What the corpus says about The King of Comedy (1982)

The 56 lines php artisan corpus:ask hands a model, in the order it gets them, and nothing else. The model writes a clerk's answer from these and only these.

What was said about it (9)

[Blank Check · Raging Bull · 1:55:42 · unknown host (0.30)] Raging Bull ⇒ The King of Comedy (the host's read) · lineage · King of Comedy is a part-2 of sorts about a delusional comedian, echoing LaMotta's stand-up, and is part of a De Niro trilogy with Taxi Driver. · "There's the king of comedy, the spiritual sequel to Raging Bull."
[The Rewatchables · ‘Misery’ · 1:09:33 · Bill Simmons (0.70)] Misery ↔ The King of Comedy · theme · Obsessed-fan movies: King of Comedy first, then Misery's Bates at the apex. · "Crazy obsessed fans in a movie?"
[Blank Check — Patreon · The Nightmare Before Christmas · 1:57:52 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ The King of Comedy · theme · Jack and Santa Claus are read as Rupert Pupkin and Jerry Langford (transcribed Pumpkin/Lanford). · "the relationship between Jack and Santa Claus, excuse me, is just Rupert Pumpkin and Jerry Lanford."
[The Big Picture · The 1990 Movie Draft · 0:28:16 · Sean Fennessey (0.50)] Goodfellas ↔ The King of Comedy · career · Goodfellas was Scorsese's comeback after the King of Comedy flop and a pilloried stretch. · "he has this like comeback narrative with Goodfellows, which is financially successful, critically adored"
[Blank Check · After Hours · 0:21:24 · unknown host (0.35)] The King of Comedy ↔ After Hours · verdict · King of Comedy was once the not-like-other-fans Scorsese pick; fans have swung round to After Hours. · "for a while, uh, king of comedy was the, I'm not like the other Scorsese fans. And things have now, I think, swung around to after hours."
[The Rewatchables · ‘After Hours’ · 0:18:28 · Bill Simmons (0.50)] The King of Comedy ⇒ After Hours (the maker said so: Scorsese's quote, via Biskind) · industry · King of Comedy bombing and Fox pulling it set up Scorsese's retreat to small-scale After Hours; he said 70s directors had lost to studios. · "And that was when I really understood that the 70s were over for me"
[Blank Check · After Hours · 1:11:51 · unknown (0.30)] The King of Comedy ↔ After Hours · rejuvenation · After Hours rescued Scorsese after King of Comedy the way The Last Waltz followed New York, New York. · "Like last waltz is that after New York, New York, and this is that after King of comedy, where he needed to be saved a little."
[Blank Check · Raging Bull · 2:05:42 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ The King of Comedy · next Scorsese film · King of Comedy follows Raging Bull and is when Marty starts sweating about box office again. · "The next one, king of comedy, that's the one where I feel like Marty, again, is starting to sweat"
[Blank Check · Star 80 · 0:02:19 · Julie Klausner (0.50)] Eric Roberts ↔ The King of Comedy · lineage · Roberts's Snyder is seen as another version of what Rupert Pupkin could have been. · "I also think a group for Pupkin is another version of who this character could have been, but he was just following orders."

Films put beside it more than once (2)

[pairs] The King of Comedy ↔ After Hours · said 3 times in 2 episodes
[pairs] The King of Comedy ↔ Raging Bull · said 2 times in 1 episode

One hop out: what recommends the films most often joined to it (38)

