Sarah Greenwood

Made films the shows talk about.

Counted as craft, the making department they hold the most credits in. The films the hosts said they worked on, which the two lists below run through too: Darkest Hour (2017).

Draws on

What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.

Pan (2015): 2 lines

  1. career (career) · through Darkest Hour (2017), which they worked on as production designer: Pan ⇒ Darkest Hour (the maker said so: Wright, on the show). Wright says Pan's failure and his own doubt are what made the doubt-ridden Churchill script resonate.
    “I had made a film called Pan, which had lost about $100 million, and had been slated, really, by most everyone, and I was suffering my own crisis of confidence”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:02:29 · Joe Wright (0.95 sure it was them)
  2. career (career) · through Darkest Hour (2017), which they worked on as production designer: Pan ⇒ Darkest Hour (the maker said so: Wright, on the show). After Pan he decided he was not cut out for big studio movies and wanted to return to his wheelhouse.
    “I realized after Pan that I wasn't cut out necessarily for the kind of big studio movies, and I wanted to return to something that was closer to my wheelhouse.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:03:05 · Joe Wright (0.95 sure it was them)

Andrei Tarkovsky: 1 line

  1. lineage (lineage) · through Darkest Hour (2017), which they worked on as production designer: Andrei Tarkovsky ⇒ Darkest Hour (the maker said so: Wright, on the show). Wright wants his work called cinematic and cites Tarkovsky's 'sculpting in time'.
    “as Tarkovsky put it, sculpting in time.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:15:27 · Joe Wright (0.95 sure it was them)

Anna Karenina: 1 line

  1. contrast (contrast) · through Darkest Hour (2017), which they worked on as production designer: Anna Karenina ⇒ Darkest Hour (the maker said so: Wright, on the show). Darkest Hour's stripped-back look is a reaction against Pan and Anna Karenina.
    “as a kind of reaction to what I've been doing before, including Pan, but also, you know, Anna Karenina and movies like that.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:04:41 · Joe Wright (0.95 sure it was them)

Max Richter: 1 line

  1. craft (craft) · through Darkest Hour (2017), which they worked on as production designer: Max Richter ⇒ Darkest Hour (the maker said so: Wright speaking of his own film on the show). Wright says he wanted a cinematic equivalent of the minimalist music he was listening to, including Max Richter.
    “I was also listening to a lot of minimalist music at the time, Max Richter and Niels Fram and, of course, the great Philip Glass and so on.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:05:00 · Joe Wright (0.95 sure it was them)

Nils Frahm: 1 line

  1. craft (craft) · through Darkest Hour (2017), which they worked on as production designer: Nils Frahm ⇒ Darkest Hour (the maker said so: Wright speaking of his own film on the show). Wright says he wanted a cinematic equivalent of the minimalist music he was listening to, including Nils Frahm.
    “I was also listening to a lot of minimalist music at the time, Max Richter and Niels Fram and, of course, the great Philip Glass and so on.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:05:00 · Joe Wright (0.95 sure it was them)

Philip Glass: 1 line

  1. craft (craft) · through Darkest Hour (2017), which they worked on as production designer: Philip Glass ⇒ Darkest Hour (the maker said so: Wright, on the show). Wright aimed for a cinematic equivalent of minimalist music by Richter, Frahm and Glass.
    “I wanted to try and achieve some kind of cinematic aesthetic equivalent to that music.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:05:08 · Joe Wright (0.95 sure it was them)

Drawn on by

What the speakers say drew on them or a film of theirs, marked the same way.

No line says anything drew on them or a film of theirs.

What the speakers said they did

Craft (1) everyone in craft

What was said about them, by kind

career (1)

  1. career (career): Sarah Greenwood → Joe Wright. The host notes Wright's production-design and costume collaborators have been nominated for awards while Wright has not.
    “Particularly your team, Sarah Greenwood, Jacqueline Duran, who both worked on this film, have been nominated.”
    The Big Picture · Joe Wright Bounces Back From His Darkest Hour | The Big Picture (Ep. 37) · 0:20:44 · Sean Fennessey (0.90 sure it was them)

Fun items about them

None.