Wes Anderson

Made films the shows talk about.

Wikidata Q223687: matched by corpus:resolve, told apart by Wikidata joins them to The Royal Tenenbaums, which ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald credits them on.

Counted as director, the making department they hold the most credits in. The films the hosts said they directed, which the two lists below run through too: Do the Right Thing (1989); Bottle Rocket (1996); Rushmore (1998); The Royal Tenenbaums (2001); The Life Aquatic with Steve Zissou (2004); The Darjeeling Limited (2007); Fantastic Mr. Fox (2009); Moonrise Kingdom (2012); The Grand Budapest Hotel (2014); Isle of Dogs (2018); The French Dispatch (2021); Asteroid City (2023); The Phoenician Scheme (2025); Henry Sugar. Count them as writer (1 film), actor (2 films), composer (1 film) instead.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Francois Truffaut: 2 lines

  1. lineage (influence) · through The Royal Tenenbaums (2001), which they directed: Francois Truffaut ⇒ The Royal Tenenbaums (the host's read). French New Wave influence.
    “Francois Truffaux, Sholu Qadar, the French New Wave.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 1:15:59 · Chris Ryan (0.50 sure it was them)
  2. lineage (lineage) · them, directly: Francois Truffaut ⇒ Wes Anderson (the host's read). Speaker lists Truffaut among the director's (transcribed Western's) biggest influences while joking about Moonrise Kingdom.
    “Francois Truffaut.”
    Blank Check — Patreon · OLD DOGS - Blank Check LIVE! at the Bell House (May 12, 2022) · 1:04:11 · David Sims (0.30 sure it was them)

Alfred Hitchcock Presents: Shopping for Death: 1 line

  1. lineage (inspiration) · through Do the Right Thing (1989), which they directed: Alfred Hitchcock Presents: Shopping for Death ⇒ Do the Right Thing (the host's read). Spike got the idea after seeing the Hitchcock Presents episode where characters theorize hot weather increases violence.
    “Spike Lee 1st got the idea for this film after watching the Alfred Hitchcock presents episode shopping for death”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 1:06:09 · Sean Fennessey (0.85 sure it was them)

Buster Keaton: 1 line

  1. lineage (influence) · them, directly: Buster Keaton ⇒ Wes Anderson (the host's read). A line of rigorous frame control runs from Keaton to the Coen brothers and Wes Anderson.
    “the Coen brothers, Wes Anderson.”
    Blank Check with Griffin & David · Sherlock Jr. / The Navigator with James Urbaniak · 0:50:38 · James Urbaniak (0.40 sure it was them)

Do the Right Thing (1989): 1 line, within their own work

  1. lineage (influence) · them, directly: Do the Right Thing ⇒ Wes Anderson (the host's read). Direct address to camera (Mr. Senor Love Daddy and the like) was taken up by the whole indie revolution, Wes Anderson most of all.
    “Using direct address into the camera as a style, which has been now jacked by basically the whole indie revolution that came after him.”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 0:50:23 · Sean Fennessey (0.80 sure it was them)

Eleanor Bumpurs: 1 line

  1. lineage (real-events inspiration) · through Do the Right Thing (1989), which they directed: Eleanor Bumpurs ⇒ Do the Right Thing (the host's read). The film was inspired by Howard Beach and Eleanor Bumpers, plus a list of other deaths in 1980s New York.
    “It was also inspired, as you mentioned, by the Howard Beach racial incident in Eleanor Bumpers.”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 1:06:19 · Sean Fennessey (0.80 sure it was them)

French New Wave: 1 line

  1. lineage (lineage) · through The Royal Tenenbaums (2001), which they directed: French New Wave ⇒ The Royal Tenenbaums (the host's read). Combines the emotionality and cutting style of French new wave with the rawness of 70s American cinema.
    “You've got 70s American cinema and you've also got 60s French new wave.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:06:33 · unknown (0.40 sure it was them)

From the Mixed-Up Files of Mrs. Basil E. Frankweiler: 1 line

  1. lineage (lineage) · through The Royal Tenenbaums (2001), which they directed: From the Mixed-Up Files of Mrs. Basil E. Frankweiler ⇒ The Royal Tenenbaums (the host's read). The vibe of that kid-runaway book imbues the first 40 minutes, including the narration and child-genius portraiture.
    “the whole vibe of that book is imbued in the 1st 40 minutes of this movie, most of the narration, most of the young Tenenbaum's portraiture of these 3 child geniuses.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:05:56 · unknown (0.40 sure it was them)

