The Big Picture: ‘Ghostbusters: Afterlife,’ ‘Tick, Tick ... Boom!,' and Our Top Five Feel-Good Movies (guest)
Loves French new wave and Italian cinema (Fellini, Godard), Buster Keaton, radio journalism (Studs Terkel, Ira Glass), and Chekhovian small stories like Bob's Burgers. Drawn to personal, uncommercial, non-plot-driven films and to the fable image of a child and adult. Suspicious of tidy 'truth'; likes masking and nerves in interviews.
Stances
- Fatherhood deepened and broadened his work
- Each film is a bet of all his chips on a primary relationship
- Long shelf lives and strangers' personal stories are the highest honor
- Blur the boundaries between documentary and acting
Humor: Self-deprecating and tangential, jokes about therapy and being underexploited.
In their words
- “I'm going to call my therapist and get her in on this phone call.” (1:28:06)
- “I'm not a super believer and like there's this like thing called the truth that sits over there all innocent and clean and stays over there and it's lame.” (1:18:33)
- “I don't think it hurts to be slightly underexploited.” (1:28:52)
- “each of my films is kind of like a bet like that, I can only do the bet if I can willing to bet all my chips, you know?” (1:23:48)
- “usually I'm much more of like a French new wave person.” (1:22:03)