What the corpus says about Stand by Me (1986)

You are a clerk at Video Culture, a video store. A customer just finished Stand by Me (1986) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about Stand by Me (1986) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · ‘Misery’ · 0:14:44 · Bill Simmons (0.60)] Stand by Me ↔ Misery · programming · Reiner's run: Stand By Me leads to When Harry Met Sally, Misery, A Few Good Men. · "It leads to, um, stand by me."
[The Rewatchables · ‘Misery’ · 1:19:39 · Bill Simmons (0.70)] Misery ↔ Stand by Me · programming · Simmons' double feature is Stand By Me and Misery. · "I would do standby me in misery."
[Blank Check — Patreon · 2025 March Madness Update 1 · 0:06:04 · unknown (0.50)] Stand by Me ↔ Misery · programming · They would fold Reiner's Stand by Me and Misery into a Stephen King series. · "So stand by me in misery, both go into a king."
[The Rewatchables · ‘Misery’ · 0:11:08 · Bill Simmons (0.80)] Stand by Me ⇒ Misery (the host's read) · lineage · King's first adaptation he liked was Stand By Me; Reiner got Misery through that deal. · "the 1st one of the 1st adaptation of his that he actually really liked was stand by me."
[Blank Check — Patreon · Paths of Glory · 1:31:20 · Sarah Marshall (0.85)] Paths of Glory ↔ Stand by Me · theme · Admitting you live in a world of men, as Paths of Glory and Stand by Me do, beats token female characters. · "I love it when movies, like, don't pretend to be interested in women when they clearly aren't, you know?"
[The Rewatchables · ‘Misery’ · 0:14:44 · Bill Simmons (0.60)] The Sure Thing ⇒ Stand by Me (the host's read) · career · The Sure Thing did well and led to Stand By Me. · "It leads to, um, stand by me."
[The Big Picture · The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture · 0:18:42 · Chris Ryan (0.80)] Austin Abrams ↔ Stand by Me · role · In Scary Stories he is the kid pretending to be Kiefer Sutherland from Stand By Me. · "He was the kid pretending to be Kiefer Sutherland from Standby Me."
[pairs] Stand by Me ↔ Misery · said 4 times in 2 episodes
[The Rewatchables · ‘Misery’ · 0:15:13 · Bill Simmons (0.70)] Misery ↔ A Few Good Men · programming · Misery sits in Reiner's incredible trio, all now Rewatchables. · "But when Harry Met Ali, Misery, Few Good Men, is really the best of all of these different great actors, right?"
[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:32:52 · Sean Fennessey (0.70)] Paths of Glory ↔ Rashomon · programming · Bonus recommendations that are not strictly courtroom movies. · "Paths of Glory the other day, which I don't think is a great courtroom movie"
[The Rewatchables · ‘Misery’ · 0:51:47 · Bill Simmons (0.65)] Misery ↔ The Silence of the Lambs · programming · Annie Wilkes and Hannibal Lecter came back to back, two great thriller characters in 12 months. · "Annie Wilkes and Hannibal Lecter, back to back ears."
[Blank Check — Patreon · Paths of Glory · 1:46:21 · David Sims (0.75)] Paths of Glory ↔ The Bridge on the River Kwai · programming · Box office game: Kwai, the 1957 Best Picture winner, was number one the week Paths of Glory went wide. · "number one at the box office, the week, the paths of glory goes wide, is the best picture winner of 1957"
[The Rewatchables · ‘Misery’ · 0:57:17 · Bill Simmons (0.70)] Forgetting Sarah Marshall ⇒ Misery (the host's read) · programming · Dracula the Musical award is borrowed from Sarah Marshall; given to the Misery books. · "We relate, so in, in, uh, forgetting Sarah Marshall."
