What the corpus says about The Long Goodbye (1973)

You are a clerk at Video Culture, a video store. A customer just finished The Long Goodbye (1973) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Long Goodbye (1973) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Rewatchables · 'The Player' · 1:07:08 · Wesley Morris (0.80)] The Long Goodbye ⇒ The Player (the host's read) · lineage · Wesley reads Greta Scacchi's character as an echo of Nina van Pallandt's ice queen in The Long Goodbye, itself a riff on noir femmes fatales. · "that character is a an echo of another Altman character, the Nina Van Palant character in the longabai"
[The Big Picture · ‘Nightmare Alley’ and Our Favorite Films Noir, · 1:01:23 · Patton Oswalt (0.95)] Save the Tiger ↔ The Long Goodbye · theme · Lemmon and Elliott Gould play men in the wrong time; Save the Tiger is basically a noir about the garment business. · "a prestige film like Save the Tiger is basically a film noir."
[The Big Picture · ‘Nightmare Alley’ and Our Favorite Films Noir, · 1:02:09 · Patton Oswalt (0.95)] The Late Show ↔ The Long Goodbye · theme · A time-warped 70s detective story; The Late Show is Sam Spade with a hearing aid and a bus pass. · "it's Sam Spade with a hearing aid and a bus pass."
[Blank Check — Patreon · Dr. Strangelove... · 1:55:14 · Sean Fennessey (0.50)] Dr. Strangelove ⇒ The Long Goodbye (the host's read) · people · Speaker says Strangelove was the first time Hayden's personal struggles were put on screen, and later filmmakers used that persona going forward (Godfather, Long Goodbye). · "This is the 1st time when like his personal struggles, like were actualized in a movie, and then I felt like filmmakers only used this in movies going forward"
[The Big Picture · ‘Nightmare Alley’ and Our Favorite Films Noir, · 1:00:06 · Sean Fennessey (0.85)] The Long Goodbye ↔ Night Moves · decade trend · 70s films that take on and almost parody the tone of old noir; cynical yet strangely pie-eyed. · "I'm fascinated by the 70s. taking on and almost almost parodying satirizing the tonality of some of these movies."
[The Big Picture · ‘Nightmare Alley’ and Our Favorite Films Noir, · 1:06:30 · Sean Fennessey (0.70)] Under the Silver Lake ↔ The Long Goodbye · self-aware modern noir · The modern noir with a real idea about now, self-parodying like The Long Goodbye. · "similar to that longer buy, sort of like highly self-aware, almost self-parodying aspect, but that is really, really successful."
[Blank Check — Patreon · Lolita · 1:20:10 · unknown (0.00)] Lolita → Dr. Strangelove · programming · Unlike Strangelove, Lolita had no prior Kubrick-Sellers connection. · "Because it's not like Strange Love where you're like, okay, there's a pre-existing connection now."
[Blank Check — Patreon · The Game · 1:04:58 · Griffin Newman (0.40)] The Game ↔ The Player · programming · Two 90s satirical thrillers about soulless titans of industry caught in a trap of their own design. · "In terms of like 90s, uh, sort of vaguely satirical thrillers"
[Blank Check — Patreon · Dr. Strangelove... · 0:48:54 · David Sims (0.55)] Red Alert (novel) ⇒ Dr. Strangelove (the host's read) · lineage · The speaker says Dr. Strangelove is based on Peter George's serious nuclear thriller Red Alert. · "so he scoops up this book called Red Alert, which is, of course, what Dr. Strangelove is based on by Peter George that is a serious nuclear thriller."
[The Rewatchables · 'The Player' · 0:03:46 · Bill Simmons (0.95)] The Player ⇒ The Larry Sanders Show (the host's read) · lineage · Bill asks whether The Player is ground zero for the meta-Hollywood strain that runs through Larry Sanders and Curb. · "Larry Sanders and Curb your enthusiasm and all these different things we've had over the 30 years."
[Blank Check — Patreon · Dr. Strangelove... · 0:53:55 · David Sims (0.60)] Dr. Strangelove ⇒ Zucker Brothers (the host's read) · lineage · Speaker had a breakthrough that Strangelove must have been a big influence on the Zucker brothers and Jim Abrahams. · "I did finally have the breakthrough watching this of how much of an influence this movie must have been on the Zucker Brothers and John Abrahams."
[The Rewatchables · 'The Player' · 0:04:08 · Sean Fennessey (0.70)] Singin' in the Rain ⇒ The Player (the host's read) · lineage · Sean says movies about movies go back long before The Player, e.g. Singin' in the Rain, but this one is far more inside the joke. · "Going back to singing in the rain."