Harold and Maud: 1 line

  1. lineage (lineage) · through The Royal Tenenbaums (2001), which they directed: Harold and Maud ⇒ The Royal Tenenbaums (the host's read). Off-kilter characterization, 70s feel, overcoats, and suicide attempts; in the bloodstream of Tenenbaums and Squid and the Whale.
    “Harold and Maud is very much in the bloodstream of, of, the Royal Ten of bombs and Squid and the whale.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:37:40 · unknown (0.40 sure it was them)

Jean-Luc Godard: 1 line

  1. lineage (influence) · through The Royal Tenenbaums (2001), which they directed: Jean-Luc Godard ⇒ The Royal Tenenbaums (the maker said so: Matt Zoller Seitz's book on the movie). The mosaic of book covers was inspired by a Godard movie doing something similar.
    “he was inspired by, I think it was a Godard movie that did something similar, of course.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 0:53:10 · Andy Greenwald (0.50 sure it was them)

Louis Malle: 1 line

  1. lineage (influence) · through The Royal Tenenbaums (2001), which they directed: Louis Malle ⇒ The Royal Tenenbaums (the host's read). French New Wave directors listed among its influences.
    “some of the influences on this movie include films by Louis Maule. Um, uh, Francois Truffaux, Sholu Qadar, the French New Wave.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 1:15:51 · Chris Ryan (0.50 sure it was them)

The Catcher in the Rye / Franny and Zooey: 1 line

  1. lineage (lineage) · through The Royal Tenenbaums (2001), which they directed: The Catcher in the Rye / Franny and Zooey ⇒ The Royal Tenenbaums (the host's read). Salinger's Glass-family stories are the key literary influence.
    “Zoe is like the key influence on this film”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:05:35 · unknown (0.40 sure it was them)

The Magnificent Ambersons (1942): 1 line

  1. lineage (influence) · through The Royal Tenenbaums (2001), which they directed: The Magnificent Ambersons ⇒ The Royal Tenenbaums (the host's read). Named as a huge influence; rewatching Ambersons shows how much of it is in Tenenbaums.
    “it's wild how much, uh, ten bombs or how much Amberson's is in ten bombs.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 1:16:15 · Chris Ryan (0.50 sure it was them)

The Royal Tenenbaums (2001): 1 line, within their own work

  1. verdict (verdict) · through The Grand Budapest Hotel (2014), which they directed: The Royal Tenenbaums ⇒ The Grand Budapest Hotel (the host's read). Grand Budapest is the best alternative case for the Anderson slot, but it could not exist without Tenenbaums' blueprint.
    “Um, but Grand Budapest does not exist.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:38:16 · unknown (0.40 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

25th Hour (2002): 1 line

  1. lineage (callback) · through Do the Right Thing (1989), which they directed: Do the Right Thing ⇒ 25th Hour (the host's read). 25th Hour repeats the racial slur montage as Ed Norton's mirror monologue; Wesley says the repeats made the original less effective for him but 25th Hour has greatness.
    “There's a 25th hour version of that too.”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 0:45:38 · Sean Fennessey (0.70 sure it was them)

Inside Man (2006): 1 line

  1. lineage (callback) · through Do the Right Thing (1989), which they directed: Do the Right Thing ⇒ Inside Man (the host's read). In Inside Man the police provide Sal's Pizza to the hostages.
    “In Lee's 2006 film Inside Man, the police provide Sal's Pizza to the hostages.”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 1:15:17 · Sean Fennessey (0.80 sure it was them)

Jungle Fever (1991): 1 line

  1. theme (thematic follow-up) · through Do the Right Thing (1989), which they directed: Do the Right Thing ⇒ Jungle Fever (the host's read). Jungle Fever explored the Bensonhurst setting a couple of years later, rehearsing part of that story.
    “which I think is explored in jungle fever a couple years later”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 0:14:34 · Wesley Morris (0.70 sure it was them)

Luke Wilson: 1 line

  1. career (career debt) · them, directly: Wes Anderson ⇒ Luke Wilson (the host's read). Bill argues Wilson owes his good roles to his brother Owen and Wes Anderson.
    “I think he is the beneficiary of having a very creative brother, and forging a partnership with Owen and Wes Anderson”
    The Rewatchables · ‘Old School’ With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:48:53 · Bill Simmons (0.50 sure it was them)