[Blank Check · After Hours · 2:18:42 · unknown host (0.35)] After Hours ↔ Dallas Buyers Club · programming · Dallas Buyers Club would pair with After Hours as an AIDS-era double feature. · "It'd be a great double feature with after hours."
[The Rewatchables · ‘Rocky’ · 1:44:35 · Van Lathan (0.45)] Rocky ↔ Raging Bull · programming · Another double-feature choice, Raging Bull, picked by one host. · "I go Raging Bull."
[The Rewatchables · ‘My Cousin Vinny’ · 1:18:20 · Chris Ryan (0.50)] My Cousin Vinny ↔ Goodfellas · programming · Best double feature: Goodfellas then Vinny, though Vinny is too close in length. · "I was going to say Goodfellas to this is pretty great."
[The Rewatchables · ‘Misery’ · 0:14:44 · Bill Simmons (0.60)] Stand by Me ↔ Misery · programming · Reiner's run: Stand By Me leads to When Harry Met Sally, Misery, A Few Good Men. · "It leads to, um, stand by me."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:45:36 · Michael Rianda (0.60)] The Nightmare Before Christmas ↔ The Haunted Mansion (Disney ride) · programming · The film's iconography now powers a seasonal Haunted Mansion overlay. · "the haunted mansion ride is like so amazing."
[Blank Check · Raiders of the Lost Ark · 3:12:46 · unknown (0.40)] Yellowbeard ↔ After Hours · programming · Cheech and Chong in Yellowbeard and After Hours are reserved for future Mel Damski and Scorsese series. · "we'd want to save that for Martin Scorsese and Mel Damski series."
[Blank Check · Raging Bull · 1:58:33 · Griffin Newman or David Sims (0.40)] Italianamerican ⇒ Raging Bull (the host's read) · lineage · Scorsese's parents fighting in Italianamerican and American Boy taught him the rhythm replicated in Raging Bull's family fight scenes. · "And so much of his parents fighting in Italian American is the feeling of the family fight scenes in this movie."
[The Big Picture · The 1990 Movie Draft · 0:26:39 · Chris Ryan (0.90)] Chris Ryan ↔ Goodfellas · programming · Pick 1 (round 1), category Oscar nominee: Easy first pick; one of his favorite movies ever made. · "one of my favorite movies ever made, Martin Scorsese's uh, epic, darkly comic look at the rise and fall of the American mob"
[The Rewatchables · ‘Misery’ · 0:15:13 · Bill Simmons (0.70)] Misery ↔ A Few Good Men · programming · Misery sits in Reiner's incredible trio, all now Rewatchables. · "But when Harry Met Ali, Misery, Few Good Men, is really the best of all of these different great actors, right?"
[Blank Check · Wendell & Wild · 1:32:50 · David Sims (0.50)] Wendell and Wild ↔ The Nightmare Before Christmas · theme · Nightmare has one major objective everyone is on; Wendell & Wild is just so much plot. · "Night before Christmas has like one major objective that everyone's right on."
[The Rewatchables · ‘After Hours’ · 1:14:08 · Bill Simmons (0.60)] After Hours ↔ Pee-wee's Big Adventure · programming · Tim Burton left After Hours the same year he made Pee-wee; both are about a manchild in a strange world finding salvation going home. · "about a manchild, thrust into a world he doesn't understand, seeking something he can't get, and eventually finding salvation by going back home."
[Blank Check · Raging Bull · 1:08:55 · Griffin Newman or David Sims (0.40)] Rocky ⇒ Raging Bull (the maker said so) · theme · Scorsese shot in black and white to differentiate from Rocky-era bright red-white-and-blue boxing movies, and producer Winkler produced both. · "Number one, I want to differentiate from the Rockies and all the other sort of boxing movies right now."
