Columbia

Made films the shows talk about.

Counted as studio. The films the hosts said they were behind, which the two lists below run through too: Dr. Strangelove (1964); Taxi Driver (1976); Bird (1988); Revenge (1990); 20,000 Leagues Under the Sea (Disney, unmade).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Adlai Stevenson: 1 line

  1. unmapped (real-life model) · through Dr. Strangelove (1964), which they were behind as studio: Adlai Stevenson ⇒ Dr. Strangelove (the host's read). Speaker says Peter Sellers modeled the President (Muffley) on Adlai Stevenson.
    “He modeled it on Adlai Stevenson.”
    Blank Check — Patreon · Dr. Strangelove... with Sean Fennessey (Ad-Free) · 1:27:02 · unknown (0.30 sure it was them)

Bob Newhart: 1 line

  1. lineage (comedic influence) · through Dr. Strangelove (1964), which they were behind as studio: Bob Newhart ⇒ Dr. Strangelove (the host's read). Speaker feels Newhart's one-sided phone-call format and his 1960 albums were a heavy influence on the President's call with the Soviet premier.
    “I feel like a heavy influence on the way the president's phone call with Russia play out in this movie.”
    Blank Check — Patreon · Dr. Strangelove... with Sean Fennessey (Ad-Free) · 1:28:44 · Griffin Newman (0.40 sure it was them)

Curtis LeMay: 1 line

  1. unmapped (real-life model) · through Dr. Strangelove (1964), which they were behind as studio: Curtis LeMay ⇒ Dr. Strangelove (the host's read). Jack D. Ripper is said to be very obviously based on Air Force chief Curtis LeMay.
    “Jack D. Ripper also is very obviously based on Curtis LeMay, who, uh, was the head of the Air Force at the time”
    Blank Check — Patreon · Dr. Strangelove... with Sean Fennessey (Ad-Free) · 1:00:51 · David Sims (0.45 sure it was them)

Murder by Contract: 1 line

  1. lineage (influence) · through Taxi Driver (1976), which they were behind as studio that wanted to recut: Murder by Contract ⇒ Taxi Driver (the host's read). Murder by Contract is called a huge influence on Taxi Driver.
    “very well-known for murder by contract, which was a huge influence on taxi driver”
    Blank Check — Patreon · The Killing with Patton Oswalt (Ad-Free) · 0:55:34 · Griffin Newman (0.35 sure it was them)

Red Alert (novel): 1 line

  1. lineage (adaptation) · through Dr. Strangelove (1964), which they were behind as studio: Red Alert (novel) ⇒ Dr. Strangelove (the host's read). The speaker says Dr. Strangelove is based on Peter George's serious nuclear thriller Red Alert.
    “so he scoops up this book called Red Alert, which is, of course, what Dr. Strangelove is based on by Peter George that is a serious nuclear thriller.”
    Blank Check — Patreon · Dr. Strangelove... with Sean Fennessey (Ad-Free) · 0:48:54 · David Sims (0.55 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

Adam McKay: 1 line

  1. unmapped (aspirational template) · through Dr. Strangelove (1964), which they were behind as studio: Dr. Strangelove ⇒ Adam McKay (the host's read). Speaker says Strangelove is probably McKay's north star, the thing he strives toward.
    “But I think you're right, though, that McKay is this is probably his north star, right?”
    Blank Check — Patreon · Dr. Strangelove... with Sean Fennessey (Ad-Free) · 0:05:00 · unknown (0.30 sure it was them)

Roger Moore Bond films: 1 line

  1. craft (set design template) · through Dr. Strangelove (1964), which they were behind as studio: Dr. Strangelove ⇒ Roger Moore Bond films (the host's read). Speaker says hiring a Bond designer for the war room changed how such rooms look on screen forever, and the Bond movies being covered have war-room sets.
    “It is funny how this movie, this hiring a James Bond guy to design the war room, uh, changes the way you're allowed to put these things on screen forever.”
    Blank Check — Patreon · Dr. Strangelove... with Sean Fennessey (Ad-Free) · 2:14:11 · Griffin Newman (0.55 sure it was them)

The Long Goodbye (1973): 1 line

  1. people (casting persona) · through Dr. Strangelove (1964), which they were behind as studio: Dr. Strangelove ⇒ The Long Goodbye (the host's read). Speaker says Strangelove was the first time Hayden's personal struggles were put on screen, and later filmmakers used that persona going forward (Godfather, Long Goodbye).
    “This is the 1st time when like his personal struggles, like were actualized in a movie, and then I felt like filmmakers only used this in movies going forward”
    Blank Check — Patreon · Dr. Strangelove... with Sean Fennessey (Ad-Free) · 1:55:14 · Sean Fennessey (0.50 sure it was them)

Thief (1981): 1 line

  1. craft (craft) · through Taxi Driver (1976), which they were behind as studio that wanted to recut: Taxi Driver ⇒ Thief (the host's read). Scorsese used wet streets in Taxi Driver before Mann made it a signature.
    “Scorsese did a little bit in taxi driver”
    The Rewatchables · ‘Thief’ With Bill Simmons, Sean Fennessey, and Chris Ryan · 1:03:18 · Bill Simmons (0.45 sure it was them)

Zucker Brothers: 1 line

  1. lineage (comedic influence) · through Dr. Strangelove (1964), which they were behind as studio: Dr. Strangelove ⇒ Zucker Brothers (the host's read). Speaker had a breakthrough that Strangelove must have been a big influence on the Zucker brothers and Jim Abrahams.
    “I did finally have the breakthrough watching this of how much of an influence this movie must have been on the Zucker Brothers and John Abrahams.”
    Blank Check — Patreon · Dr. Strangelove... with Sean Fennessey (Ad-Free) · 0:53:55 · David Sims (0.60 sure it was them)

What the speakers said they did

Studio (5) everyone in studio

What was said about them, by kind

No claims join them to a film or another person.

Fun items about them

None.