Quentin Tarantino: 1 line

  1. unmapped (borrowed line) · through Do the Right Thing (1989), which they directed: Do the Right Thing ⇒ Quentin Tarantino (the host's read). Sean says Tarantino lifted the 'shoot me in a dream, wake up and apologize' line from Do the Right Thing into Reservoir Dogs.
    “you shoot me in a dream, you better wake up and apologize, which is something that I think Robin Harris says in the movie, which later appears in Reservoir Dogs”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 0:50:46 · Sean Fennessey (0.85 sure it was them)

Red Hook Summer (2012): 1 line

  1. lineage (pseudo-sequel) · through Do the Right Thing (1989), which they directed: Do the Right Thing ⇒ Red Hook Summer (the host's read). Mookie reappears delivering for a Sal's that has relocated to Red Hook, though Spike insisted it was not a sequel.
    “he made a movie called Red Hook Summer.”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 0:19:03 · Sean Fennessey (0.70 sure it was them)

The Grand Budapest Hotel (2014): 1 line, within their own work

  1. verdict (verdict) · through The Royal Tenenbaums (2001), which they directed: The Royal Tenenbaums ⇒ The Grand Budapest Hotel (the host's read). Grand Budapest is the best alternative case for the Anderson slot, but it could not exist without Tenenbaums' blueprint.
    “Um, but Grand Budapest does not exist.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:38:16 · unknown (0.40 sure it was them)

True Romance (1993): 1 line

  1. unmapped (borrowed speech) · through Do the Right Thing (1989), which they directed: Do the Right Thing ⇒ True Romance (the host's read). The Sicilians-and-Moors speech in True Romance echoes what Mookie says to Pino in Sal's.
    “Well, Sicilians and and Africans and the Moors in that whole speech that appears in true romance, which is also something that Mookie essentially says to Pino”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 0:51:06 · Sean Fennessey (0.80 sure it was them)

Wes Anderson: 1 line, within their own work

  1. lineage (influence) · through Do the Right Thing (1989), which they directed: Do the Right Thing ⇒ Wes Anderson (the host's read). Direct address to camera (Mr. Senor Love Daddy and the like) was taken up by the whole indie revolution, Wes Anderson most of all.
    “Using direct address into the camera as a style, which has been now jacked by basically the whole indie revolution that came after him.”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 0:50:23 · Sean Fennessey (0.80 sure it was them)

What the speakers said they did

Directing (41) everyone in directing

Other (4) everyone in other

Acting (2) everyone in acting

Writing (1) everyone in writing

Music (1) everyone in music

What was said about them, by kind

career (5)

  1. career (career-arc): Wes Anderson → The Darjeeling Limited. Darjeeling was his most serious but problematic film; the post-Tenenbaums low before childhood-return films rescued him.
    “Darjeeling Limited is sort of the Nadir of his like, I'm not really sure what I'm doing, but these are some beautiful ideas and images.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 0:19:48 · Andy Greenwald (0.50 sure it was them)
  2. career (career debt): Luke Wilson → Wes Anderson. Bill argues Wilson owes his good roles to his brother Owen and Wes Anderson.
    “I think he is the beneficiary of having a very creative brother, and forging a partnership with Owen and Wes Anderson”
    The Rewatchables · ‘Old School’ With Bill Simmons, Chris Ryan, and Sean Fennessey · 0:48:53 · Bill Simmons (0.50 sure it was them)
  3. career (career): Wes Anderson → James Gray. Gray admires that his friend Wes Anderson built a brand audiences trust.
    “what I've admired about Wes from afar, as much as I can admire him from afar, is that he has created a kind of brand for himself.”
    The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture (Ep. 9) · 0:20:18 · James Gray (0.90 sure it was them)
  4. career (career reclaim): Wes Anderson → Edward Norton. Norton's wilderness period ends when Wes Anderson reclaims him as goofy.
    “that he isn't really pulled out of until Wes Anderson reclaims him and is like, you are goofy.”
    Blank Check — Patreon · Fight Club with Alex Ross Perry (Ad-Free) · 1:17:57 · unknown (0.40 sure it was them)
  5. career (career): Wes Anderson → Edward Norton. Anderson is the only director using Norton well post-Hulk, against type as a weak Poindexter.
    “Right, at this point, it's like Wes Anderson's the only guy who's using him well, and he's using him against the type of everything he had done in the 1st 10 years of his career.”
    Blank Check — Patreon · The Incredible Hulk · 1:15:09 · Griffin or David (0.30 sure it was them)

contrast (1)

