What the corpus says about The Pelican Brief (1993)

The 32 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (4)

  1. [The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 0:11:07 · Sean Fennessey (0.80)] The Pelican Brief ↔ A Few Good Men · programming · Disqualified: legal thriller, not courtroom drama, operating outside the courtroom. · "operates almost entirely outside of the courtroom"
  2. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:55:48 · Chris Ryan (0.30)] The Insider ↔ The Pelican Brief · theme · Joking pair of journalism movies that brought down administrations or cigarettes. · "Pelican Breeds good point."
  3. [The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:31:31 · Amanda Dobbins (0.80)] JFK ↔ The Pelican Brief · contrast · Conspiracy thrillers sharing DNA; JFK is the unhinged one. · "speaking of conspiracies"
  4. [The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:31:34 · Amanda Dobbins (0.80)] The Pelican Brief ↔ JFK · contrast · The Pelican Brief is JFK Light, but JFK if it made sense. · "JFK Light, sort of, but JFK if it made sense"

Films put beside it more than once (1)

  1. [pairs] The Pelican Brief ↔ JFK · said 2 times in 1 episode

One hop out: what recommends the films most often joined to it (21)

  1. [The Rewatchables · ‘The Insider’ · 0:22:48 · Bill Simmons (0.50)] The Insider ↔ JFK · theme · JFK became the assassination movie though half of it is false, whereas The Insider really captures its specific moment with the cigarette industry. · "This movie really does capture this specific moment with the cigarette industry that played out with the lawsuits and everything."
  2. [The Rewatchables · ‘Misery’ · 0:15:13 · Bill Simmons (0.70)] Misery ↔ A Few Good Men · programming · Misery sits in Reiner's incredible trio, all now Rewatchables. · "But when Harry Met Ali, Misery, Few Good Men, is really the best of all of these different great actors, right?"
  3. [The Rewatchables · ‘The Insider’ · 0:21:08 · Chris Ryan (0.45)] All the President's Men ⇒ The Insider (the host's read) · lineage · The Insider is hoped to capture the same wave of reaction that All the President's Men did. · "they're hoping to capture that same kind of that wave that people have when they saw all the president's men."
  4. [The Rewatchables · ‘The Ice Storm’ · 0:10:48 · Chris Ryan (0.50)] The Ice Storm ↔ JFK · theme · Ryan asks whether decades had to pass before America could tell the story, as Simmons said about Oliver Stone's JFK. · "when we did the JFK pod, you talked a little bit about needing some time to go by for America to be ready to hear about that story"
  5. [The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:19:27 · Sean Fennessey (0.55)] A Few Good Men ↔ Network · programming · It is in the conversation for most rewatched movie of a lifetime, next to Network, Oz, Godfather, Goodfellas and Pulp Fiction. · "and a few good men is right there with it."
  6. [The Rewatchables · ‘The Insider’ · 0:39:53 · Bill Simmons (0.30)] Robert Redford ↔ The Insider · lineage · The golf-range scene where the hero realizes he is followed is likened to a Redford footstep scene. · "That's the Redford, it's so good."
  7. [The Rewatchables · ‘My Cousin Vinny’ · 0:28:51 · Bill Simmons (0.50)] Joe Pesci ↔ JFK · craft · Pesci will do anything asked, even in a bad wig, and that willingness makes it work. · "the willingness to go as far out as he needs to to work somehow is that's a winning thing."
  8. [The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 0:12:02 · Sean Fennessey (0.85)] 12 Angry Men ↔ A Few Good Men · programming · 12 Angry Men is a technicality: a morality play in a side room, not a courtroom drama. · "It's a morality play inside of a side room related to a courtroom"
  9. [The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:56:00 · Sean Fennessey (0.50)] The Insider ↔ Sydney Pollack · lineage · The Insider is described as a Sydney Pollack movie with more tension, angst and masculinity. · "this is a Sydney Pollock movie."