[The Rewatchables · ‘A Bronx Tale’ · 1:32:47 · Sean Fennessey (0.70)] A Bronx Tale ↔ Goodfellas · lineage · Fennessey wonders whether the needle drops and the Pesci cameo are purposeful homage or accident. · "I just want to know how much of what he was doing was a purposeful homage to Goodfellas"
[The Rewatchables · ‘Misery’ · 0:51:47 · Bill Simmons (0.65)] Misery ↔ The Silence of the Lambs · programming · Annie Wilkes and Hannibal Lecter came back to back, two great thriller characters in 12 months. · "Annie Wilkes and Hannibal Lecter, back to back ears."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:03:55 · Griffin Newman (0.55)] The Nightmare Before Christmas ↔ The Wizard of Oz · theme · The film's cult growth into mainstream pop culture is compared to Oz. · "in that sort of Wizard of Oz conversation of like movies that came out, did okay at the time and are now just like so deeply woven into the tapestry of pop culture"
[The Rewatchables · ‘After Hours’ · 1:31:37 · Sean Fennessey (0.50)] After Hours ↔ Bright Lights, Big City · programming · Bright Lights, Big City is a big one from this era that nobody talks about. · "Bright Lights Big City is a big one from this era too."
[Blank Check · Raging Bull · 1:55:47 · unknown host (0.30)] Raging Bull ↔ Taxi Driver · theme · The speaker groups Taxi Driver, Raging Bull and King of Comedy as De Niro plumbing damaged psychologies. · "It's part of a trilogy with Taxi Driver."
[The Big Picture · The 1990 Movie Draft · 1:31:51 · unknown (0.40)] Goodfellas ⇒ My Blue Heaven (the host's read) · lineage · My Blue Heaven is blown out by Goodfellas as it is the same movie, like a sequel. · "It got kind of blown out of the water by Goodfellas because it's the same movie."
[The Rewatchables · ‘Misery’ · 0:57:17 · Bill Simmons (0.70)] Forgetting Sarah Marshall ⇒ Misery (the host's read) · programming · Dracula the Musical award is borrowed from Sarah Marshall; given to the Misery books. · "We relate, so in, in, uh, forgetting Sarah Marshall."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:52:14 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Henry Selick · theme · Jack's arc is read as the animators themselves trying to make commercial art. · "how much Jack is an analog for these guys trying to figure out how to make commercial art"
[The Rewatchables · ‘After Hours’ · 1:40:40 · Bill Simmons (0.40)] After Hours ↔ Bringing Out the Dead · programming · Another nighttime Scorsese movie. · "Another nighttime Scorsese movie bringing out the dead."
[Blank Check · Raging Bull · 0:59:47 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Walk Hard: The Dewey Cox Story · craft · Schrader's draft intercut a whole life like the later Dewey Cox style that many biopics now follow, before Raging Bull used bookends and one flashback. · "Dewey Cox style originally was more the structure of the movie."
[The Rewatchables · A CR Month Mailbag! · 0:36:27 · Bill Simmons (0.50)] The Shawshank Redemption ↔ Goodfellas · theme · Listener's list of narrated Rewatchables: Shawshank, Goodfellas, Apocalypse Now, Ferris Bueller, Fight Club, Stand by Me, Big Lebowski and more. · "He, best movie of all time, Shawshank."
[The Rewatchables · ‘Misery’ · 0:59:07 · Bill Simmons (0.70)] Pulp Fiction ⇒ Misery (the host's read) · programming · Butch's Girlfriend Award for weak link of the film is borrowed from Pulp Fiction. · "The Butch's girlfriend Award, Butch's girlfriend from Pulp Fiction."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:41:48 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Toy Story · theme · The first breakthrough film in each form of animation becomes the template: CGI follows Toy Story, stop motion stays creepy. · "And then the CGI becomes so defined by Toy Story."