  1. contrast (franchise-contrast): Wes Anderson → Jurassic Park. Today's indie directors get drafted into franchises (Jurassic Park, Creed, Black Panther, Eternals); Anderson never would.
    “you get drafted into franchise filmmaking incredibly fast now.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 0:30:26 · Chris Ryan (0.50 sure it was them)

craft (2)

  1. craft (craft): Wes Anderson → The Kinks. Anderson always finds a place for the Kinks.
    “He always likes to find a place for the kinks.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:20:04 · unknown (0.40 sure it was them)
  2. craft (sounds like): Lolita → Wes Anderson. The Lolita Ya-Ya song is called something that would fit in a Wes Anderson movie.
    “this would be in a fucking Wes Anderson movie.”
    Blank Check — Patreon · Lolita with Fran Hoepfner (Ad-Free) · 1:53:21 · unknown (0.00 sure it was them)

industry (7)

  1. industry (industry): Scott Rudin → Wes Anderson. Rudin was one of the producers who grabbed, propelled, and protected certain filmmakers and let them work their way.
    “there are a handful of filmmakers that that producer kind of, Grabbed and and propelled forward. And protected”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:34:53 · unknown (0.40 sure it was them)
  2. industry (industry): Wes Anderson → Paul Thomas Anderson. Compared as beloved filmmakers still without Oscars; PTA's year may be coming.
    “We're, it's starting to feel like the Paul Thomas Anderson year is happening, right?”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:38:43 · unknown (0.40 sure it was them)
  3. industry (industry): Wes Anderson → Noah Baumbach / Greta Gerwig. Grouped as faves who haven't had Oscars yet.
    “It's no Bombach, it's Greta Gerwig, like that, you know, that our class.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:41:12 · unknown (0.40 sure it was them)
  4. industry (industry): Wes Anderson → Stanley Kubrick. Kubrick never winning an Oscar is why not winning feels cool.
    “Stanley Kubrick never won.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:41:23 · unknown (0.40 sure it was them)
  5. industry (festival plan): The French Dispatch → Wes Anderson. It was planned as Wes Anderson's Cannes coming-out party and a six-month campaign.
    “that was going to be Wes Anderson's been coming out party for that film and it was going to come out in July”
    The Big Picture · Emergency Mailbag: The Oscars Are Streaming and Hollywood Is Fighting Over Trolls | The Big Picture · 0:32:35 · Sean Fennessey (0.50 sure it was them)
  6. industry (industry): Wes Anderson → Coen Brothers. Gray groups Anderson with the Coens: people go to their films on the strength of the name.
    “people go to his movies on the basis of his name or the Cohen brothers and people like that.”
    The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture (Ep. 9) · 0:20:48 · James Gray (0.90 sure it was them)
  7. industry (industry): Cameron Crowe → Wes Anderson. Crowe was the music guy until Wes Anderson took the crown.
    “And then Wes Anderson came and took that crown away from her.”
    Blank Check — Patreon · Vanilla Sky with Richard Lawson (Ad-Free) · 1:05:56 · unknown (0.40 sure it was them)

lineage (3)

  1. lineage (influence): Buster Keaton → Wes Anderson. A line of rigorous frame control runs from Keaton to the Coen brothers and Wes Anderson.
    “the Coen brothers, Wes Anderson.”
    Blank Check with Griffin & David · Sherlock Jr. / The Navigator with James Urbaniak · 0:50:38 · James Urbaniak (0.40 sure it was them)
  2. lineage (influence): Wes Anderson → Do the Right Thing. Direct address to camera (Mr. Senor Love Daddy and the like) was taken up by the whole indie revolution, Wes Anderson most of all.
    “Using direct address into the camera as a style, which has been now jacked by basically the whole indie revolution that came after him.”
    The Rewatchables · ‘Do The Right Thing’ With Sean Fennessey and Wesley Morris · 0:50:23 · Sean Fennessey (0.80 sure it was them)
  3. lineage (lineage): Wes Anderson → Francois Truffaut. Speaker lists Truffaut among the director's (transcribed Western's) biggest influences while joking about Moonrise Kingdom.
    “Francois Truffaut.”
    Blank Check — Patreon · OLD DOGS - Blank Check LIVE! at the Bell House (May 12, 2022) · 1:04:11 · David Sims (0.30 sure it was them)

people (2)

