Alessandro Nivola

Made films the shows talk about.

No film of theirs is counted: acting and studio count only when asked for, so what they drew on and who drew on them comes only from the lines with them at one end. Count them as actor (2 films) instead.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

No line says they, or a film of theirs, drew on anything.

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

No line says anything drew on them or a film of theirs.

What the speakers said they did

Acting (2) everyone in acting

What was said about them, by kind

contrast (1)

  1. contrast (contrast): Alessandro Nivola → Disobedience. Nivola is often hired for one thing (stillness/seriousness, as in Disobedience), while Art of Self-Defense shows several instruments at once.
    “I think very often people hire him just to do one thing because he is good at stillness.”
    Blank Check — Patreon · The Fifth Annual Blank Check Awards with Joe Reid (Ad-Free) · 0:30:34 · unknown (0.45 sure it was them)

verdict (1)

  1. verdict (verdict): Alessandro Nivola → The Art of Self-Defense. Nivola's firecracker performance in a movie 'like an American Yorgos'.
    “That movie is sort of like an American Yorgos, the most movie, like it has that sort of weird unreality where you're like, people don't talk like this.”
    Blank Check — Patreon · The Fifth Annual Blank Check Awards with Joe Reid (Ad-Free) · 0:30:50 · unknown (0.40 sure it was them)

Fun items about them

None.