Federico Fellini

Made films the shows talk about.

Wikidata Q7371: matched by corpus:resolve, told apart by the only person by that name on Wikidata.

Counted as director, the making department they hold the most credits in. The films the hosts said they directed, which the two lists below run through too: Satyricon (1969); La Strada.

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

No line says they, or a film of theirs, drew on anything.

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

Mike Mills: 1 line

  1. lineage (lineage) · them, directly: Federico Fellini ⇒ Mike Mills (the maker said so: Mike Mills interview on the episode). Mills learned filmmaking somewhere between Fellini and Godard, his usual French new wave language.
    “somewhere between Italian, like Fellini and and Goddard is like where I learned how to get interested in filmmaking.”
    The Big Picture · ‘Ghostbusters: Afterlife,’ ‘Tick, Tick ... Boom!,' and Our Top Five Feel-Good Movies · 1:22:07 · Mike Mills (0.90 sure it was them)

What the speakers said they did

Directing (2) everyone in directing

Other (1) everyone in other

What was said about them, by kind

lineage (1)

  1. lineage (lineage): Mike Mills → Federico Fellini. Mills learned filmmaking somewhere between Fellini and Godard, his usual French new wave language.
    “somewhere between Italian, like Fellini and and Goddard is like where I learned how to get interested in filmmaking.”
    The Big Picture · ‘Ghostbusters: Afterlife,’ ‘Tick, Tick ... Boom!,' and Our Top Five Feel-Good Movies · 1:22:07 · Mike Mills (0.90 sure it was them)

people (1)

  1. people (people): Dino De Laurentiis → Federico Fellini. Raffaella says her father thought Lynch was as good as Fellini.
    “My father loved directors and he thought David was as good as Fellini, she says.”
    Blank Check with Griffin & David · Dune with John Hodgman · 1:08:14 · Griffin Newman (0.60 sure it was them)

verdict (1)

  1. verdict (verdict): La Strada → Federico Fellini. Fellini's films were treated badly in Italy; La Strada was judged bad until America discovered him.
    “Even Lestrada was considered, you know, bad movie, and it took America to sort of discover him.”
    The Big Picture · ‘The Lost City of Z’ Director James Gray | The Big Picture (Ep. 9) · 0:17:17 · James Gray (0.90 sure it was them)

Fun items about them

None.