Elia Kazan

Made films the shows talk about.

Counted as other. The films the hosts said they were tied to, which the two lists below run through too: One-Eyed Jacks (1961). Count them as director (1 film) instead.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

The Authentic Death of Henry Jones: 1 line

  1. unmapped (became) · through One-Eyed Jacks (1961), which they were tied to as director Brando approached, hypothetical: The Authentic Death of Henry Jones ⇒ One-Eyed Jacks (the host's read). The Brando-Kubrick-Peckinpah western project is what became One-Eyed Jacks, which Brando directed himself.
    “This movie, of course, is one-eyed. Jax, the movie that Brando was working on.”
    Blank Check — Patreon · Spartacus with Richard Lawson (Ad-Free) · 0:44:09 · unknown (0.40 sure it was them)

The Killing (1956): 1 line

  1. unmapped (led to) · through One-Eyed Jacks (1961), which they were tied to as director Brando approached, hypothetical: The Killing ⇒ One-Eyed Jacks (the host's read). Brando had seen The Killing and Paths of Glory and wanted Kubrick to direct his western.
    “Marlon Brando had seen the killing and had seen paths of glory and thought Kubrick was great.”
    Blank Check — Patreon · Spartacus with Richard Lawson (Ad-Free) · 0:39:11 · David Sims (0.50 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

No line says anything drew on them or a film of theirs.

What the speakers said they did

Directing (1) everyone in directing

Other (1) everyone in other

What was said about them, by kind

No claims join them to a film or another person.

Fun items about them

None.