What the corpus says about Tron: Legacy (2010)

The 14 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (3)

  1. [Blank Check · Fearless · 0:52:17 · Tim Simons (0.40)] Fearless ⇒ Tron: Legacy (the host's read) · craft · The 1993 Bridges look was the reference for the de-aged CGI Bridges in Tron: Legacy. · "I believe that this was the main visual reference for creepy CGI Jeff Bridges and Tron Legacy."
  2. [Blank Check · Starman · 0:06:29 · Griffin Newman (0.40)] True Grit ↔ Tron: Legacy · industry · True Grit outgrossed Tron Legacy the same Christmas, with Bridges in both. · "And then True Grit outgrosses Tron Legacy."
  3. [Blank Check — Patreon · Iron Man · 0:29:47 · unknown (0.30)] Jeff Bridges ↔ Tron: Legacy · career · Two years later Bridges has his biggest star year with Tron Legacy and True Grit, each about $180M domestic. · "He has Tron legacy and true grit, which both make $180 million in theaters at the same time."

One hop out: what recommends the films most often joined to it (8)

  1. [Blank Check — Patreon · 2025 March Madness Update 1 · 0:48:14 · unknown (0.40)] Peter Weir ↔ Fearless · programming · A host has not seen Fearless and is obsessed with plane crashes. · "the most intense plane crash scene in a movie."
  2. [Blank Check · Fearless · 1:11:17 · David Sims (0.50)] Rafael Yglesias ⇒ Fearless (the host's read) · lineage · Weir loved the unpublished-novel first-draft script, adapted by its own author. · "He adapts his own unpublished book."
  3. [Blank Check · Fearless · 0:50:16 · Tim Simons (0.45)] Fearless ↔ Unbreakable · theme · Both are about a man recovering from an accident that left him untouched; Bruce Willis would have fit, but was not ready. · "sort of a similar idea of a guy who's kind of like, fucking nothing happened to me, like, and who is recovering from an accident."
  4. [Blank Check · Fearless · 1:13:28 · David Sims (0.40)] Fearless ↔ Hero · theme · Hero, the year before, also asks what happens to people who walk out of a crash alive. · "What happens to the people who walk off walk out of a crash alive?"
  5. [Blank Check · Fearless · 2:28:08 · unknown (0.30)] Fearless ↔ Kickin' It Old Skool · theme · A coma movie where a man wakes into a new reality is joked to be the Fearless of the 2000s. · "kind of the fearless of the 2000s?"
  6. [Blank Check · Fearless · 1:06:54 · David Sims (0.40)] Fearless ↔ Picnic at Hanging Rock · craft · Fearless captures an uncanny mood with invisible craft the way Picnic at Hanging Rock does. · "And it has a little bit of that picnic at hanging rock thing where you're like, what is this mood he's captured?"
  7. [Blank Check · Fearless · 1:14:34 · unknown (0.30)] Fearless ↔ Sully · craft · Sully uses the same crash-in-flashback structure Weir chose for Fearless. · "Sully does basically the same thing."
  8. [Blank Check · Fearless · 2:32:45 · David Sims (0.50)] Fearless ↔ Allen Daviau · craft · The speaker praises how Fearless looks, a film about absorbing textures and the feeling in the air, tied to Daviau shooting it. · "this film looks incredible and this is a movie that needs to just look good because it's so much about like absorbing textures of things and and the space and the feeling in the air"

Who said it, by their latest sketch (2)

  1. [speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
  2. [speaker] Tim Simons · latest sketch, Blank Check · Fearless · Adores Bradley Whitford, Jeff Bridges, and unbridled positivity about moviegoing. Lover of old movies he has not seen yet. Can be contrarian ('movie MAGA mode') about near-consensus films and U2. Moved by performance and craft more than plot. · stances: Fearless is uniformly excellent, the first 30 and last 20 minutes transcendent; Jeff Bridges is peak, subtle and singular; the Fearless ending locks all puzzle pieces; nitpicks consensus classics