[Blank Check — Patreon · Dr. Strangelove... · 1:28:44 · Griffin Newman (0.40)] Bob Newhart ⇒ Dr. Strangelove (the host's read) · lineage · Speaker feels Newhart's one-sided phone-call format and his 1960 albums were a heavy influence on the President's call with the Soviet premier. · "I feel like a heavy influence on the way the president's phone call with Russia play out in this movie."
[The Rewatchables · 'The Player' · 1:27:11 · Sean Fennessey (0.40)] The Player ↔ Network · lineage · In the meta-Hollywood movies discussion, Network, Argo, Tropic Thunder and Bamboozled are floated as the nearest cousins, none as acidic. · "But you have never seen a movie this acidic about, you know, the, and also involving the, the level of fit."
[Blank Check — Patreon · Paths of Glory · 0:22:29 · David Sims (0.40)] Paths of Glory ↔ Dr. Strangelove · lineage · Strangelove is the nearest thing Kubrick made to Paths of Glory afterward, both being people talking through absurdity. · "the closest thing he's made to this since this is Strangelove, because Strangelove is also people talking through absurdity by and large"
[The Rewatchables · 'The Player' · 0:39:15 · Sean Fennessey (0.50)] The Player ↔ The Larry Sanders Show · theme · Both treat agents and executives as the villains; Odenkirk's Larry Sanders finale line calls back to Griffin's wish to eliminate the writer and actors. · "So then in Larry Sanders, in the last episode, Bob Odenkirk, who plays, um, Sander's agent"
[Blank Check — Patreon · A Clockwork Orange · 0:47:02 · Alex Ross Perry (0.50)] Dr. Strangelove ↔ A Clockwork Orange · theme · Strangelove, 2001, and this film are the clearest examples of his theme of technology that hastens man's downfall. · "Dr. Strangelove in 2001. And this movie are very literal examples of that, of that theme for sure."
[The Rewatchables · 'The Player' · 0:57:57 · Bill Simmons (0.80)] The Player ↔ Pretty Woman · theme · The recurring pitch-as-mashup joke (Out of Africa meets Pretty Woman) and the running Julia Roberts and Bruce Willis casting gag. · "How Julia Roberts and Bruce Willis get suggested for every movie is just a funny running bit."
[Blank Check — Patreon · Dr. Strangelove... · 0:29:22 · Sean Fennessey (0.55)] Dr. Strangelove ↔ Tootsie · theme · Speaker says Strangelove and Tootsie are both extremely funny but feel important to the industry. · "Well, this movie and Totsie have a lot in common, right?"
[The Rewatchables · 'The Player' · 1:10:45 · Wesley Morris (0.70)] Greta Scacchi ↔ The Player · theme · Wesley says the 'quirky artist' love-interest type in The Player is a cliche that will soon be replaced by teachers and gallerists. · "But that character is soon going to be like in movies."
[Blank Check — Patreon · Dr. Strangelove... · 0:31:14 · unknown (0.30)] Dr. Strangelove ↔ Network · theme · Network is called another movie that gets an impossible tone right, with dramatic actors rather than comedians. · "But that's another movie that's similarly like this gets sort of an impossible tone right."
[The Rewatchables · 'The Player' · 1:24:23 · Wesley Morris (0.80)] The Player ↔ Jean-Luc Godard · theme · Wesley says withholding the nudity you paid to see is a Godardian frustration of the male gaze. · "it's very Godartian, that, that kind of frustration of the, of, I mean, let's just go there for 12nd."
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[speaker] Patton Oswalt · latest sketch, Blank Check — Patreon · The Killing · Watches The Killing repeatedly, loves noir and character actors, Timothy Carey stories, Matthau in Pelham 123, Albert Brooks and Adam Sandler's dramatic work, Shudder and the Corman-style ecosystem. Hates the method and the auteur theory. · stances: The method and the auteur theory both get in the way of the work; The Killing's characters are small-time crooks who aren't smart enough; Titles do real work, the killing is a double meaning; Genre outsiders like Shudder directors will be the next filmmakers
[speaker] Wesley Morris · latest sketch, The Rewatchables · ‘My Cousin Vinny’ · Loves Marisa Tomei, the grits scene, and the clothes; is a sucker for Fran Drescher. Dislikes car-driving-away endings and thinks the film has done harm by encouraging self-representation. · stances: Tomei deserved the Oscar; Race in courtroom movies matters, and this one is warmly integrated; The Nanny is basically Mona Lisa Vito
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Long Goodbye (1973); name it the way the line names it. Don't recommend The Long Goodbye (1973) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.