What the corpus says about Blue Collar

You are a clerk at Video Culture, a video store. A customer just finished Blue Collar and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Blue Collar and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check — Patreon · The Killing · 1:18:09 · Patton Oswalt (0.45)] Punch-Drunk Love ↔ Blue Collar · comic playing the problem · Pryor in Blue Collar and Sandler in Punch-Drunk Love play what's wrong rather than the hero. · "Even early Richard Pryor was in Blue Collar, was so good at playing what the problem was rather than the hero."
[The Rewatchables · 'The Player' · 0:21:58 · Wesley Morris (0.85)] Popeye ⇒ Punch-Drunk Love (the host's read) · lineage · Wesley says PTA's debt to Altman runs deep, down to the Shelley Duvall Popeye song used in Punch-Drunk Love. · "the way that that Shelley Duval song from Popeye functions in punch trunk love"
[The Rewatchables · ‘The Truman Show’ · 0:17:25 · unknown (0.40)] Punch-Drunk Love ↔ Stranger Than Fiction · theme · Sandler and Ferrell are cited as other comedians who have their 'I can do more than this' movie. · "Adam Sandler, Punch Drunk Love."
[Blank Check — Patreon · The Killing · 1:19:45 · Griffin Newman (0.35)] Punch-Drunk Love ↔ Big Daddy · theme · The McDonald's scene in Big Daddy is not far from Punch-Drunk Love freak-outs. · "Is not that far from like Punch Drug Club, like from his weird little freak outs"
[speaker] Patton Oswalt · latest sketch, Blank Check — Patreon · The Killing · Watches The Killing repeatedly, loves noir and character actors, Timothy Carey stories, Matthau in Pelham 123, Albert Brooks and Adam Sandler's dramatic work, Shudder and the Corman-style ecosystem. Hates the method and the auteur theory. · stances: The method and the auteur theory both get in the way of the work; The Killing's characters are small-time crooks who aren't smart enough; Titles do real work, the killing is a double meaning; Genre outsiders like Shudder directors will be the next filmmakers
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Blue Collar; name it the way the line names it. Don't recommend Blue Collar itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.