Jonathan Rosenbaum
Cited on the shows, as a critic is, not present.
Counted as other. The films the hosts said they were tied to, which the two lists below run through too: Citizen Kane (1941); In the Cut (2003).
Draws on
What the speakers say they, or a film of theirs, drew on. Each is a speaker's account: “the maker said so” when they report the maker's own words, “the host's read” when the read is theirs.
Herman Mankiewicz: 1 line
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unmapped (adapting lived experience) · through Citizen Kane (1941), which they were tied to as critic who alleged Welles wrote Bogdanovich's rebuttal:
Herman Mankiewicz ⇒ Citizen Kane (the host's read).
Sean says Citizen Kane is Welles adapting an experience Herman Mankiewicz had inside the Hearst circle.
“so in a way, this is him adapting an experience that Herman Mankowitz had”
Blank Check — Patreon · Mank with Sean Fennessey (Ad-Free) · 0:41:24 · Sean Fennessey (0.70 sure it was them)
Susanna Moore: 1 line
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lineage (lineage) · through In the Cut (2003), which they were tied to as critic:
Susanna Moore ⇒ In the Cut (the host's read).
Campion had been developing the film since the mid-90s, when she read Moore's novel.
“Campion had been working on this movie since the mid 90s when she read Susanna Moore's novel, which came out in 95.”
Blank Check — Patreon · In the Cut with Jourdain Searles (Ad-Free) · 0:24:44 · Griffin or David (unclear) (0.35 sure it was them)
William Randolph Hearst: 1 line
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unmapped (subject) · through Citizen Kane (1941), which they were tied to as critic who alleged Welles wrote Bogdanovich's rebuttal:
William Randolph Hearst ⇒ Citizen Kane (the host's read).
Mankiewicz's script was a thinly veiled attack on his friend Hearst.
“I'm going to make fun of my my pal, Jordan, you know, William Randall first.”
Blank Check — Patreon · Mank with Sean Fennessey (Ad-Free) · 0:39:21 · David Sims (0.40 sure it was them)
Drawn on by
What the speakers say drew on them or a film of theirs, marked the same way.
Mank (2020): 2 lines
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lineage (visual influence) · through Citizen Kane (1941), which they were tied to as critic who alleged Welles wrote Bogdanovich's rebuttal:
Citizen Kane ⇒ Mank (the maker said so: David's interview with cinematographer Erik Messerschmidt).
Messerschmidt told the interviewer he wanted low, deep-focus photography evoking Citizen Kane, not noir.
“He's like, no, I want to do it low to the ground, lots of deep focus, evoking citizen Kane.”
Blank Check — Patreon · Mank with Sean Fennessey (Ad-Free) · 1:13:08 · David Sims (0.80 sure it was them) -
lineage (subject / source) · through Citizen Kane (1941), which they were tied to as critic who alleged Welles wrote Bogdanovich's rebuttal:
Citizen Kane ⇒ Mank (the host's read).
Mank is partly inspired by Pauline Kael's essay on who truly authored Citizen Kane.
“it's in part inspired by that very famous Pauline Kale, story raising Kane, about the true authorship of Citizen Kane”
The Big Picture · Emergency Mailbag: The Oscars Are Streaming and Hollywood Is Fighting Over Trolls | The Big Picture · 0:58:09 · Sean Fennessey (0.55 sure it was them)
Oh Father (Madonna video): 1 line
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unmapped (tribute) · through Citizen Kane (1941), which they were tied to as critic who alleged Welles wrote Bogdanovich's rebuttal:
Citizen Kane ⇒ Oh Father (Madonna video) (the host's read).
Oh Father is called Fincher's first Citizen Kane tribute.
“This was his 1st Citizen Kane tribute.”
Blank Check — Patreon · David Fincher Music Videos · 1:17:07 · unknown (0.40 sure it was them)
What the speakers said they did
Other (2) everyone in other
- critic who alleged Welles wrote Bogdanovich's rebuttal, Citizen Kane (Blank Check — Patreon, Mank with Sean Fennessey (Ad-Free))
- critic, In the Cut (Blank Check — Patreon, In the Cut with Jourdain Searles (Ad-Free))
What was said about them, by kind
No claims join them to a film or another person.
Fun items about them
None.