[The Rewatchables · ‘After Hours’ · 1:40:52 · Sean Fennessey (0.50)] After Hours ↔ Into the Night · programming · Sean's double-feature pick: the LA version of the same energy, made at the same time. · "I think it would be funny to see New York, LA, same kind of version energy."
[Blank Check · Raging Bull · 1:33:33 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Midnight Cowboy · craft · Midnight Cowboy has an innocent at the center to balance Ratso; Raging Bull is the Rizzo movie with no such cushion. · "But this is the Razzo Rizzo movie, sort of, and again, another reason, they don't they can't make this today."
[The Rewatchables · ‘Twister’ · 0:58:13 · Van Lathan (0.40)] Twister ↔ Goodfellas · theme · Aunt Meg feeding a crew of twelve in minutes is compared to Pesci's mom making meatballs at 3 a.m. in Goodfellas. · "Like a Goodfellas when they show up at 3 in the morning"
[The Rewatchables · ‘Misery’ · 1:19:39 · Bill Simmons (0.70)] Misery ↔ Stand by Me · programming · Simmons' double feature is Stand By Me and Misery. · "I would do standby me in misery."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:31:42 · David Sims (0.40)] Danny Elfman ↔ The Nightmare Before Christmas · craft · Elfman wrote songs off Burton's story beats with no script, and the script came after. · "Burton is basically describing the story beats, and Elfman is writing songs off of the story beats"
[Blank Check · After Hours · 0:33:22 · unknown host (quoting Minion) (0.35)] Joseph Minion ↔ After Hours · lineage · Minion wrote it under the spell of Kafka, Welles' The Trial, Mamet plays, Henry Miller and Mailer. · "I was under the spell of Kafka. I was obsessed with Orson Welles as the trial."
[The Rewatchables · ‘A Bronx Tale’ · 0:19:12 · Bill Simmons (0.50)] A Bronx Tale ↔ Goodfellas · theme · It came during the glory years of Italian pop culture: Godfather 3, Goodfellas, then Casino. · "this was kind of the glory years of, of this, Italian pop culture."
[The Rewatchables · ‘Misery’ · 1:19:44 · Brian Koppelman (0.60)] Misery ↔ The Dead Zone · programming · Koppelman's double feature is Dead Zone and Misery. · "Dead zone and misery."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:49:28 · Griffin Newman (0.40)] Joe Ranft ↔ The Nightmare Before Christmas · craft · Ranft is counted among the five people credited with shaping the film's story. · "Thompson, Joe Ramped, Elfman, Selleck, Burton, all can be given a fair amount of credit for the shaping of this film."
[Blank Check · After Hours · 0:34:18 · unknown host (0.40)] After Hours ⇒ The Night Before (the host's read) · lineage · After Hours is the template for modern one-crazy-night New York comedies, none of which reach it. · "It is one of those movies that kind of is like unofficially remade every 5 years."
[The Rewatchables · ‘A Bronx Tale’ · 0:42:06 · Chris Ryan (0.40)] A Bronx Tale ↔ Goodfellas · theme · Ray Liotta's belated thunderbolt for Lorraine Bracco is cited alongside C's reaction to Jane. · "Ray Liotta, when, when, uh, what's her face? Lorraine Brocko starts yelling at him and he kind of gets the belated Thunderbolt."
[The Big Picture · The 1990 Movie Draft · 0:57:27 · Sean Fennessey (0.85)] Sean Fennessey ↔ Misery · programming · Pick 10 (round 4), category action/horror/thriller: Best of the bunch; Stephen King, Kathy Bates, Goldman, Reiner. · "I'll take misery."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:57:59 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Toy Story · craft · Like early Pixar films, this one squeezes every joke out of its premise (Halloween monsters). · "those early Pixar movies like hit the, the concept of the movie like a piñata until all of the joy fell out of it"

