Ninotchka

Not resolved against Wikidata yet.

What a model would be handed about it, for corpus:ask.

Who talked about it

Blank Check — Patreon

Came from

What the speakers say it drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

No line says it drew on another film or person.

Led to

What the speakers say drew on it, marked the same way.

You've Got Mail: 1 line the host's read ×1

  1. lineage (lineage): Ninotchka ⇒ You've Got Mail (the host's read). Ephron borrowed the idea of rivals who are two sides of one coin from a Lubitsch picture.
    “I mean she's pulling from like a different Lubich movie, which is here are 2 people who are opposite sides of the coin, don't realize they get along that way.”
    Blank Check — Patreon · You've Got Mail with Bobby Finger & Lindsey Weber (Ad-Free) · 0:38:59 · Griffin Newman (0.60 sure it was them)

Connected to

You've Got Mail: 1 line lineage ×1

  1. lineage (lineage): You've Got Mail → Ninotchka. Ephron borrowed the idea of rivals who are two sides of one coin from a Lubitsch picture.
    “I mean she's pulling from like a different Lubich movie, which is here are 2 people who are opposite sides of the coin, don't realize they get along that way.”
    Blank Check — Patreon · You've Got Mail with Bobby Finger & Lindsey Weber (Ad-Free) · 0:38:59 · Griffin Newman (0.60 sure it was them)

Where it came up

What was said about it, by kind

lineage (1)

  1. lineage (lineage): You've Got Mail → Ninotchka. Ephron borrowed the idea of rivals who are two sides of one coin from a Lubitsch picture.
    “I mean she's pulling from like a different Lubich movie, which is here are 2 people who are opposite sides of the coin, don't realize they get along that way.”
    Blank Check — Patreon · You've Got Mail with Bobby Finger & Lindsey Weber (Ad-Free) · 0:38:59 · Griffin Newman (0.60 sure it was them)

Fun items about it

None.

Who the speakers said made it

As said on the shows, not checked against the real credits.