Bruno Delbonnel
Made films the shows talk about.
Counted as cinematographer. The films the hosts said they shot, which the two lists below run through too: Darkest Hour (2017).
Draws on
What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
Pan (2015): 2 lines
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career (career) · through Darkest Hour (2017), which they shot:
Pan ⇒ Darkest Hour (the maker said so: Wright, on the show).
Wright says Pan's failure and his own doubt are what made the doubt-ridden Churchill script resonate.
“I had made a film called Pan, which had lost about $100 million, and had been slated, really, by most everyone, and I was suffering my own crisis of confidence”
The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:02:29 · Joe Wright (0.95 sure it was them) -
career (career) · through Darkest Hour (2017), which they shot:
Pan ⇒ Darkest Hour (the maker said so: Wright, on the show).
After Pan he decided he was not cut out for big studio movies and wanted to return to his wheelhouse.
“I realized after Pan that I wasn't cut out necessarily for the kind of big studio movies, and I wanted to return to something that was closer to my wheelhouse.”
The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:03:05 · Joe Wright (0.95 sure it was them)
Andrei Tarkovsky: 1 line
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lineage (lineage) · through Darkest Hour (2017), which they shot:
Andrei Tarkovsky ⇒ Darkest Hour (the maker said so: Wright, on the show).
Wright wants his work called cinematic and cites Tarkovsky's 'sculpting in time'.
“as Tarkovsky put it, sculpting in time.”
The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:15:27 · Joe Wright (0.95 sure it was them)
Anna Karenina: 1 line
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contrast (contrast) · through Darkest Hour (2017), which they shot:
Anna Karenina ⇒ Darkest Hour (the maker said so: Wright, on the show).
Darkest Hour's stripped-back look is a reaction against Pan and Anna Karenina.
“as a kind of reaction to what I've been doing before, including Pan, but also, you know, Anna Karenina and movies like that.”
The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:04:41 · Joe Wright (0.95 sure it was them)
Max Richter: 1 line
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craft (craft) · through Darkest Hour (2017), which they shot:
Max Richter ⇒ Darkest Hour (the maker said so: Wright speaking of his own film on the show).
Wright says he wanted a cinematic equivalent of the minimalist music he was listening to, including Max Richter.
“I was also listening to a lot of minimalist music at the time, Max Richter and Niels Fram and, of course, the great Philip Glass and so on.”
The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:05:00 · Joe Wright (0.95 sure it was them)
Nils Frahm: 1 line
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craft (craft) · through Darkest Hour (2017), which they shot:
Nils Frahm ⇒ Darkest Hour (the maker said so: Wright speaking of his own film on the show).
Wright says he wanted a cinematic equivalent of the minimalist music he was listening to, including Nils Frahm.
“I was also listening to a lot of minimalist music at the time, Max Richter and Niels Fram and, of course, the great Philip Glass and so on.”
The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:05:00 · Joe Wright (0.95 sure it was them)
Philip Glass: 1 line
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craft (craft) · through Darkest Hour (2017), which they shot:
Philip Glass ⇒ Darkest Hour (the maker said so: Wright, on the show).
Wright aimed for a cinematic equivalent of minimalist music by Richter, Frahm and Glass.
“I wanted to try and achieve some kind of cinematic aesthetic equivalent to that music.”
The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:05:08 · Joe Wright (0.95 sure it was them)
Drawn on by
What the speakers say drew on them or a film of theirs, marked the same way.
No line says anything drew on them or a film of theirs.
What the speakers said they did
Photography (1) everyone in photography
- cinematographer, Darkest Hour (The Big Picture, Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37))
What was said about them, by kind
craft (1)
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craft (craft):
Bruno Delbonnel → Darkest Hour.
With DP Bruno Delbonnel he developed a simple, honest, truthful style.
“together we we developed a style that was trying to just be as simple and as honest and as dramatic as possible”
The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:05:23 · Joe Wright (0.95 sure it was them)
Fun items about them
None.