Lynn Lovett

Made films the shows talk about.

Counted as craft, the making department they hold the most credits in. The films the hosts said they worked on, which the two lists below run through too: Star 80 (1983).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Lenny (1974): 1 line

  1. craft (structure) · through Star 80 (1983), which they worked on as Fosse script supervisor/loyalist quoted; 'Lynn' also guest on All That Jazz episode: Lenny ⇒ Star 80 (the host's read). Star 80's interview framing/superstructure echoes Lenny's, and Lenny is the origin of the Chevy-Chase-style voice.
    “This movie, you have the interview, this sort of superstructure that he loves so much”
    Blank Check with Griffin & David · Star 80 with Julie Klausner · 0:32:03 · Griffin Newman (0.40 sure it was them)

Sweet Charity (1969): 1 line

  1. unmapped (technique) · through Star 80 (1983), which they worked on as Fosse script supervisor/loyalist quoted; 'Lynn' also guest on All That Jazz episode: Sweet Charity ⇒ Star 80 (the host's read). Fosse's choreographic insert/isolation technique reappears in Star 80, applied to ugly material.
    “There's even the, I mean, the whole fossy isolation of the body parts thing, right?”
    Blank Check with Griffin & David · Star 80 with Julie Klausner · 0:33:58 · David Sims (0.40 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

No line says anything drew on them or a film of theirs.

What the speakers said they did

Craft (1) everyone in craft

What was said about them, by kind

No claims join them to a film or another person.

Fun items about them

None.