What the corpus says about The Killer (graphic novel) (1998)

You are a clerk at Video Culture, a video store. A customer just finished The Killer (graphic novel) (1998) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Killer (graphic novel) (1998) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · The Killer · 0:12:09 · Griffin Newman (0.50)] The Killer (graphic novel) ⇒ The Killer (the host's read) · lineage · The film takes almost everything from the first 200-odd pages of the comic; the series ran on to 2018. · "it feels like everything from the movie is basically taken from the 1st 200 some odd pages"
[Blank Check — Patreon · The Killer · 0:27:27 · unknown (host) (0.30)] The Killer (graphic novel) ⇒ The Killer (the maker said so: interviews (Fincher 'gave some interviewers')) · lineage · Fincher told interviewers he was adapting a French graphic novel about an assassin that he had always liked. · "he gave some interviewers, like, we're working on this Chinatown thing, and then he was like, I'm also playing with adapting this French graphic novel about the assassin that I've always liked."
[Blank Check — Patreon · The Killer · 0:41:40 · unknown (host) (0.30)] The Killer (graphic novel) ↔ Fight Club · theme · The comic's killer has an inner monologue closer to the Fight Club narrator. · "it's more that like this guy's inner monologue is closer to Edward Norton Fight Club."
[Blank Check — Patreon · The Social Network · 0:18:42 · David Sims (0.50)] The Killer (graphic novel) ⇒ The Killer (the host's read) · adapted from · Paramount acquired the graphic novel in 2007; the film is Fincher's latest. · "In 2007, Paramount acquires the rights to some little graphic novel called The Killer."
[pairs] The Killer (graphic novel) ↔ The Killer · said 3 times in 2 episodes
[Blank Check — Patreon · The Killer · 0:40:51 · unknown (host) (0.30)] The Killer (graphic novel) · fun · The comic's killer is described as the most Parisian looking man in history, a French cliche; the film makes him an American from nowhere. · "This is the frenchest motherfucker of all time."
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 1:20:30 · Amanda Dobbins (0.60)] The Killer ↔ Fight Club · programming · Both are very funny first-person-narrated films about sociopaths who rationalize brutal violence as a personal mission. · "This movie would make a neat pairing with Fight Club. Two very funny films about sociopaths whose inner monologues rationalize brutal violence as expressions of a personal mission."
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 1:20:30 · Amanda Dobbins (0.60)] The Killer ↔ Fight Club · programming · Both are very funny first-person-narrated films about sociopaths who rationalize brutal violence as a personal mission. · "This movie would make a neat pairing with Fight Club. Two very funny films about sociopaths whose inner monologues rationalize brutal violence as expressions of a personal mission."
[Blank Check — Patreon · The Killer · 0:16:54 · Griffin Newman (0.50)] The Killer ↔ Steven Soderbergh · programming · A friend of the podcast says it is Fincher and Soderbergh land: a stripped-down genre exercise. · "it's Fincher and Sodaberg land."
[Blank Check — Patreon · Fight Club · 2:08:56 · Alex Ross Perry (0.40)] The Sixth Sense ↔ Fight Club · programming · Two big twist movies, ten weeks apart, with the same fake-person reveal. · "That's the same twist twice, 10 weeks apart."
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 0:17:53 · Amanda Dobbins (0.60)] The Killer ↔ Gone Girl · lineage · It is the closest Fincher has come to a pure thriller since Gone Girl, maybe Dragon Tattoo. · "he hasn't made a movie quite like this, I guess, since Gone Girl, but even, I mean, you could maybe even going back further to Dragon Tattoo is maybe a little closer to this kind of a pure thriller."
[Blank Check — Patreon · Fight Club · 2:43:02 · unknown (0.35)] A Clockwork Orange ↔ Fight Club · programming · Fight Club is called the Clockwork Orange of another generation, an Edge Lord pick. · "This is kind of the clockwork Orange for another generation."
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 0:20:19 · Sean Fennessey (0.70)] Rear Window ⇒ The Killer (the host's read) · lineage · The Paris hit sequence is a clear homage built on watching rooms across the street. · "it is a kind of rear window monkey. You know, it is like an attempt to recreate the across the street path, vision of what is happening in rooms in another building, and clear homage to that film."
[Blank Check — Patreon · Fight Club · 2:57:12 · Alex Ross Perry (0.45)] Slacker ↔ Fight Club · programming · Klosterman, as read, names Slacker or Fight Club as the decade's most generationally defining film. · "either slacker or fight club, could justifiably be called the decade's most generationally defining."
[The Big Picture · ‘The Killer’ Is Cold-Blooded Genius. And Something More · 1:22:52 · Adam Nayman (0.70)] The Cable Guy ⇒ The Killer (the host's read) · lineage · The TV-character aliases gag was already a joke in The Cable Guy (50s characters there, 70s and 80s here). · "that was a joke of the cable guy just to give credit where it's to."
[Blank Check — Patreon · Fight Club · 1:13:14 · unknown (0.40)] Chuck Palahniuk ⇒ Fight Club (the host's read) · lineage · The film adapts Palahniuk's novel; the speaker says the screenplay cribs straight from the book. · "obviously the movie is, the book is very, he's cribbing right from the book."
[Blank Check — Patreon · The Killer · 0:17:31 · unknown (host) (0.30)] Panic Room ↔ The Killer · lineage · Panic Room was loaded with everything; The Killer strips a genre down. · "even when he's making something like panic room that's a bit of a genre riff"
[Blank Check — Patreon · Fight Club · 1:59:38 · unknown (0.40)] Douglas Coupland ⇒ Fight Club (the host's read) · lineage · The speaker says the early car-recall section is right out of Coupland and Gen X writing. · "It's right out of like Douglas Copeland or whatever, right?"
[Blank Check — Patreon · The Killer · 1:30:07 · unknown (host) (0.30)] The Killer ↔ Michael Mann · lineage · Fincher is doing a Michael Mann riff: a man with one feeling he will not admit. · "this is also Fincher doing a man, Michael Mann type riff"
[Blank Check — Patreon · The Killer · 0:48:38 · unknown (host) (0.30)] Andrew Kevin Walker ↔ Fight Club · theme · Walker brought a similar modern-tech angle (name tags) to Fight Club. · "I think he had some of that in fight club too"
[Blank Check — Patreon · Crouching Tiger, Hidden Dragon · 0:33:35 · David Sims (0.35)] The Killer ⇒ Jackie Brown (the host's read) · lineage · Jackie Brown has a monologue about The Killer, showing Woo's aesthetic was known to Western audiences. · "Jackie Brown has a whole monologue about the killer."
[Blank Check — Patreon · Fight Club · 0:46:32 · Griffin Newman (0.40)] Jackass ↔ Fight Club · theme · A speaker says the urge Fight Club is getting at reaches its peak form in Jackass. · "I do find like the expression of what this movie is sort of getting at for me reaches its peak form in jackass."
[speaker] David Sims · latest sketch, Blank Check · The Last Temptation of Christ · Prepares history: novel, casting, budgets, box office. Reveres the film and thinks it reads as a normal ground-level story. A sucker for Hollywood deal backstory and box office game. · stances: Praises Keitel and Dafoe casting; Respects Scorsese's persistence and Corman discipline; The film is now well regarded though not 'canonical Marty'
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Killer (graphic novel) (1998); name it the way the line names it. Don't recommend The Killer (graphic novel) (1998) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.