Adam Newport-Bruce

Made films the shows talk about.

Counted as other. The films the hosts said they were tied to, which the two lists below run through too: Uncut Gems (2019). Count them as cinematographer (1 film) instead.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

After Hours (1985): 1 line

  1. lineage (influence) · through Uncut Gems (2019), which they were tied to as cinematographer (misattributed in the first pass; the transcript names him for The Last Black Man in San Francisco): After Hours ⇒ Uncut Gems (the host's read). Uncut Gems owes a heavy debt to After Hours; Go is also described as owing it royalties.
    “could a movie owe more of a debt to after hours than the cut gems.”
    The Rewatchables · ‘After Hours’ with Bill Simmons and Sean Fennessey · 1:31:19 · Sean Fennessey (0.50 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

No line says anything drew on them or a film of theirs.

What the speakers said they did

Photography (1) everyone in photography

Other (1) everyone in other

What was said about them, by kind

craft (1)

  1. craft (craft): The Last Black Man in San Francisco → Adam Newport-Bruce. A host picks Last Black Man in San Francisco as best cinematography winner and names the cinematographer in the same breath.
    “I think Lost Black Man, San Francisco would also be my best cinematography winner.”
    Blank Check — Patreon · The Fifth Annual Blank Check Awards with Joe Reid (Ad-Free) · 1:22:35 · unattributed (one of Griffin Newman, David Sims, Joe Reid) (0.30 sure it was them)

Fun items about them

None.