  1. people (people): Wes Anderson → Noah Baumbach. Baumbach is a friend and collaborator who also blends comedy and sadness.
    “Definitely Noah Bomback, and obviously they have been collaborators and friends”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:21:45 · unknown (0.40 sure it was them)
  2. people (people): Owen Wilson → Wes Anderson. Owen Wilson's madcap humor in his writing partnership with Anderson differs from Anderson's work with Coppola or Baumbach; speaker wishes they would write together again.
    “I wish they'd write another movie together because I can feel his sense of humor in this movie”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:27:50 · unknown (0.40 sure it was them)

theme (5)

  1. theme (cultural-impact-comparison): Wes Anderson → Quentin Tarantino. In 2001 there was a sense Anderson could be as significant a voice as Tarantino, who came slightly earlier.
    “there was a feeling in 01 that I think he had a chance to be like as significant a voice as Tarantino.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 0:17:14 · Chris Ryan (0.60 sure it was them)
  2. theme (contemporary-comparison): Wes Anderson → Paul Thomas Anderson. The other Anderson; similar trajectory of staying uncompromised rather than going franchise.
    “The filmmaker that I would bring up is a comparison. Um, and as a contemporary is the other Anderson is Paul Thomas Anderson.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 0:21:02 · Andy Greenwald (0.50 sure it was them)
  3. theme (long-time team comparison): David Fincher → Wes Anderson. Like Wes Anderson and Spielberg, Fincher's strength comes from a loyal team that finishes his sentences.
    “filmmakers like Wes Anderson, like Spielberg and whatever.”
    Blank Check — Patreon · Alien³ with Matt Singer (Ad-Free) · 0:41:36 · Matt Singer (0.30 sure it was them)
  4. theme (comparison): Stanley Kubrick → Wes Anderson. Kubrick's chaotic dinner parties are contrasted with lavish Wes Anderson restaurant dinners.
    “but they weren't these like sort of lavish like Wes Anderson eating at the finest restaurant dinner parties.”
    Blank Check — Patreon · 2001: A Space Odyssey with Jordan Hoffman (Ad-Free) · 1:03:04 · David Sims (0.30 sure it was them)
  5. theme (comparison): Stanley Kubrick → Wes Anderson. Wes Anderson offered as today's comparison for Kubrick's control and exactness.
    “you want to compare him to someone like Wes Anderson, who is certainly one of the most controlled directors working today.”
    Blank Check — Patreon · Spartacus with Richard Lawson (Ad-Free) · 1:38:06 · unknown (0.40 sure it was them)

unmapped (2)

  1. unmapped (friendship): Garth Jennings → Wes Anderson. Jennings is good friends with Wes Anderson, who voices a giraffe in Sing.
    “Garth Jennings is very good friends with Wes Anderson, and Wes Anderson has a voice role in Singh.”
    Blank Check with Griffin & David · Starman with Katey Rich · 0:20:56 · David Sims (0.45 sure it was them)
  2. unmapped (champion): Wes Anderson → Martin Scorsese. Scorsese backed both Anderson and PTA early.
    “Wes Anderson, from his from Bottle Rocket. Scorsese was like, this is the kid.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 0:21:23 · Chris Ryan (0.50 sure it was them)

what-if (1)

  1. what-if (what-if): Julia Roberts → Wes Anderson. They wonder whether directors like Wes Anderson or Paul Thomas Anderson would cast her.
    “does Wes Anderson want to work with Julia Roberts, you know?”
    The Big Picture · The 10 Most Misused Stars in Hollywood and the Gnarly Magic of ‘Send Help’ · 1:28:18 · Amanda Dobbins (0.50 sure it was them)

Fun items about them

  1. fun, about Wes Anderson: The cast's wrist bands and Margot costumes: after the movie every dude they knew started wearing wristbands; the movie shaped dress, music and eyeliner.
    “every dude I knew started wearing wristbands after this movie.”
    The Rewatchables · ‘The Royal Tenenbaums’ With Chris Ryan and Andy Greenwald · 0:03:00 · Chris Ryan (0.50 sure it was them)
  2. fun, about Wes Anderson: He won an Oscar for Henry Sugar two years ago but still has no screenplay Oscar.
    “He doesn't even have a screenplay, Oscar.”
    The Big Picture · The 25 Best Movies of the Century: No. 12 - 'The Royal Tenenbaums’ · 0:39:38 · unknown (0.40 sure it was them)
  3. fun, about Wes Anderson: Gray calls a director's brand the most elegant form of big Macization.
    “It is, it is the most elegant form of sort of big Macization.”
    The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture (Ep. 9) · 0:21:10 · James Gray (0.90 sure it was them)