The shows' running bits (1)

  1. [bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md
You are a clerk at Video Culture, a video store. A customer just finished Tron: Legacy (2010) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Tron: Legacy (2010) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · Fearless · 0:52:17 · Tim Simons (0.40)] Fearless ⇒ Tron: Legacy (the host's read) · craft · The 1993 Bridges look was the reference for the de-aged CGI Bridges in Tron: Legacy. · "I believe that this was the main visual reference for creepy CGI Jeff Bridges and Tron Legacy."
[Blank Check · Starman · 0:06:29 · Griffin Newman (0.40)] True Grit ↔ Tron: Legacy · industry · True Grit outgrossed Tron Legacy the same Christmas, with Bridges in both. · "And then True Grit outgrosses Tron Legacy."
[Blank Check — Patreon · Iron Man · 0:29:47 · unknown (0.30)] Jeff Bridges ↔ Tron: Legacy · career · Two years later Bridges has his biggest star year with Tron Legacy and True Grit, each about $180M domestic. · "He has Tron legacy and true grit, which both make $180 million in theaters at the same time."
[Blank Check — Patreon · 2025 March Madness Update 1 · 0:48:14 · unknown (0.40)] Peter Weir ↔ Fearless · programming · A host has not seen Fearless and is obsessed with plane crashes. · "the most intense plane crash scene in a movie."
[Blank Check · Fearless · 1:11:17 · David Sims (0.50)] Rafael Yglesias ⇒ Fearless (the host's read) · lineage · Weir loved the unpublished-novel first-draft script, adapted by its own author. · "He adapts his own unpublished book."
[Blank Check · Fearless · 0:50:16 · Tim Simons (0.45)] Fearless ↔ Unbreakable · theme · Both are about a man recovering from an accident that left him untouched; Bruce Willis would have fit, but was not ready. · "sort of a similar idea of a guy who's kind of like, fucking nothing happened to me, like, and who is recovering from an accident."
[Blank Check · Fearless · 1:13:28 · David Sims (0.40)] Fearless ↔ Hero · theme · Hero, the year before, also asks what happens to people who walk out of a crash alive. · "What happens to the people who walk off walk out of a crash alive?"
[Blank Check · Fearless · 2:28:08 · unknown (0.30)] Fearless ↔ Kickin' It Old Skool · theme · A coma movie where a man wakes into a new reality is joked to be the Fearless of the 2000s. · "kind of the fearless of the 2000s?"
[Blank Check · Fearless · 1:06:54 · David Sims (0.40)] Fearless ↔ Picnic at Hanging Rock · craft · Fearless captures an uncanny mood with invisible craft the way Picnic at Hanging Rock does. · "And it has a little bit of that picnic at hanging rock thing where you're like, what is this mood he's captured?"
[Blank Check · Fearless · 1:14:34 · unknown (0.30)] Fearless ↔ Sully · craft · Sully uses the same crash-in-flashback structure Weir chose for Fearless. · "Sully does basically the same thing."
[Blank Check · Fearless · 2:32:45 · David Sims (0.50)] Fearless ↔ Allen Daviau · craft · The speaker praises how Fearless looks, a film about absorbing textures and the feeling in the air, tied to Daviau shooting it. · "this film looks incredible and this is a movie that needs to just look good because it's so much about like absorbing textures of things and and the space and the feeling in the air"
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Tim Simons · latest sketch, Blank Check · Fearless · Adores Bradley Whitford, Jeff Bridges, and unbridled positivity about moviegoing. Lover of old movies he has not seen yet. Can be contrarian ('movie MAGA mode') about near-consensus films and U2. Moved by performance and craft more than plot. · stances: Fearless is uniformly excellent, the first 30 and last 20 minutes transcendent; Jeff Bridges is peak, subtle and singular; the Fearless ending locks all puzzle pieces; nitpicks consensus classics
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Tron: Legacy (2010); name it the way the line names it. Don't recommend Tron: Legacy (2010) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.