Whit Stillman
Made films the shows talk about.
Counted as director, the making department they hold the most credits in. The films the hosts said they directed, which the two lists below run through too: Metropolitan (1990); Barcelona; The Last Days of Disco.
Draws on
What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
No line says they, or a film of theirs, drew on anything.
Drawn on by
What the speakers say drew on them or a film of theirs, marked the same way.
No line says anything drew on them or a film of theirs.
What the speakers said they did
Directing (3) everyone in directing
- director, Metropolitan (The Big Picture, The 1990 Movie Draft)
- director, Barcelona (The Big Picture, The 1990 Movie Draft)
- director, The Last Days of Disco (The Big Picture, The 1990 Movie Draft)
Other (1) everyone in other
- dialogue style reference, Teenage Sex and Death at Camp Miasma (The Big Picture, The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ With Gillian Anderson, Hannah Einbinder, and Jane Schoenbrun!)
What was said about them, by kind
career (1)
-
career (career):
Metropolitan → Whit Stillman.
Metropolitan opens Stillman's trilogy about miserable rich, educated kids.
“about young, overly educated rich kids or mostly rich kids, um, sitting in rooms trying to impress each other and being miserable with their lives”
The Big Picture · The 1990 Movie Draft · 1:00:09 · Amanda Dobbins (0.85 sure it was them)
craft (1)
-
craft (craft):
Teenage Sex and Death at Camp Miasma → Whit Stillman.
Jane wanted fast-paced Stillman-like dialogue with stoner goofs.
“fast-paced with Stillman kind of dialogue and stonery”
The Big Picture · The Final Girl Film Canon and ‘Teenage Sex and Death at Camp Miasma’ With Gillian Anderson, Hannah Einbinder, and Jane Schoenbrun! · 1:21:27 · Jane Schoenbrun (0.90 sure it was them)
Fun items about them
None.