Sweet Charity (1969)
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Wikidata Q2300646, film, IMDb tt0065054, TMDB 42618: matched by corpus:resolve, told apart by episode credits Bob Fosse as director (Star 80 with Julie Klausner).
What a model would be handed about it, for corpus:ask.
Who talked about it
Blank Check with Griffin & David
- Julie Klausner: 1 line in Star 80 with Julie Klausner
- Unattributed: 2 lines, the speaker unknown or under 0.5 sure.
Came from
What the speakers say it drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
No line says it drew on another film or person.
Led to
What the speakers say drew on it, marked the same way.
Star 80: 1 line the host's read ×1
-
unmapped (technique):
Sweet Charity ⇒ Star 80 (the host's read).
Fosse's choreographic insert/isolation technique reappears in Star 80, applied to ugly material.
“There's even the, I mean, the whole fossy isolation of the body parts thing, right?”
Blank Check with Griffin & David · Star 80 with Julie Klausner · 0:33:58 · David Sims (0.40 sure it was them)
Connected to
Star 80: 2 lines unmapped ×1 verdict ×1
-
verdict (ranking):
Sweet Charity → Star 80.
A lumpy joyful film is ranked above the powerful but hateful one.
“sweet charity is a lumpy movie that brings me joy versus star 80, a film that just makes me think very deeply about everything I hate about the world.”
Blank Check with Griffin & David · Star 80 with Julie Klausner · 1:52:10 · Julie Klausner (0.50 sure it was them)
Big Deal on Madonna Street: 1 line lineage ×1
-
lineage (source pattern):
Sweet Charity → Big Deal on Madonna Street.
Fosse repeatedly adapted Italian films into musicals (Sweet Charity from Fellini, Big Deal from Madonna Street).
“Adapting fucking Italian.”
Blank Check with Griffin & David · Star 80 with Julie Klausner · 1:29:57 · unknown (0.30 sure it was them)
Where it came up
- compared in Blank Check with Griffin & David · Star 80 with Julie Klausner, first at 0:08:16, 10 times
- compared in Blank Check — Patreon · Eraserhead (Ad-Free), first at 0:13:29, 1 time
- passing in Blank Check — Patreon · 2001: A Space Odyssey with Jordan Hoffman (Ad-Free), first at 0:38:31, 1 time
- compared in Blank Check — Patreon · Spartacus with Richard Lawson (Ad-Free), first at 2:03:32, 1 time
What was said about it, by kind
lineage (1)
-
lineage (source pattern):
Sweet Charity → Big Deal on Madonna Street.
Fosse repeatedly adapted Italian films into musicals (Sweet Charity from Fellini, Big Deal from Madonna Street).
“Adapting fucking Italian.”
Blank Check with Griffin & David · Star 80 with Julie Klausner · 1:29:57 · unknown (0.30 sure it was them)
unmapped (1)
-
unmapped (technique):
Star 80 → Sweet Charity.
Fosse's choreographic insert/isolation technique reappears in Star 80, applied to ugly material.
“There's even the, I mean, the whole fossy isolation of the body parts thing, right?”
Blank Check with Griffin & David · Star 80 with Julie Klausner · 0:33:58 · David Sims (0.40 sure it was them)
verdict (1)
-
verdict (ranking):
Sweet Charity → Star 80.
A lumpy joyful film is ranked above the powerful but hateful one.
“sweet charity is a lumpy movie that brings me joy versus star 80, a film that just makes me think very deeply about everything I hate about the world.”
Blank Check with Griffin & David · Star 80 with Julie Klausner · 1:52:10 · Julie Klausner (0.50 sure it was them)
Fun items about it
None.
Who the speakers said made it
As said on the shows, not checked against the real credits.
- Bob Fosse: director (Blank Check with Griffin & David, Star 80 with Julie Klausner)
- Gwen Verdon: Fosse's collaborator/wife; choreographic partner (Blank Check with Griffin & David, Star 80 with Julie Klausner)
- Cy Coleman: composer (Blank Check with Griffin & David, Star 80 with Julie Klausner)