The Big Picture: The Future of ‘Star Wars,’ Marvel, Pixar, and Disney’s Movie Monopoly. Plus: Our Summer Movie Awards and Paul Downs Colaizzo on ‘Brittany Runs a Marathon’ | The Big Picture (guest)
A playwright who came late to movies and became a convert through love and vulnerability; he prizes character, theater structure and Mike Nichols-style tonal shifts. Is a sucker for the idea of the story of us rather than them, and for theatrical, subtext-rich filmmaking such as Carnal Knowledge. Dislikes flattened, broadly offensive treatments of his protagonist.
Stances
- Writing and directing are separate jobs
- A comedy can quietly turn into a drama
- Wanted Amazon for The Big Sick-style theatrical and home life
Humor: Self-mocking and anecdotal, with jokes about extras tables, generators and icy mountains.
In their words
- “I find that writing and directing are separate experiences, and you should treat each process differently and separately.” (1:05:42)
- “So it was almost like firing myself as the writer and hiring myself to do the rewrite.” (1:06:31)