Raisin Tori

Made films the shows talk about.

Counted as craft, the making department they hold the most credits in. The films the hosts said they worked on, which the two lists below run through too: In the Cut (2003).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Susanna Moore: 1 line

lineage (lineage) · through In the Cut (2003), which they worked on as intern / PA in the art department (name as transcribed): Susanna Moore ⇒ In the Cut (the host's read). Campion had been developing the film since the mid-90s, when she read Moore's novel.
“Campion had been working on this movie since the mid 90s when she read Susanna Moore's novel, which came out in 95.”
Blank Check — Patreon · In the Cut with Jourdain Searles (Ad-Free) · 0:24:44 · Griffin or David (unclear) (0.35 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

No line says anything drew on them or a film of theirs.

What the speakers said they did

Craft (1) everyone in craft

intern / PA in the art department (name as transcribed), In the Cut (Blank Check — Patreon, In the Cut with Jourdain Searles (Ad-Free))

What was said about them, by kind

craft (1)

craft (craft): Raisin Tori → In the Cut. A friend of the podcast worked in the art department as an intern PA and reports Campion's 300-page look book drew on art of many kinds rather than other movies' shots.
“worked on this movie as like a uh, intern, uh, PA in the art department. Yeah, and said like she had like a fucking 300 page look book for this movie, right?”
Blank Check — Patreon · In the Cut with Jourdain Searles (Ad-Free) · 1:01:35 · Griffin Newman or David Sims (unclear) (0.40 sure it was them)

Fun items about them

None.