ABBA
Made films the shows talk about.
Counted as composer, the making department they hold the most credits in. The films the hosts said they scored, which the two lists below run through too: Mamma Mia! (2008); The Martian (2015).
Draws on
What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
ABBA: 1 line, within their own work
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lineage (lineage) · through Mamma Mia! (2008), which they scored:
ABBA ⇒ Mamma Mia! (the host's read).
The film is aesthetically and spiritually in tune with ABBA's incandescent, inescapable and stupid songs.
“It is a film that is very, like aesthetically and spiritually in tune with its source material, being the, like, incandescent, inescapable, wonderful, and also really stupid songs of ABBA.”
The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · 0:52:57 · Amanda Dobbins (0.80 sure it was them)
West Side Story (2021): 1 line
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craft (craft) · through Mamma Mia! (2008), which they scored:
West Side Story ⇒ Mamma Mia! (the host's read).
In Dancing Queen, Baranski and Streep's chiffon skirts allow one Jerome Robbins-style moment that echoes West Side Story.
“they do like one Jerome Robbins, like, uh, sachet moment.”
The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · 1:17:19 · Amanda Dobbins (0.50 sure it was them)
Drawn on by
What the speakers say drew on them or a film of theirs, marked the same way.
Alien: Covenant (2017): 1 line
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industry (industry) · through The Martian (2015), which they scored:
The Martian ⇒ Alien: Covenant (the host's read).
The Martian's success gave Scott leverage to make an odder Alien film.
“I forgot that the previous film to this is the Martian”
Blank Check — Patreon · Alien: Covenant · 1:19:20 · unknown (0.40 sure it was them)
Mamma Mia! (2008): 1 line, within their own work
-
lineage (lineage) · them, directly:
ABBA ⇒ Mamma Mia! (the host's read).
The film is aesthetically and spiritually in tune with ABBA's incandescent, inescapable and stupid songs.
“It is a film that is very, like aesthetically and spiritually in tune with its source material, being the, like, incandescent, inescapable, wonderful, and also really stupid songs of ABBA.”
The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · 0:52:57 · Amanda Dobbins (0.80 sure it was them)
Mamma Mia! Here We Go Again (2018): 1 line
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lineage (lineage) · through Mamma Mia! (2008), which they scored:
Mamma Mia! ⇒ Mamma Mia! Here We Go Again (the host's read).
The sequel is both prequel and sequel, with Lily James as young Donna in Donna and the Dynamos.
“can I tell you it's both a prequel and a sequel?”
The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · 1:35:44 · Amanda Dobbins (0.60 sure it was them)
What the speakers said they did
Music (2) everyone in music
- song 'Waterloo' on the soundtrack, The Martian (Blank Check with Griffin & David, Starman with Katey Rich)
- songs, Mamma Mia! (The Big Picture, ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap!)
What was said about them, by kind
lineage (1)
-
lineage (lineage):
Mamma Mia! → ABBA.
The film is aesthetically and spiritually in tune with ABBA's incandescent, inescapable and stupid songs.
“It is a film that is very, like aesthetically and spiritually in tune with its source material, being the, like, incandescent, inescapable, wonderful, and also really stupid songs of ABBA.”
The Big Picture · ‘Mamma Mia!’ Meets ‘The Strangers'! It’s a Movie Swap! · 0:52:57 · Amanda Dobbins (0.80 sure it was them)
Fun items about them
None.