Anna Karenina

Not resolved against Wikidata yet.

What a model would be handed about it, for corpus:ask.

Who talked about it

The Big Picture

Came from

What the speakers say it drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

No line says it drew on another film or person.

Led to

What the speakers say drew on it, marked the same way.

Darkest Hour: 1 line the maker said so ×1

  1. contrast (contrast): Anna Karenina ⇒ Darkest Hour (the maker said so: Wright, on the show). Darkest Hour's stripped-back look is a reaction against Pan and Anna Karenina.
    “as a kind of reaction to what I've been doing before, including Pan, but also, you know, Anna Karenina and movies like that.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:04:41 · Joe Wright (0.95 sure it was them)

Connected to

Darkest Hour: 1 line contrast ×1

  1. contrast (contrast): Darkest Hour → Anna Karenina. Darkest Hour's stripped-back look is a reaction against Pan and Anna Karenina.
    “as a kind of reaction to what I've been doing before, including Pan, but also, you know, Anna Karenina and movies like that.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:04:41 · Joe Wright (0.95 sure it was them)

Where it came up

What was said about it, by kind

contrast (1)

  1. contrast (contrast): Darkest Hour → Anna Karenina. Darkest Hour's stripped-back look is a reaction against Pan and Anna Karenina.
    “as a kind of reaction to what I've been doing before, including Pan, but also, you know, Anna Karenina and movies like that.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:04:41 · Joe Wright (0.95 sure it was them)

Fun items about it

None.

Who the speakers said made it

As said on the shows, not checked against the real credits.