Who said it, by their latest sketch (4)

[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Julie Klausner · latest sketch, Blank Check · Star 80 · A serious Fosse devotee who loves Cabaret, All That Jazz, Sweet Charity and Liza with a Z, and praises collaborations with women. She finds Star 80 powerful but ugly, a prurient pornographic film made by a man who will not look at the victim, and she is haunted by it. · stances: Star 80 is powerful but not great and not fabulous; It sexualizes violence against Stratton with no female point of view; Judge creative men by how they collaborate with women; Sweet Charity ranks above Star 80; Cabaret's restraint with Liza shows Fosse's best instincts
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license

The shows' running bits (3)

[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

The whole prompt

As the model gets it, from app/Ai/Prompts/CorpusAsk.md

You are a clerk at Video Culture, a video store. A customer just finished The King of Comedy (1982) and wants to know what to watch next.

Below is what people who love movies said on three podcasts (Blank Check, The Rewatchables, The Big Picture) about The King of Comedy (1982) and the films around it, one line each. Every line starts with where it came from, in brackets: [show · episode · time · speaker (how sure we are it was them)]. A [pairs] line says how often two films were put side by side. A [speaker] line says what that person likes. A [bits] line lists a show's running bits: a format, not an opinion.

[Blank Check · Raging Bull · 1:55:42 · unknown host (0.30)] Raging Bull ⇒ The King of Comedy (the host's read) · lineage · King of Comedy is a part-2 of sorts about a delusional comedian, echoing LaMotta's stand-up, and is part of a De Niro trilogy with Taxi Driver. · "There's the king of comedy, the spiritual sequel to Raging Bull."
[The Rewatchables · ‘Misery’ · 1:09:33 · Bill Simmons (0.70)] Misery ↔ The King of Comedy · theme · Obsessed-fan movies: King of Comedy first, then Misery's Bates at the apex. · "Crazy obsessed fans in a movie?"
[Blank Check — Patreon · The Nightmare Before Christmas · 1:57:52 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ The King of Comedy · theme · Jack and Santa Claus are read as Rupert Pupkin and Jerry Langford (transcribed Pumpkin/Lanford). · "the relationship between Jack and Santa Claus, excuse me, is just Rupert Pumpkin and Jerry Lanford."
[The Big Picture · The 1990 Movie Draft · 0:28:16 · Sean Fennessey (0.50)] Goodfellas ↔ The King of Comedy · career · Goodfellas was Scorsese's comeback after the King of Comedy flop and a pilloried stretch. · "he has this like comeback narrative with Goodfellows, which is financially successful, critically adored"
[Blank Check · After Hours · 0:21:24 · unknown host (0.35)] The King of Comedy ↔ After Hours · verdict · King of Comedy was once the not-like-other-fans Scorsese pick; fans have swung round to After Hours. · "for a while, uh, king of comedy was the, I'm not like the other Scorsese fans. And things have now, I think, swung around to after hours."
[The Rewatchables · ‘After Hours’ · 0:18:28 · Bill Simmons (0.50)] The King of Comedy ⇒ After Hours (the maker said so: Scorsese's quote, via Biskind) · industry · King of Comedy bombing and Fox pulling it set up Scorsese's retreat to small-scale After Hours; he said 70s directors had lost to studios. · "And that was when I really understood that the 70s were over for me"
[Blank Check · After Hours · 1:11:51 · unknown (0.30)] The King of Comedy ↔ After Hours · rejuvenation · After Hours rescued Scorsese after King of Comedy the way The Last Waltz followed New York, New York. · "Like last waltz is that after New York, New York, and this is that after King of comedy, where he needed to be saved a little."
[Blank Check · Raging Bull · 2:05:42 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ The King of Comedy · next Scorsese film · King of Comedy follows Raging Bull and is when Marty starts sweating about box office again. · "The next one, king of comedy, that's the one where I feel like Marty, again, is starting to sweat"
[Blank Check · Star 80 · 0:02:19 · Julie Klausner (0.50)] Eric Roberts ↔ The King of Comedy · lineage · Roberts's Snyder is seen as another version of what Rupert Pupkin could have been. · "I also think a group for Pupkin is another version of who this character could have been, but he was just following orders."
[pairs] The King of Comedy ↔ After Hours · said 3 times in 2 episodes
[pairs] The King of Comedy ↔ Raging Bull · said 2 times in 1 episode
[Blank Check · After Hours · 2:18:42 · unknown host (0.35)] After Hours ↔ Dallas Buyers Club · programming · Dallas Buyers Club would pair with After Hours as an AIDS-era double feature. · "It'd be a great double feature with after hours."
[The Rewatchables · ‘Rocky’ · 1:44:35 · Van Lathan (0.45)] Rocky ↔ Raging Bull · programming · Another double-feature choice, Raging Bull, picked by one host. · "I go Raging Bull."