  10. [The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:18:51 · Sean Fennessey (0.80)] Hank Corwin ↔ JFK · craft · Corwin's aggressive flash-cutting across film stocks, the Zapruder film and archival footage defines JFK's editing, and he later helped Adam McKay on Vice. · "this incredible commercial influence flash cutting style that he does in this movie, which, you know, is liable to, you know, give you a seizure."
  11. [The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 0:14:25 · Sean Fennessey (0.80)] To Kill a Mockingbird ↔ A Few Good Men · programming · Left off the list as more homework than pleasurable; the list favors twisty, speechifying, overacting movies. · "pleasurability factor of a lot of these movies"
  12. [The Rewatchables · ‘The Insider’ · 0:22:48 · Bill Simmons (0.50)] The Insider ↔ JFK · theme · JFK became the assassination movie though half of it is false, whereas The Insider really captures its specific moment with the cigarette industry. · "This movie really does capture this specific moment with the cigarette industry that played out with the lawsuits and everything."
  13. [The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:19:35 · Sean Fennessey (0.75)] JFK ↔ John Williams · craft · Williams wrote six pieces without seeing the film and Stone cut to them. · "Oliver Stone cut the movie to the music that John Williams provided"
  14. [Blank Check — Patreon · 2025 March Madness Update 1 · 0:06:13 · unknown (0.40)] A Few Good Men ↔ Aaron Sorkin · programming · A Few Good Men and The American President get folded into a Sorkin series, not a Reiner one. · "Few good men in American president."
  15. [The Rewatchables · ‘The Insider’ · 0:26:41 · Bill Simmons (0.45)] The Insider ↔ The Blair Witch Project · theme · Both are 1999 movies that could not happen a few years later because the internet changed things. · "I think that's a similar thing that just 4 years later, that movie doesn't happen."
  16. [Blank Check · The Color of Money · 1:36:10 · Griffin Newman (0.40)] A Few Good Men ↔ Heat 2 · lineage · A hypothetical Sorkin A Few Good Men sequel is compared to Heat 2 as a legacy-sequel recast by its original creator. · "it's not Fincher doing the legacyquel with an entirely different cast, but it is Sorkin making his own legacy."
  17. [The Rewatchables · ‘The Insider’ · 1:12:51 · Chris Ryan (0.30)] The Insider ↔ Pump Up the Volume · theme · Smoking riffs: Christian Slater as a good screen smoker in Heathers and Pump Up the Volume. · "Christian Slater, really good smoker."
  18. [Blank Check · The Color of Money · 1:37:25 · Griffin Newman (0.40)] A Few Good Men ↔ NCIS · lineage · A Few Good Men's JAG lawyer role is linked to the JAG/NCIS rights tangle as the joke legacy sequel. · "As we all know, NCIS is based on JAG. is a spinoff. technically a spinoff of the TV show, Jack."
  19. [The Rewatchables · ‘The Insider’ · 0:08:27 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The Insider is where Mann starts making wild formal decisions, after the romantic landscape painting of Mohicans and the urban Heat. · "And then Insider marks where man starts making all these really wild formal decisions."
  20. [The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:07:27 · Amanda Dobbins (0.60)] The Verdict ⇒ A Few Good Men (the host's read) · lineage · You cannot have A Few Good Men without The Verdict; everything on the courtroom checklist comes from it. · "you really, really cannot have a few good men without having the verdict"
  21. [The Rewatchables · ‘The Insider’ · 0:08:38 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The same cinematographer, Dante Spinotti, shot both Mann films. · "Dante Spinati, who shot last night, he can shot. He also shoots the insider"

Who said it, by their latest sketch (3)

  1. [speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
  2. [speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
  3. [speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license

The shows' running bits (3)

