The podcast corpus

12,078 claims and 5,127 fun items from 206 episodes, about 7,690 films and 5,411 people, with 657 personality sketches. Search reads claims and fun items (SQLite full-text search).

4 lines

Showing 1–4 of 4 lines.

  1. craft (same structure): Elvis → Amadeus. Both tell a titanic cultural figure's story through a lesser, frustrated figure entrenched in their life (Salieri, Colonel Parker).
    “It actually has a little bit in common with Elvis in that it's the story of this Titanic, almost imperceptible figure in the culture, through the lens of a lesser and perhaps more frustrated figure”
    The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:01:39 · Sean Fennessey (0.85 sure it was them)
  2. fun, about Amadeus: Amadeus won all the Oscars; the lasting memory is F. Murray Abraham's Salieri rather than Tom Hulce's Mozart.
    “I think the lasting memory of this movie is not Tom Holst, but F. Murray Abraham”
    The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:02:00 · Sean Fennessey (0.80 sure it was them)
  3. contrast (contrast of approach): Amadeus → Elvis. Amadeus conveys Mozart's genius without answering who he was; Elvis also skips interiority but fails to fill the gap.
    “it's smart that Elvis doesn't do that, even though you feel the lack of it because Elvis doesn't fill anything else in.”
    The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:02:36 · Amanda Dobbins (0.85 sure it was them)
  4. industry (Oscar rival): Amadeus → 2010: The Year We Make Contact. 2010 lost costume design, makeup, sound and art direction to Amadeus, and visual effects to Temple of Doom.
    “End sound and art direction to all to Amadeus.”
    Blank Check — Patreon · 2010: The Year We Make Contact · 1:09:46 · unknown (0.30 sure it was them)