[The Rewatchables · ‘My Cousin Vinny’ · 1:18:20 · Chris Ryan (0.50)] My Cousin Vinny ↔ Goodfellas · programming · Best double feature: Goodfellas then Vinny, though Vinny is too close in length. · "I was going to say Goodfellas to this is pretty great."
[The Rewatchables · ‘Misery’ · 0:14:44 · Bill Simmons (0.60)] Stand by Me ↔ Misery · programming · Reiner's run: Stand By Me leads to When Harry Met Sally, Misery, A Few Good Men. · "It leads to, um, stand by me."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:45:36 · Michael Rianda (0.60)] The Nightmare Before Christmas ↔ The Haunted Mansion (Disney ride) · programming · The film's iconography now powers a seasonal Haunted Mansion overlay. · "the haunted mansion ride is like so amazing."
[Blank Check · Raiders of the Lost Ark · 3:12:46 · unknown (0.40)] Yellowbeard ↔ After Hours · programming · Cheech and Chong in Yellowbeard and After Hours are reserved for future Mel Damski and Scorsese series. · "we'd want to save that for Martin Scorsese and Mel Damski series."
[Blank Check · Raging Bull · 1:58:33 · Griffin Newman or David Sims (0.40)] Italianamerican ⇒ Raging Bull (the host's read) · lineage · Scorsese's parents fighting in Italianamerican and American Boy taught him the rhythm replicated in Raging Bull's family fight scenes. · "And so much of his parents fighting in Italian American is the feeling of the family fight scenes in this movie."
[The Big Picture · The 1990 Movie Draft · 0:26:39 · Chris Ryan (0.90)] Chris Ryan ↔ Goodfellas · programming · Pick 1 (round 1), category Oscar nominee: Easy first pick; one of his favorite movies ever made. · "one of my favorite movies ever made, Martin Scorsese's uh, epic, darkly comic look at the rise and fall of the American mob"
[The Rewatchables · ‘Misery’ · 0:15:13 · Bill Simmons (0.70)] Misery ↔ A Few Good Men · programming · Misery sits in Reiner's incredible trio, all now Rewatchables. · "But when Harry Met Ali, Misery, Few Good Men, is really the best of all of these different great actors, right?"
[Blank Check · Wendell & Wild · 1:32:50 · David Sims (0.50)] Wendell and Wild ↔ The Nightmare Before Christmas · theme · Nightmare has one major objective everyone is on; Wendell & Wild is just so much plot. · "Night before Christmas has like one major objective that everyone's right on."
[The Rewatchables · ‘After Hours’ · 1:14:08 · Bill Simmons (0.60)] After Hours ↔ Pee-wee's Big Adventure · programming · Tim Burton left After Hours the same year he made Pee-wee; both are about a manchild in a strange world finding salvation going home. · "about a manchild, thrust into a world he doesn't understand, seeking something he can't get, and eventually finding salvation by going back home."
[Blank Check · Raging Bull · 1:08:55 · Griffin Newman or David Sims (0.40)] Rocky ⇒ Raging Bull (the maker said so) · theme · Scorsese shot in black and white to differentiate from Rocky-era bright red-white-and-blue boxing movies, and producer Winkler produced both. · "Number one, I want to differentiate from the Rockies and all the other sort of boxing movies right now."
[The Rewatchables · ‘A Bronx Tale’ · 1:32:47 · Sean Fennessey (0.70)] A Bronx Tale ↔ Goodfellas · lineage · Fennessey wonders whether the needle drops and the Pesci cameo are purposeful homage or accident. · "I just want to know how much of what he was doing was a purposeful homage to Goodfellas"
[The Rewatchables · ‘Misery’ · 0:51:47 · Bill Simmons (0.65)] Misery ↔ The Silence of the Lambs · programming · Annie Wilkes and Hannibal Lecter came back to back, two great thriller characters in 12 months. · "Annie Wilkes and Hannibal Lecter, back to back ears."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:03:55 · Griffin Newman (0.55)] The Nightmare Before Christmas ↔ The Wizard of Oz · theme · The film's cult growth into mainstream pop culture is compared to Oz. · "in that sort of Wizard of Oz conversation of like movies that came out, did okay at the time and are now just like so deeply woven into the tapestry of pop culture"
[The Rewatchables · ‘After Hours’ · 1:31:37 · Sean Fennessey (0.50)] After Hours ↔ Bright Lights, Big City · programming · Bright Lights, Big City is a big one from this era that nobody talks about. · "Bright Lights Big City is a big one from this era too."
[Blank Check · Raging Bull · 1:55:47 · unknown host (0.30)] Raging Bull ↔ Taxi Driver · theme · The speaker groups Taxi Driver, Raging Bull and King of Comedy as De Niro plumbing damaged psychologies. · "It's part of a trilogy with Taxi Driver."
[The Big Picture · The 1990 Movie Draft · 1:31:51 · unknown (0.40)] Goodfellas ⇒ My Blue Heaven (the host's read) · lineage · My Blue Heaven is blown out by Goodfellas as it is the same movie, like a sequel. · "It got kind of blown out of the water by Goodfellas because it's the same movie."
