The Velvet Underground (2021)
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Wikidata Q98139729, film, IMDb tt7230750, TMDB 543836: matched by corpus:resolve, told apart by the note “documentary”.
Also said as The Velvet Underground (documentary): the same Wikidata item, so listed here.
What a model would be handed about it, for corpus:ask.
Who talked about it
The Big Picture
Came from
What the speakers say it drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
No line says it drew on another film or person.
Led to
What the speakers say drew on it, marked the same way.
No line says another film or person drew on it.
Connected to
I'm Not There: 1 line people ×1
-
people (double bill, auteur):
I'm Not There → The Velvet Underground.
Both show Haynes's fascination with originating power: where it came from and how pieces assembled into a singular figure or band.
“the thing that it fascinates him is originating power. It's like, where did this come from and how did it come together?”
The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:16:00 · Amanda Dobbins (0.80 sure it was them)
Killers of the Flower Moon: 1 line unmapped ×1
-
unmapped (Apple physical):
The Velvet Underground → Killers of the Flower Moon.
Velvet Underground is the one Apple movie with a physical release (Criterion).
“Actually, that's the one Apple movie that has a physical release.”
The Big Picture · Physical Media Strikes Back With Tim Simons · 1:14:15 · Sean Fennessey (0.55 sure it was them)
The Beatles: Get Back: 1 line contrast ×1
-
contrast (double bill, opposite control):
The Velvet Underground → The Beatles: Get Back.
Haynes's film is all shaping and concept while Jackson's Get Back just lets you sit and listen.
“What an interesting double bill development underground dock is with get back.”
The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:16:41 · Adam Nayman (0.85 sure it was them)
Where it came up
- passing in The Big Picture · Physical Media Strikes Back With Tim Simons, first at 1:14:10, 1 time
- compared in The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics, first at 1:15:58, 3 times
What was said about it, by kind
contrast (1)
-
contrast (double bill, opposite control):
The Velvet Underground → The Beatles: Get Back.
Haynes's film is all shaping and concept while Jackson's Get Back just lets you sit and listen.
“What an interesting double bill development underground dock is with get back.”
The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:16:41 · Adam Nayman (0.85 sure it was them)
people (1)
-
people (double bill, auteur):
I'm Not There → The Velvet Underground.
Both show Haynes's fascination with originating power: where it came from and how pieces assembled into a singular figure or band.
“the thing that it fascinates him is originating power. It's like, where did this come from and how did it come together?”
The Big Picture · ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics · 1:16:00 · Amanda Dobbins (0.80 sure it was them)
unmapped (1)
-
unmapped (Apple physical):
The Velvet Underground → Killers of the Flower Moon.
Velvet Underground is the one Apple movie with a physical release (Criterion).
“Actually, that's the one Apple movie that has a physical release.”
The Big Picture · Physical Media Strikes Back With Tim Simons · 1:14:15 · Sean Fennessey (0.55 sure it was them)
Fun items about it
None.
Who the speakers said made it
As said on the shows, not checked against the real credits.
- Todd Haynes: director (The Big Picture, Physical Media Strikes Back With Tim Simons)
- Todd Haynes: director (The Big Picture, ‘Elvis,’ ‘Walk Hard’ and Top Five Music Biopics)
- Criterion: in the Criterion Collection (The Big Picture, Physical Media Strikes Back With Tim Simons)