "And it kind of changes everything where then that type of project becomes, you do it as a miniseries."
[Blank Check — Patreon · Gone Girl · 0:31:35 · unknown (0.30)] Mystic River ⇒ Gillian Flynn (the maker said so) · lineage · After failed attempts at novels, Flynn read Mystic River and took from it the idea of a crime that is a red herring for a character story. · "She said she had many failed attempts and then read Dennis Lahain's Mystic River, which, in my opinion, is an incredible piece of writing."

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Sharp Objects (TV); name it the way the line names it. Don't recommend Sharp Objects (TV) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.