[The Rewatchables · ‘Misery’ · 0:57:17 · Bill Simmons (0.70)] Forgetting Sarah Marshall ⇒ Misery (the host's read) · programming · Dracula the Musical award is borrowed from Sarah Marshall; given to the Misery books. · "We relate, so in, in, uh, forgetting Sarah Marshall."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:52:14 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Henry Selick · theme · Jack's arc is read as the animators themselves trying to make commercial art. · "how much Jack is an analog for these guys trying to figure out how to make commercial art"
[The Rewatchables · ‘After Hours’ · 1:40:40 · Bill Simmons (0.40)] After Hours ↔ Bringing Out the Dead · programming · Another nighttime Scorsese movie. · "Another nighttime Scorsese movie bringing out the dead."
[Blank Check · Raging Bull · 0:59:47 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Walk Hard: The Dewey Cox Story · craft · Schrader's draft intercut a whole life like the later Dewey Cox style that many biopics now follow, before Raging Bull used bookends and one flashback. · "Dewey Cox style originally was more the structure of the movie."
[The Rewatchables · A CR Month Mailbag! · 0:36:27 · Bill Simmons (0.50)] The Shawshank Redemption ↔ Goodfellas · theme · Listener's list of narrated Rewatchables: Shawshank, Goodfellas, Apocalypse Now, Ferris Bueller, Fight Club, Stand by Me, Big Lebowski and more. · "He, best movie of all time, Shawshank."
[The Rewatchables · ‘Misery’ · 0:59:07 · Bill Simmons (0.70)] Pulp Fiction ⇒ Misery (the host's read) · programming · Butch's Girlfriend Award for weak link of the film is borrowed from Pulp Fiction. · "The Butch's girlfriend Award, Butch's girlfriend from Pulp Fiction."
[Blank Check — Patreon · The Nightmare Before Christmas · 1:41:48 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Toy Story · theme · The first breakthrough film in each form of animation becomes the template: CGI follows Toy Story, stop motion stays creepy. · "And then the CGI becomes so defined by Toy Story."
[The Rewatchables · ‘After Hours’ · 1:40:52 · Sean Fennessey (0.50)] After Hours ↔ Into the Night · programming · Sean's double-feature pick: the LA version of the same energy, made at the same time. · "I think it would be funny to see New York, LA, same kind of version energy."
[Blank Check · Raging Bull · 1:33:33 · Griffin Newman or David Sims (0.40)] Raging Bull ↔ Midnight Cowboy · craft · Midnight Cowboy has an innocent at the center to balance Ratso; Raging Bull is the Rizzo movie with no such cushion. · "But this is the Razzo Rizzo movie, sort of, and again, another reason, they don't they can't make this today."
[The Rewatchables · ‘Twister’ · 0:58:13 · Van Lathan (0.40)] Twister ↔ Goodfellas · theme · Aunt Meg feeding a crew of twelve in minutes is compared to Pesci's mom making meatballs at 3 a.m. in Goodfellas. · "Like a Goodfellas when they show up at 3 in the morning"
[The Rewatchables · ‘Misery’ · 1:19:39 · Bill Simmons (0.70)] Misery ↔ Stand by Me · programming · Simmons' double feature is Stand By Me and Misery. · "I would do standby me in misery."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:31:42 · David Sims (0.40)] Danny Elfman ↔ The Nightmare Before Christmas · craft · Elfman wrote songs off Burton's story beats with no script, and the script came after. · "Burton is basically describing the story beats, and Elfman is writing songs off of the story beats"
[Blank Check · After Hours · 0:33:22 · unknown host (quoting Minion) (0.35)] Joseph Minion ↔ After Hours · lineage · Minion wrote it under the spell of Kafka, Welles' The Trial, Mamet plays, Henry Miller and Mailer. · "I was under the spell of Kafka. I was obsessed with Orson Welles as the trial."
[The Rewatchables · ‘A Bronx Tale’ · 0:19:12 · Bill Simmons (0.50)] A Bronx Tale ↔ Goodfellas · theme · It came during the glory years of Italian pop culture: Godfather 3, Goodfellas, then Casino. · "this was kind of the glory years of, of this, Italian pop culture."
[The Rewatchables · ‘Misery’ · 1:19:44 · Brian Koppelman (0.60)] Misery ↔ The Dead Zone · programming · Koppelman's double feature is Dead Zone and Misery. · "Dead zone and misery."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:49:28 · Griffin Newman (0.40)] Joe Ranft ↔ The Nightmare Before Christmas · craft · Ranft is counted among the five people credited with shaping the film's story. · "Thompson, Joe Ramped, Elfman, Selleck, Burton, all can be given a fair amount of credit for the shaping of this film."
[Blank Check · After Hours · 0:34:18 · unknown host (0.40)] After Hours ⇒ The Night Before (the host's read) · lineage · After Hours is the template for modern one-crazy-night New York comedies, none of which reach it. · "It is one of those movies that kind of is like unofficially remade every 5 years."
[The Rewatchables · ‘A Bronx Tale’ · 0:42:06 · Chris Ryan (0.40)] A Bronx Tale ↔ Goodfellas · theme · Ray Liotta's belated thunderbolt for Lorraine Bracco is cited alongside C's reaction to Jane. · "Ray Liotta, when, when, uh, what's her face? Lorraine Brocko starts yelling at him and he kind of gets the belated Thunderbolt."
[The Big Picture · The 1990 Movie Draft · 0:57:27 · Sean Fennessey (0.85)] Sean Fennessey ↔ Misery · programming · Pick 10 (round 4), category action/horror/thriller: Best of the bunch; Stephen King, Kathy Bates, Goldman, Reiner. · "I'll take misery."
