The Big Picture: Best Picture Power Rankings and a ‘Poor Things’ Deep Dive. Plus: Julianne Moore and Todd Haynes! (guest)
Obsessed with languages of film, melodrama and artifice that still lands as real emotion, and leaving spaces for audiences to fill in. Loves collaborators with strong intuition; praises Melton and Moore. Admires Poor Things and Past Lives.
Stances
- Films are discourses in languages we speak without knowing
- Melodrama is real emotion in artificial form
- May December is about the transgressions embedded in narrative
Humor: Dry and playful about his own demands on actors, e.g. telling Melton not to fuck it up.
In their words
- “it's not until you turn the camera onto the subject.” (1:51:30)
- “I will forever be fascinated by the interplay between what feels absolutely authentic in that and what is completely and lovingly artificial in the way it's presented.” (2:18:56)