Chris Pine's Peter Parker

Made films the shows talk about.

No film of theirs is counted, so what they drew on and who drew on them comes only from the lines with them at one end.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

No line says they, or a film of theirs, drew on anything.

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

No line says anything drew on them or a film of theirs.

What the speakers said they did

Nothing.

What was said about them, by kind

contrast (2)

  1. contrast (contrast): Chris Pine's Peter Parker → Ditko-Lee Spider-Man. The perfect Chris Pine Peter defies the confused teenage Ditko-Lee version.
    “he sort of defies that Ditko Lee version of Spider-Man that you're talking about”
    The Big Picture · ‘Spider-Man: Into the Spider-Verse’: One of the Best Superhero Movies Ever | Exit Survey (Ep. 108) · 0:13:02 · Micah Peters (0.60 sure it was them)
  2. contrast (contrast): Chris Pine's Peter Parker → Peter B. Parker. Pine's perfect Peter is the foil to Jake Johnson's imperfect, divorced, failing Peter B.
    “All of the ways that the blonde blue-eyed Chris Pine, Peter Parker, is perfect.”
    The Big Picture · ‘Spider-Man: Into the Spider-Verse’: One of the Best Superhero Movies Ever | Exit Survey (Ep. 108) · 0:14:21 · Sean Fennessey (0.85 sure it was them)

Fun items about them

None.