[Blank Check — Patreon · Paths of Glory · 0:22:29 · David Sims (0.40)] Paths of Glory ↔ Dr. Strangelove · lineage · Strangelove is the nearest thing Kubrick made to Paths of Glory afterward, both being people talking through absurdity. · "the closest thing he's made to this since this is Strangelove, because Strangelove is also people talking through absurdity by and large"
[The Rewatchables · ‘Misery’ · 0:59:07 · Bill Simmons (0.70)] Pulp Fiction ⇒ Misery (the host's read) · programming · Butch's Girlfriend Award for weak link of the film is borrowed from Pulp Fiction. · "The Butch's girlfriend Award, Butch's girlfriend from Pulp Fiction."
[Blank Check — Patreon · Paths of Glory · 0:25:11 · unknown (0.30)] Paths of Glory ⇒ The Wire (the maker said so: David Simon cites it regularly) · lineage · David Simon reportedly cites Paths of Glory as the number one influence on The Wire: institutions chewing up the people on the ground. · "David Simon cites this regularly as the number one influence on the wire?"
[The Rewatchables · ‘Misery’ · 1:19:44 · Brian Koppelman (0.60)] Misery ↔ The Dead Zone · programming · Koppelman's double feature is Dead Zone and Misery. · "Dead zone and misery."
[Blank Check — Patreon · Paths of Glory · 0:25:22 · unknown (0.30)] Paths of Glory ⇒ David Simon (the maker said so: David Simon cites it regularly) · lineage · The speaker calls Paths of Glory a Rosetta Stone for Simon's stories of institutions versus the people below. · "this is the sort of Rosetta Stone, if you will, for him."
[The Big Picture · The 1990 Movie Draft · 0:57:27 · Sean Fennessey (0.85)] Sean Fennessey ↔ Misery · programming · Pick 10 (round 4), category action/horror/thriller: Best of the bunch; Stephen King, Kathy Bates, Goldman, Reiner. · "I'll take misery."
[Blank Check — Patreon · Paths of Glory · 0:33:38 · David Sims (0.70)] Humphrey Cobb ⇒ Paths of Glory (the host's read) · lineage · Paths of Glory is based on Cobb's novel, which Kubrick read in high school and never forgot. · "Humphrey Cobb's novel pads of glory."
[The Rewatchables · ‘Misery’ · 0:04:34 · Brian Koppelman (0.80)] Misery ↔ The Shawshank Redemption · lineage · King adaptations ranked: Stand By Me, Shawshank, Misery, and The Shining as the four best. · "Misery's the 3rd of that of the 3 best ones, I think, and the Shining, right?"
[Blank Check — Patreon · Paths of Glory · 1:45:25 · David Sims (0.50)] Paths of Glory ↔ Spartacus · lineage · Kubrick makes Spartacus next partly because Paths of Glory made him no money. · "Which is one reason he's going to Spartacus because he really needs to make some money."
[The Rewatchables · ‘Misery’ · 0:11:22 · Bill Simmons (0.75)] Stephen King ⇒ Misery (the host's read) · theme · Misery is King's book about addiction; Annie Wilkes stands for the painkillers. · "Annie Wilkes is really, she represents that, this thing that's trying to kill him."
[Blank Check — Patreon · A Clockwork Orange · 0:47:20 · Alex Ross Perry (0.60)] Paths of Glory ↔ Full Metal Jacket · theme · The firing squad of Paths of Glory is set against the sniper of Full Metal Jacket as the gun advances. · "Well, what's the difference between the firing squat, the end of paths of glory and the sniper at the end of Full Metal Jacket?"
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Sarah Marshall · latest sketch, Blank Check — Patreon · Paths of Glory · Loves legal dramas, horror, Predator and action movies; calls Paths of Glory her personal Kubrick and a formative film seen once at the Portland Art Museum. Dislikes performative female characters in movies uninterested in women; prefers sincere shortcomings. · stances: Paths of Glory is about injustice and a truthful legal drama; Prefers movies that admit they are about men; Won't call her show criticism; love has to be part of the conversation about movies
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with Stand by Me (1986); name it the way the line names it. Don't recommend Stand by Me (1986) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.