  1. [bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
  2. [bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
  3. [bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md
You are a clerk at Video Culture, a video store. A customer just finished The Pelican Brief (1993) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The Pelican Brief (1993) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 0:11:07 · Sean Fennessey (0.80)] The Pelican Brief ↔ A Few Good Men · programming · Disqualified: legal thriller, not courtroom drama, operating outside the courtroom. · "operates almost entirely outside of the courtroom"
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:55:48 · Chris Ryan (0.30)] The Insider ↔ The Pelican Brief · theme · Joking pair of journalism movies that brought down administrations or cigarettes. · "Pelican Breeds good point."
[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:31:31 · Amanda Dobbins (0.80)] JFK ↔ The Pelican Brief · contrast · Conspiracy thrillers sharing DNA; JFK is the unhinged one. · "speaking of conspiracies"
[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:31:34 · Amanda Dobbins (0.80)] The Pelican Brief ↔ JFK · contrast · The Pelican Brief is JFK Light, but JFK if it made sense. · "JFK Light, sort of, but JFK if it made sense"
[pairs] The Pelican Brief ↔ JFK · said 2 times in 1 episode
[The Rewatchables · ‘The Insider’ · 0:22:48 · Bill Simmons (0.50)] The Insider ↔ JFK · theme · JFK became the assassination movie though half of it is false, whereas The Insider really captures its specific moment with the cigarette industry. · "This movie really does capture this specific moment with the cigarette industry that played out with the lawsuits and everything."
[The Rewatchables · ‘Misery’ · 0:15:13 · Bill Simmons (0.70)] Misery ↔ A Few Good Men · programming · Misery sits in Reiner's incredible trio, all now Rewatchables. · "But when Harry Met Ali, Misery, Few Good Men, is really the best of all of these different great actors, right?"
[The Rewatchables · ‘The Insider’ · 0:21:08 · Chris Ryan (0.45)] All the President's Men ⇒ The Insider (the host's read) · lineage · The Insider is hoped to capture the same wave of reaction that All the President's Men did. · "they're hoping to capture that same kind of that wave that people have when they saw all the president's men."
[The Rewatchables · ‘The Ice Storm’ · 0:10:48 · Chris Ryan (0.50)] The Ice Storm ↔ JFK · theme · Ryan asks whether decades had to pass before America could tell the story, as Simmons said about Oliver Stone's JFK. · "when we did the JFK pod, you talked a little bit about needing some time to go by for America to be ready to hear about that story"
[The Big Picture · Aaron Sorkin Top 5s and ‘The Trial of the Chicago 7’ · 1:19:27 · Sean Fennessey (0.55)] A Few Good Men ↔ Network · programming · It is in the conversation for most rewatched movie of a lifetime, next to Network, Oz, Godfather, Goodfellas and Pulp Fiction. · "and a few good men is right there with it."
[The Rewatchables · ‘The Insider’ · 0:39:53 · Bill Simmons (0.30)] Robert Redford ↔ The Insider · lineage · The golf-range scene where the hero realizes he is followed is likened to a Redford footstep scene. · "That's the Redford, it's so good."
[The Rewatchables · ‘My Cousin Vinny’ · 0:28:51 · Bill Simmons (0.50)] Joe Pesci ↔ JFK · craft · Pesci will do anything asked, even in a bad wig, and that willingness makes it work. · "the willingness to go as far out as he needs to to work somehow is that's a winning thing."
[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 0:12:02 · Sean Fennessey (0.85)] 12 Angry Men ↔ A Few Good Men · programming · 12 Angry Men is a technicality: a morality play in a side room, not a courtroom drama. · "It's a morality play inside of a side room related to a courtroom"
[The Big Picture · ‘Ferrari’ and Top Five Michael Mann Movies · 0:56:00 · Sean Fennessey (0.50)] The Insider ↔ Sydney Pollack · lineage · The Insider is described as a Sydney Pollack movie with more tension, angst and masculinity. · "this is a Sydney Pollock movie."
[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:18:51 · Sean Fennessey (0.80)] Hank Corwin ↔ JFK · craft · Corwin's aggressive flash-cutting across film stocks, the Zapruder film and archival footage defines JFK's editing, and he later helped Adam McKay on Vice. · "this incredible commercial influence flash cutting style that he does in this movie, which, you know, is liable to, you know, give you a seizure."