[Blank Check — Patreon · The Nightmare Before Christmas · 0:57:59 · Griffin Newman (0.50)] The Nightmare Before Christmas ↔ Toy Story · craft · Like early Pixar films, this one squeezes every joke out of its premise (Halloween monsters). · "those early Pixar movies like hit the, the concept of the movie like a piñata until all of the joy fell out of it"
[speaker] Bill Simmons · latest sketch, The Rewatchables · ‘Friday the 13th’ · Loves the Friday series as a communal, rental-era memory and tells childhood stories about the ads and theaters. Likes casting what-ifs and sports analogies for everything. Skeptical of horror at Christmas and of anything that wastes the premise. · stances: Friday the 13th is not the best entry but the origin story had to be told; Friday 2 is a leap over the original
[speaker] Griffin Newman · latest sketch, Blank Check · The Last Temptation of Christ · Calls Last Temptation his college-era favorite Scorsese; loves Scorsese's smaller 80s and the film's closing transcendence and Gabriel score. Cannot stand fundamentalist outrage at it. A sucker for casting trivia and Tom Cruise-silliness. · stances: Hot take: Last Temptation structurally mirrors New York, New York as a better version; Outrage over the film is stupid; it is respectful to Jesus; Scorsese's smaller 80s work beats his later baroque phases
[speaker] Julie Klausner · latest sketch, Blank Check · Star 80 · A serious Fosse devotee who loves Cabaret, All That Jazz, Sweet Charity and Liza with a Z, and praises collaborations with women. She finds Star 80 powerful but ugly, a prurient pornographic film made by a man who will not look at the victim, and she is haunted by it. · stances: Star 80 is powerful but not great and not fabulous; It sexualizes violence against Stratton with no female point of view; Judge creative men by how they collaborate with women; Sweet Charity ranks above Star 80; Cabaret's restraint with Liza shows Fosse's best instincts
[speaker] Sean Fennessey · latest sketch, The Big Picture · ‘Resident Evil’ Absolutely Rips! · Loves gory, funny, fast genre movies with craft and confidence, especially 87-minute films that never overstay. Can't stand ponderous elevated horror that fills out its runtime with introspection and sad family history. A sucker for the Carpenter-era lineage, Die Hard homages, and directors who break studio dogma. · stances: Resident Evil is one of the best films of the year; Horror movies have become a drag; fun genre experiences are needed; Short running times are a virtue; Video-game films work best when great filmmakers get creative license
[bits] The Big Picture: Drafts (Hosts and guests draft films in rounds; every pick is a recommendation with an argument); Hall of Fame (A star's or director's best, ranked and argued); Countdowns (Ranked lists, top five or top ten)
[bits] Blank Check: The box office game (Guessing the film's opening weekend and what it was up against); The sung theme ("Blank Check with Griffin and David", sung; the transcriber garbles it)
[bits] The Rewatchables: Apex Mountain (The moment a star peaks; where on the mountain a performance sits); Who Won the Movie (The hosts name the person who came out of the film best off); The Ebert review (Roger Ebert's original review and star rating read aloud. Ebert is cited, never on the show); Casting what-ifs (Who was almost cast, or who should have been); Most rewatchable scene (The scene each host would stop on while flipping channels); Aged best / aged worst (What holds up and what does not); Picking Nits (The little things in a film the hosts love that they don't think totally work: the nits); Double feature (The film each host would pair it with; a programming pick)

Recommend three to six films, and only films that appear in these lines. A series, a TV film, or a franchise counts too when a line recommends it or pairs it with The King of Comedy (1982); name it the way the line names it. Don't recommend The King of Comedy (1982) itself. For each one, give one short reason in your own words and say whose reason it is: the show, named exactly as the brackets name it, and the speaker when the line names one (an "unknown" speaker is just the show). If the lines are thin, say so plainly rather than stretching them.

Keep a contrast a contrast. When a line sets two films apart, the reason is how they differ; never turn it into a way they're alike. A line with ⇒ puts the source first and what drew on it second, and one marked "the maker said so" is still the host reporting it: say who said it, and never state an influence as fact.

You know only what's on these lines. Add no fact they don't state: not who directed a film, not what kind of film it is, not when it came out, unless a line says so. Say nothing about the store or how anything rents here.

Talk the way a clerk talks to a customer at the counter: plain text, titles written plainly with no asterisks or other markup, no headings, no lists of more than six, no JSON.