Manohla Dargis
Cited on the shows, as a critic is, not present.
Wikidata Q441327: matched by corpus:resolve, told apart by the only person by that name on Wikidata.
No film of theirs is counted, so what they drew on and who drew on them comes only from the lines with them at one end.
Draws on
What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
No line says they, or a film of theirs, drew on anything.
Drawn on by
What the speakers say drew on them or a film of theirs, marked the same way.
No line says anything drew on them or a film of theirs.
What the speakers said they did
Other (1) everyone in other
- critic, Moneyball (The Big Picture, The 25 Best Movies of the Century: No. 14 - ‘Moneyball’)
What was said about them, by kind
unmapped (1)
-
unmapped (critical reading):
Manohla Dargis → Brad Pitt.
Dargis wrote about Pitt's power as a movie star filtering Robert Redford-type strong, silent figures.
“Manola wrote at length about the kind of use of Pitt's power and what he kind of brings as a movie star type”
The Big Picture · The 25 Best Movies of the Century: No. 14 - ‘Moneyball’ · 0:28:12 · Sean Fennessey (0.55 sure it was them)
Fun items about them
None.