Joy McMillan
Made films the shows talk about.
Counted as craft. The films the hosts said they worked on, which the two lists below run through too: Lemon (2017).
Draws on
What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
New York lotto commercial (Brett as Jewish minstrel): 1 line
-
lineage (lineage) · through Lemon (2017), which they worked on as editor:
New York lotto commercial (Brett as Jewish minstrel) ⇒ Lemon (the maker said so: Gelman, speaking as the filmmaker).
A scene in Lemon is an homage to the commercial where the couple met.
“the scene where he and me and me is sort of in homage to that place that we met”
The Big Picture · Janicza Bravo and Brett Gelman Channel Rejection and Anxiety to Make ‘Lemon’ | The Big Picture (Ep. 22) · 0:18:23 · Janicza Bravo (0.80 sure it was them)
Drawn on by
What the speakers say drew on them or a film of theirs, marked the same way.
No line says anything drew on them or a film of theirs.
What the speakers said they did
Craft (1) everyone in craft
- editor, Lemon (The Big Picture, Janicza Bravo and Brett Gelman Channel Rejection and Anxiety to Make ‘Lemon’ | The Big Picture (Ep. 22))
What was said about them, by kind
craft (1)
-
craft (craft):
Joy McMillan → Lemon.
Bravo says she asked editor Joy McMillan to keep lengthening the tug-of-war scene, from about 15 seconds up to 90 and back to about 45.
“my note to our editor was to make it longer to our editor, Joy McMillan.”
The Big Picture · Janicza Bravo and Brett Gelman Channel Rejection and Anxiety to Make ‘Lemon’ | The Big Picture (Ep. 22) · 0:35:04 · Janicza Bravo (0.90 sure it was them)
Fun items about them
None.