[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 0:14:25 · Sean Fennessey (0.80)] To Kill a Mockingbird ↔ A Few Good Men · programming · Left off the list as more homework than pleasurable; the list favors twisty, speechifying, overacting movies. · "pleasurability factor of a lot of these movies"
[The Rewatchables · ‘The Insider’ · 0:22:48 · Bill Simmons (0.50)] The Insider ↔ JFK · theme · JFK became the assassination movie though half of it is false, whereas The Insider really captures its specific moment with the cigarette industry. · "This movie really does capture this specific moment with the cigarette industry that played out with the lawsuits and everything."
[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:19:35 · Sean Fennessey (0.75)] JFK ↔ John Williams · craft · Williams wrote six pieces without seeing the film and Stone cut to them. · "Oliver Stone cut the movie to the music that John Williams provided"
[Blank Check — Patreon · 2025 March Madness Update 1 · 0:06:13 · unknown (0.40)] A Few Good Men ↔ Aaron Sorkin · programming · A Few Good Men and The American President get folded into a Sorkin series, not a Reiner one. · "Few good men in American president."
[The Rewatchables · ‘The Insider’ · 0:26:41 · Bill Simmons (0.45)] The Insider ↔ The Blair Witch Project · theme · Both are 1999 movies that could not happen a few years later because the internet changed things. · "I think that's a similar thing that just 4 years later, that movie doesn't happen."
[Blank Check · The Color of Money · 1:36:10 · Griffin Newman (0.40)] A Few Good Men ↔ Heat 2 · lineage · A hypothetical Sorkin A Few Good Men sequel is compared to Heat 2 as a legacy-sequel recast by its original creator. · "it's not Fincher doing the legacyquel with an entirely different cast, but it is Sorkin making his own legacy."
[The Rewatchables · ‘The Insider’ · 1:12:51 · Chris Ryan (0.30)] The Insider ↔ Pump Up the Volume · theme · Smoking riffs: Christian Slater as a good screen smoker in Heathers and Pump Up the Volume. · "Christian Slater, really good smoker."
[Blank Check · The Color of Money · 1:37:25 · Griffin Newman (0.40)] A Few Good Men ↔ NCIS · lineage · A Few Good Men's JAG lawyer role is linked to the JAG/NCIS rights tangle as the joke legacy sequel. · "As we all know, NCIS is based on JAG. is a spinoff. technically a spinoff of the TV show, Jack."
[The Rewatchables · ‘The Insider’ · 0:08:27 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The Insider is where Mann starts making wild formal decisions, after the romantic landscape painting of Mohicans and the urban Heat. · "And then Insider marks where man starts making all these really wild formal decisions."
[The Big Picture · Objection! Top 10 Courtroom Dramas | The Big Picture · 1:07:27 · Amanda Dobbins (0.60)] The Verdict ⇒ A Few Good Men (the host's read) · lineage · You cannot have A Few Good Men without The Verdict; everything on the courtroom checklist comes from it. · "you really, really cannot have a few good men without having the verdict"
[The Rewatchables · ‘The Insider’ · 0:08:38 · Chris Ryan (0.60)] The Insider ↔ The Last of the Mohicans · craft · The same cinematographer, Dante Spinotti, shot both Mann films. · "Dante Spinati, who shot last night, he can shot. He also shoots the insider"
[speaker] Amanda Dobbins · latest sketch, The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · Loves The Strangers' withholding craft and a good tense horror film without gore, but likes fun, communal movies like Mamma Mia. She dislikes supernatural or gory horror, which irritates her more than it scares her. She is a sucker for stars and for Googling a movie mid-recording. · stances: The Strangers is scary because of what it doesn't show or explain; Ending explanation weakens it; no answer would be better; Prefers 'withholding' filmmaking; Defends Mamma Mia as joyful and intentional
[speaker] Chris Ryan · latest sketch, The Rewatchables · ‘Friday the 13th’ · A franchise and genre scholar who likes Jason, the early sequels, and Manhattan; attention to trivia, tropes and critic reception. Treats slashers as a canon with tiers. · stances: Parts 1, 2, 4 and Manhattan are the good ones; The series finds its legs at 4
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The Pelican Brief (1993); name it the way the line names it. Don't recommend The Pelican Brief (1993) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.