Roger Deakins

Made films the shows talk about.

Wikidata Q460277: matched by corpus:resolve, told apart by the only person by that name on Wikidata.

Counted as other. The films the hosts said they were tied to, which the two lists below run through too: The Amazing Adventures of Kavalier & Clay (unmade). Count them as cinematographer (4 films) instead.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

No line says they, or a film of theirs, drew on anything.

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

No line says anything drew on them or a film of theirs.

What the speakers said they did

Photography (6) everyone in photography

Other (1) everyone in other

What was said about them, by kind

craft (5)

  1. craft (craft): Roger Deakins → Fargo. The Coens first told Deakins they wanted only fixed shots, then relaxed it as too puritanical, per his commentary as relayed by the hosts.
    “they initially told him we only want fixed shots. Like you're doing nothing. And then they realized like that's maybe a little too puritanical.”
    Blank Check with Griffin & David · Fargo with Zach Cregger · 1:03:01 · host (Griffin Newman or David Sims) (0.40 sure it was them)
  2. craft (craft): Roger Deakins → Skyfall. The shot-from-behind-Bond's-shoulder Silva intro is Deakins photography, and the movie is candy for movie nerds.
    “The movie is shot by Roger Deakins.”
    The Rewatchables · ‘Skyfall’ With Chris Ryan, Sean Fennessey, and Amanda Dobbins · 0:05:29 · Sean Fennessey (0.40 sure it was them)
  3. craft (craft): Roger Deakins → Skyfall. Deakins's photography keeps Skyfall looking cutting edge and undated years later.
    “And the deacons of it all. Yeah, it has a, it looks if a movie, if this movie came out today, I'd be like, this is cutting edge shit.”
    The Rewatchables · ‘Skyfall’ With Chris Ryan, Sean Fennessey, and Amanda Dobbins · 0:43:59 · unclear host (0.30 sure it was them)
  4. craft (craft): 1917 → Roger Deakins. A host likens the question of cutting Top Gun to a past Big Picture episode, a podcast celebrating Roger Deakins's cinematography on 1917, that asked whether to cut 1917.
    “should we cut 1917 from a Roger Deacons podcast celebrating his work on 1917”
    The Big Picture · The Tom Cruise Hall of Fame · 1:40:22 · unclear (one of the hosts) (0.30 sure it was them)
  5. craft (craft): Roger Deakins → 1917. Next episode covers 1917 and the life's work of Roger Deakins.
    “we'll also be talking about the life's work of one great man named Roger Deacons.”
    The Big Picture · The Snubs and Surprises of the 92nd Academy Award Nominations | The Oscars Show · 0:53:35 · Sean Fennessey (0.60 sure it was them)

people (3)

  1. people (people): Sam Mendes → Roger Deakins. Mendes shoots Silva's entrance with Deakins right behind Bond's shoulder.
    “But the fact that he shoots it, the Mendy shoots it the way it is with Deacons, where it's just right behind Bon's shoulder”
    The Rewatchables · ‘Skyfall’ With Chris Ryan, Sean Fennessey, and Amanda Dobbins · 0:27:44 · Chris Ryan (0.55 sure it was them)
  2. people (people): Sam Mendes → Roger Deakins. Mendes reteams with Deakins on 1917.
    “he's got 1917 coming out this winter also with Roger Deakins.”
    The Rewatchables · ‘Skyfall’ With Chris Ryan, Sean Fennessey, and Amanda Dobbins · 1:32:07 · Chris Ryan (0.50 sure it was them)
  3. people (people): Stephen Daldry → Roger Deakins. Daldry and Deakins were said to be making the unmade Kavalier & Clay together; Garfield could not confirm it was Deakins.
    “So Dawdry and Deacons were going to make Cavalier.”
    The Big Picture · The Oscars Schedule Changes, and Andrew Garfield On ‘Under the Silver Lake’ | Interview · 0:38:11 · Sean Fennessey (0.50 sure it was them)

unmapped (1)

  1. unmapped (documentary approach): Roger Deakins → Fargo. Deakins's documentary background shapes simple, in-the-conversation setups: the best camera place to capture the actors.
    “he came out of documentaries 1st and foremost”
    Blank Check with Griffin & David · Fargo with Zach Cregger · 1:03:55 · Griffin Newman (0.50 sure it was them)

Fun items about them

  1. fun, about Roger Deakins: The Coens first told Deakins they wanted only fixed shots; the opening credits shot was among the last filmed after snow failed to appear and they had to go to North Dakota.
    “Deacon said the opening credits shot is one of the last things they shot.”
    Blank Check with Griffin & David · Fargo with Zach Cregger · 1:05:07 · Griffin Newman (0.50 sure it was them)